欢迎来到淘文阁 - 分享文档赚钱的网站! | 帮助中心 好文档才是您的得力助手!
淘文阁 - 分享文档赚钱的网站
全部分类
  • 研究报告>
  • 管理文献>
  • 标准材料>
  • 技术资料>
  • 教育专区>
  • 应用文书>
  • 生活休闲>
  • 考试试题>
  • pptx模板>
  • 工商注册>
  • 期刊短文>
  • 图片设计>
  • ImageVerifierCode 换一换

    《口技》初三复习教案.pdf

    • 资源ID:56626346       资源大小:43.53KB        全文页数:9页
    • 资源格式: PDF        下载积分:4.3金币
    快捷下载 游客一键下载
    会员登录下载
    微信登录下载
    三方登录下载: 微信开放平台登录   QQ登录  
    二维码
    微信扫一扫登录
    下载资源需要4.3金币
    邮箱/手机:
    温馨提示:
    快捷下载时,用户名和密码都是您填写的邮箱或者手机号,方便查询和重复下载(系统自动生成)。
    如填写123,账号就是123,密码也是123。
    支付方式: 支付宝    微信支付   
    验证码:   换一换

     
    账号:
    密码:
    验证码:   换一换
      忘记密码?
        
    友情提示
    2、PDF文件下载后,可能会被浏览器默认打开,此种情况可以点击浏览器菜单,保存网页到桌面,就可以正常下载了。
    3、本站不支持迅雷下载,请使用电脑自带的IE浏览器,或者360浏览器、谷歌浏览器下载即可。
    4、本站资源下载后的文档和图纸-无水印,预览文档经过压缩,下载后原文更清晰。
    5、试题试卷类文档,如果标题没有明确说明有答案则都视为没有答案,请知晓。

    《口技》初三复习教案.pdf

    口技一、作家作品林嗣环:字铁崖,清代顺治年间进士。口技出自虞初新志秋声诗自序,虞初新志是清代张潮编选的笔记小说。二、文言词语(一)重点词语通假字:满座寂然(“坐”通“座”,座位)词语活用:1.京中有善口技者。(善:形容词活用为动词,擅长)2.不能名其一处也。(名:名词动词,说出。)3.会宾客大宴。(宴:名词动词,举行宴会。)4.满坐宾客无不伸颈,侧目(目:名词动词,用眼睛看。)5.妇手拍儿声(手:名词状语,用手。)6.妇抚儿乳(乳:名词动词,喂奶。)重要实词:京中有善口技者(善,擅长。者,的人)会宾客大宴(会,适逢,正赶上。宴,举行宴会,用作动词)施八尺屏障(设置,安放)众宾团坐(围绕而坐)但闻屏障中抚尺一下(只)满坐寂然,无敢哗者(静悄悄)便有妇人惊觉欠伸(打哈欠,伸懒腰)其夫呓语(说梦话)妇抚儿乳(喂奶)众妙毕备(全、都)宾客意少舒(意,心情。少,稍微)中间力拉崩倒之声(夹杂)虽人有百手(即使)不能名其一处也(说出,用作动词)以为妙绝(以为,认为。妙绝,极点)变色离席(色,脸色。座,座位)奋袖出臂(扬起、举起)两股战战(股,大腿。战战,打哆嗦,打战)几欲先走(几,几乎,差点儿。走,跑)曳屋许许声(拉)(二)古今异义1.但闻屏障中抚尺一下古义(只,仅)今义(但是,表示转折的连词)2.宾客意少舒古义(稍微)今义(跟“多”相反)3.虽人有百手古义(即使,表假设的连词)今义(虽然,表转折的连词)4.两股战战,几欲先走股:古义(大腿)今义(屁股);走:古义(跑)今义(步行)5.微闻有鼠作作索索微:古义(隐隐约约)今义(小,细微);闻:古义(听)今义(用子嗅)文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T36.会宾客大宴古义(适逢,正赶上)今义(会议)7.当是时,妇手拍儿声古义(这,指示代词)今义(判断动词)8.中间力拉崩倒之声古义(其中夹杂着)今义(方位名词,指里面)9.稍稍正坐古义(渐渐)今义(稍微)(三)一词多义指:1.手有百指(名词,手指)2.不能指其一端(动词,指出)妙:1.众妙毕备(名词,妙处)2.以为妙绝(形容词,美妙,奇妙)作:1.有鼠作作索索(拟声词)2.百千齐作(动词,开始,文中是发出声音)间:1.中间力拉崩倒之声(动词,夹杂)2.遂于外人间隔(动词,间断)是:1.当是时(介词,这)2.问今是何时(判断动词)坐:文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T31.满坐寂然(名词,通“座”)2.众宾团坐(动词,坐)名:1.不能名其一处也(动词,说出)2.自为其名(名词,姓名,名称)绝:(1)以为妙绝;佛印绝类弥勒;绝 yan 多生怪柏(极,非常。)(2)群响毕绝;哀转久绝(尽,消失。)(3)奇山异水,天下独绝(独一无二)(4)猿则百叫无绝(停,断)(5)来此绝境(与世隔绝)(6)沿溯阻绝(断绝)夫:(1)未几,夫齁声起(丈夫,女子的配偶)(2)予观夫巴陵胜状(那)(3)嗟夫!(表感叹)乳:(1)妇抚儿乳(喂奶)(2)儿含乳啼(乳头)之:(1)于厅事之东北角;故时有物外之趣;益慕圣贤之道;脱笼之鹄;心之所向;曝沙之鸟(结构助词,表修饰,的)(2)久之,目似瞑,意暇甚(助词,无义,补充音节)(3)当余之从师也;两狼之并取如故;如倩女之靧面而髻鬟之始掠也(用在主谓间,取消句子独立性,不译)文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3(4)何陋之有(宾语前置,无实义)(5)送杜少府之任蜀州(动词,往、去)(6)昂首观之(代词)三、重点句子翻译:会宾客大宴,于厅事之东北角,施八尺屏障,口技人坐屏障中,一桌、一椅、一扇、一抚尺而已。满坐宾客无不伸颈,侧目,微笑,默叹,以为妙绝。中间力拉崩倒之声。曳屋许许声。虽人有百手,手有百指,不能指其一端;人有百口,口有百舌,不能名其一处也。于是宾客无不变色离席,奋袖出臂,两股战战,几欲先走。四、文章分析(一)段落层次与段意归纳全文可分为三部分:第一部分(1 段):交代口技表演者和表演的时间、地点、设施、道具,以及开演前的气氛。这部分是下文记叙精彩表演的铺垫。第二部分(24 段):写表演者的精彩表演和听众的反应。第一层(2 段):写表演一家人深夜被犬吠惊醒的情形,以及宾客对口技表演的由衷赞叹。第二层(3 段):写表演一家人由醒复睡的情形,以及宾客的情绪变化。文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3第三层(4 段):写表演突然而至的大火灾的情形,以及宾客以假为真的神态、动作。第三部分(5 段):写表演结束时的情景。再次交代表演者的道具仅“一桌、一椅、一扇、一抚尺而已。”与首段相呼应,说明在演出中未增加任何道具,刚才的精彩表演的确是从“口”中发出的。(二)主旨:本文记叙了一场精彩的口技表演,表现了一位口技艺人的高超技艺,令人深切感受到口技这一传统民间艺术的魅力。(紧扣住一个“善”字展开全文内容)(三)艺术手法:1.正面描写与侧面描写相结合。本文写口技表演,抓住了表演者和听众两个方面:一方面描写口技艺人的表演,直接表现其高超技艺,这是正面描写;另一方面描写听众的神态、动作,以听众的反应烘托其高超技艺,这是从侧面描写。在描写表演过程的三段中都是先写口技艺人的表演,后写听众的反应,从而使表演和效果有机地联系起来,以听众的反应为烘托,从侧面表现口技表演之“善”。本文运用侧面描写表现这场口技表演的魅力,烘托表演者的高超技艺,增强文章的感染力。2.以动写静,以动衬静的描写,表现深夜的寂静气氛。(1)“遥闻深巷中犬吠。”文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3口技表演是由“遥闻深巷中犬吠。”开始的。这一句写犬吠声,而这犬吠声是远远听到的,并且是从深巷中传来的,这就营造了夜深人静的氛围,把听众带入特定的生活情境中,使听众的注意力自然地被“犬吠”声所吸引,想知道究竟会发生什么事情。这一句既是以动写静,烘托深夜的寂静气氛,又是使一户人家由妇人初醒到全家喧闹的铺垫。(2)“微闻有鼠作作索索,盆器倾侧,妇梦中咳嗽。”这是以老鼠跑动偷食声,“盆器倾侧”声、妇人朦胧中的咳嗽声为反衬,加重深夜的静谧气氛,表现一家人由醒复睡后的沉寂状态,并为下面即将表现的大火灾蓄势。3.首尾照应。文章开头和结尾都交代了道具没有变化,说明这场精彩的口技表演确实是一个人通过“口”来完成的,突出口技表演技艺的高超,也使文章结合得更加紧凑。4.行文有波澜。整个口技表演由简到繁,由迟缓到紧张。第一个场景由“犬吠”引入,一家四口被惊醒,终于四声齐发,形成第一个波澜;第二个场景是声情潜伏期,承上启下,过渡;第三个情景,突然“火起”,救火是表演的高潮。五、考题:见日照市 2010 中考题。(甲)京中有善口技者。会宾客大宴,于厅事之东北角,施八尺屏障,文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3口技人坐屏障中,一桌、一椅、一扇、一抚尺而已。众宾团坐。少顷,但闻屏障中抚尺一下,满坐寂然,无敢哗者。林嗣环口技(乙)明有奇巧人曰,王叔远,能以径寸之木,为宫室、器皿、人物,以至鸟兽、木石,罔不因势象形,各其情态,尝贻余核舟一,盖大苏泛赤壁云。魏学洢核舟记9填空。(4分)甲,乙两个文段都选自清代人_编选的笔记小说_。甲文段以“_”字为核心,突出了民间艺人口技表演的高超;乙文段围绕“_”一词,表现了王叔远微雕技艺的精湛。10解释下列句子中加点的词语。(2分)会宾客大宴会:_ 罔不因势象形罔:_ 11将下列句子翻译成现代汉语。(4分)满坐寂然,无敢哗者。尝贻余核舟一,盖大苏泛赤壁云。12 甲文段除对民间艺人进行直接描写外,还运用了侧面烘托的手法,文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F4E5 ZQ9B8C5D1T3文档编码:CJ1Q7K7K3X1 HY5H9I2F

    注意事项

    本文(《口技》初三复习教案.pdf)为本站会员(H****o)主动上传,淘文阁 - 分享文档赚钱的网站仅提供信息存储空间,仅对用户上传内容的表现方式做保护处理,对上载内容本身不做任何修改或编辑。 若此文所含内容侵犯了您的版权或隐私,请立即通知淘文阁 - 分享文档赚钱的网站(点击联系客服),我们立即给予删除!

    温馨提示:如果因为网速或其他原因下载失败请重新下载,重复下载不扣分。




    关于淘文阁 - 版权申诉 - 用户使用规则 - 积分规则 - 联系我们

    本站为文档C TO C交易模式,本站只提供存储空间、用户上传的文档直接被用户下载,本站只是中间服务平台,本站所有文档下载所得的收益归上传人(含作者)所有。本站仅对用户上传内容的表现方式做保护处理,对上载内容本身不做任何修改或编辑。若文档所含内容侵犯了您的版权或隐私,请立即通知淘文阁网,我们立即给予删除!客服QQ:136780468 微信:18945177775 电话:18904686070

    工信部备案号:黑ICP备15003705号 © 2020-2023 www.taowenge.com 淘文阁 

    收起
    展开