2022年《马嵬教案》刘雯教学设计 .pdf

马嵬教学设计知识目标：解决字词，领会诗意。能力目标：1品味诗歌意境，领会诗歌美质。2学习艺术表现手法，培养诗歌鉴赏能力。情感目标：通过吟咏诗文，加深对李商隐诗歌特点的理解。学法指导：诵读、点拨、讨论、总结。课时安排：1 课时教学过程设计：一、导语：当盛唐的繁华落下帷幕，中唐又以其匆匆的步伐走过。曾经空前绝后的大唐王朝到了日薄西山的时候。李白登仙而去，杜甫困顿而逝，白居易、韩愈、柳宗元、刘禹锡的身影也渐渐消失在历史的尘埃之中。末世的余音里，李商隐走来了，这位晚唐的才子，旷世的情种，为大唐的黄昏添上了一道绚丽的余霞。二、咏史诗咏史诗以史为鉴，多抒发兴亡之慨。咏史之作，东汉的班固首开其端，但止于叙述史实，平实无华。至晋朝左思咏史、陶渊明咏荆轲之类，始借题发挥，寄寓怀抱。唐代诗人，如杜甫、刘禹锡等人，则多把咏史与咏怀古迹结合起来，扩大了诗的境界。安史乱后，唐王朝由极盛走向衰败，李商隐对玄宗的失政特别感到痛心，讽刺也特别尖锐。李商隐的咏史诗，主要写南朝和隋朝覆灭旧事及唐朝国家战乱。三、解题天宝十五年（756 年）6 月，安史之乱爆发玄宗逃往四川，至马嵬（陕西兴坪），随行将士不前，杀了杨国忠，并坚决要求处死杨贵妃。不得已令其自缢而死。史称“马嵬之变”。马嵬（其二），是李商隐咏史诗中的佳作，是一首政治讽刺诗。诗作以李隆基(唐玄宗)、杨玉环(贵妃)故事为抒情对象，锋芒指向了李唐前朝皇帝唐玄宗。四、诵读1、教师范读（节拍提示）海外/徒闻/更/九州，他生/未卜/此生/休。空闻/虎旅/传/宵柝，无复/鸡人/报/晓筹。此日/六军/同/驻马，当时/七夕/笑/牵牛。如何/四纪/为天子，不及/卢家/有莫愁。2、学生自由诵读，体会情感。3、学生齐读。五、诗歌欣赏过程：马嵬诗是以马嵬事变中玄宗为“六军”所逼，“赐”杨妃之死的事件，哪几句诗写了这一马嵬之变的事件？空闻虎旅传宵柝，不复鸡人报晓筹。此日六军同驻马，当时七夕笑牵牛。问 1：颔联“虎旅传宵柝”声音对“鸡人报晓筹”，其声音有什么不同？文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9军营内的声音，而后者为宫内声音问 2：军营内的声音加上“空闻”和宫廷内声音加上“不复”，又能使人读出玄宗的哪种境遇？只是听到传来的“宵柝”之声，却不能再听到熟悉的宫内“报晓”声了。显然写出玄宗不在宫内，而身在军营，逃离了皇宫，已在逃难途中，极尽狼狈和慌乱。问 3：“空闻”对“不复”，这运用了哪种表现手法？会收到什么好的艺术效果？对比，突出玄宗的昔安今危，昔乐今苦的生活境遇。问 4：颈联“此日”和“当时”都是指向时间的，前者指向眼前，后者指向以往。以往生活有什么特点？眼前又遇到了情况？前后又有什么关系？玄宗以自己和杨妃的朝夕相处讥笑牛郎织女的一年一次的七夕相会，实则写出了玄宗迷恋情色，荒废朝政，致使战祸发生。眼前是写“六军”同时“驻马”不前，未写不前原因，但原因不甚明了，要求“赐”死杨妃，杨妃是美女，美女自古便有祸水一说，显然前后句是倒行逆施的因果关系。问 5：颈联在艺术表现手法有何特点？对比杨妃“赐”死后，玄宗异常悲伤，哪些诗句写出了玄宗之悲？海外徒闻更九州，他生未卜此生休。文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9问 1：玄宗派人招魂，方士回来说“海外”还有“九州”，杨妃生活在那里，信守“世世为夫妻”誓约，这可信吗？哪个词语和句子戳破了这种说法？不可信，“徒闻”一词否定了方士的话，“他生未卜此生休”，来生微茫难求，但今生一起缘分断绝，已是事实。问 2：这样以神仙怪诞和生死轮回来写玄宗痴心梦想，这样写有什么好处？思杨妃之切，故有异常之举。这种举动正是极尽曲折写出玄宗之悲。对于这些诗人李商隐发出了什么慨叹？如何四纪为天子，不及卢家有莫愁。问 1：从内容上看前后句有什么特点？对比，贵为天子多年却无力保护心爱女人对比寻常百姓却能给莫愁幸福。问 2：从语气上看又有什么特点？反问。贵为天子能保护自己的子民，何况自己心爱女人，但“不及卢家有莫愁”，这一问问出了为什么会出现这种不正常的情况，问得有力，令人掩卷深思，其讥讽之意愈明。小结上面讲内容的过程，先有“马嵬之变”，而后才有“玄宗之悲”，最后才有“义山之叹”，但诗歌在某篇布局上却不是这样的，说说马嵬诗的叙事结构上的特点？倒叙，从整体上倒叙使尺幅之间，一波三折；从局部上看倒叙文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9突出因果。对比、倒叙和讥讽都是本诗的特点，请同学们当堂诵读并背诵全诗，领会其特点。六、板书：马 嵬（其二）玄宗之悲（荒诞）马嵬之变（对比）讥讽义山之叹（对比、反问）七、布置作业：背诵，并在反复诵读的过程中体会诗中情感。文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 ZG3Q1N6C2M9文档编码:CW5K8O6V3D6 HZ4V9B2C4C1 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