LaoShe老舍英文介绍.pptx
IntroductionShuQingchun,Manchuethnicity（满族）Chinesenovelistanddramatist.Oneofthemostsignificantfiguresof20thcenturyChineseliterature,Rickshaw Boy(骆驼祥子),Teahouse(茶馆).HisworksareknownespeciallyfortheirvividuseoftheBeijingdialect.第1页/共17页EarlylifePoorfamily，BeijingFatherdiedinastreetbattlewiththe Eight-PowerAlliedForces(八国联军).BeijingNormalThirdHighSchool（1913）BeijingNormalUniversity（1913-1918）第2页/共17页TeachingandWritingCareerAdministratorandfacultymember，primaryandsecondaryschoolsinBeijingandTianjing.（1918-1924）InfluencedbytheMayFourthMovement(1919).London，Englishliterature,(especiallyDickens）CheelooUniversityandShandongUniversity.（1930-1937）UnitedStates，atwo-yearculturalgrantsponsoredbytheStateDepartment,lecturingandoverseeingthetranslationofseveralofhisnovels.（1946）第3页/共17页LifeinthePeoplesRepublicofChinaHeexperiencedmistreatmentintheCulturalRevolutionofthemid-1960s.RedGuardsoftheCulturalRevolutionhadattackedhimasacounterrevolutionary.Greatlyhumiliatedbothmentallyandphysically,he committedsuicidebydrowninghimselfinBeijingsTaipingLakein1966.第4页/共17页HewasmarriedtothefamouspainterHuJieqingandtheyhadfourchildren,onesonandthreedaughters.第5页/共17页WorksRickshawBoy（1936）ItdescribesthetragiclifeofarichshawpullerinBeijingofthe1920sandisconsideredtobeaclassicofmodernChineseliterature.第6页/共17页CrescentMoonSiShiTongTangCatCountryThePhilosophyofOldZhang第7页/共17页Writingstyle：Worksaremostlytakenfrompubliclife,whichhavedevelopedimportantsubjectareasformodernChineseliterature.：Hisdescriptionofnaturalscenery,thewaysoftheworld,customfashion,usingspokenmasses,areshowingastrongBeijingflavor.：Criticismofculturaltraditionanddevelopmentofanti-imperialismandpatriotism第8页/共17页TeahouseTeahouseisaplayinthreeacts,setinateahousecalledYuTaiinBeijingfrom1898untiltheeveofthe1949revolution.Firstpublishedin1957,theplayisasocialandculturalcommentaryontheproblems,culture,andchangeswithinChinaduringtheearlytwentiethcentury.Atthebackgroundoftheriseanddeclineintheteahouse,hedescribessocialvisageofourcountrythroughthechangesofcharacters.Itrevealsturbulenceanddarknessofsemi-colonialandsemi-feudalsociety.第9页/共17页Act1:AfterthefailureofWuxuReformin1898，WangLifadidexcellentbusinessinteahouse，attractingpeopleinvarioustrades.Act 2:Although Wang Lifa racked his brain to improving，teahouse business was in a tough time under the warlords in the 1910s.Act3:After the victory of WW II,all people of righteousness were in a dilemma.第10页/共17页WangLifaHeisaselfsish,slipperyandsociablebusinessman.Whenpolicemenmaketroubletohim,hewillflatterthem.Butactuallyheisanhonestmanjustwanttodobusinessinastableenvironment.Intheend，hecantresistagainstevilforce.Afterteahouseisoccupied，hehangshimself.第11页/共17页Artisticfeatures1.SpecialdramaticconflictHeusesTechniqueofsilhouette（剪影式）toshowdifferentkindsofpeopleinthesociety.EverylittleconflictsbetweencharactersimpliescontradictionsbetweenpeopleandOldtime.第12页/共17页2.DistinctdramaticstructureTeahousehasntacompleteplotcluebutthroughcharactersexercisespushingforwardtheplay,itcalled“Thetypeofpicture”.(图卷式)3.RefineddramaticlanguageHeusesrefined，humorousandpersonalizedlanguagewithhiddenmessage.ItisalsofullofstronglocalfeatureoftheBeijingdialect.第13页/共17页LaoSheTeahouseItisnamedaftertheplayTeahouse,builtin1988.Guestscanenjoytheopera,dramaandotherexcellentperformanceswithtastingallkindsofgoods,tea，andBeijingsnacks.第14页/共17页第15页/共17页第16页/共17页感谢您的观看！第17页/共17页
