日本文化介绍英文.pptx
Cherry BlossomCherryBlossomsisanationalflowerofJapen.InthemiddleofeverymarchtomidApril,isJapenfromthesouthtothenorthofcherryblossomsseason.Everyyearattractsmangtourists.第1页/共23页 Flower ViewingHanamiistheJapanesetraditionalcustomofenjoyingthebeautyofflowers,flowerinthiscasealmostalwaysmeaningcherryblossomsorumeblossoms.FromtheendofMarchtoearlyMay,sakurabloomalloverJapan.Theblossomforecast,sakurazensen,literallycherryblossomfrontisannouncedeachyearbytheweatherbureau,andiswatchedcarefullybythoseplanninghanamiastheblossomsonlylastaweekortwo.第2页/共23页InmoderndayJapan,hanamimostlyconsistsofhavinganoutdoorpartybeneaththesakuraduringdaytimeoratnight.Hanamiatnightiscalledyozakura.InmanyplacessuchasUenoParktemporarypaperlanternsarehungforthepurposeofyozakura.第3页/共23页SymbolismInJapancherryblossomsalsosymbolizecloudsduetotheirnatureofbloomingenmasse,besidesbeinganenduringmetaphorfortheephemeralnatureoflife,anaspectofJapaneseculturaltraditionthatisoftenassociatedwithBuddhisticinfluence,andwhichisembodiedintheconceptofmononoaware.Theassociationofthecherryblossomwithmononoawaredatesbackto18thcenturyscholarMotooriNorinaga.Thetransienceoftheblossoms,theextremebeautyandquickdeath,hasoftenbeenassociatedwithmortality;forthisreason,cherryblossomsarerichlysymbolic,andhavebeenutilizedofteninJapaneseart,manga,anime,andfilm,aswellasatmusicalperformancesforambienteffect.Thereisatleastonepopularfolksong,originallymeantfortheshakuhachi(bambooflute),titledSakura,andseveralpopsongs.TheflowerisalsorepresentedonallmannerofconsumergoodsinJapan,includingkimono,stationery,anddishware第4页/共23页Cherryblossomisanomenofgoodfortuneandisalsoanemblemoflove,affectionandrepresentsspring.Cherryblossomsareanenduringmetaphorforthefleetingnatureoflife,andassucharefrequentlydepictedinart.第5页/共23页KimonoThekimonoisthetraditionalcostumeofJapanesenation.ItwasbasedonthecostumeofTangdynastyofChinaandgraduallydevelopedthroughmorethan1000yearshistory.ThekimonoweseetodaymostlyinheritthecostumefeatureofJianghudynasty.Japanesefullyandperfectlyexpresstheirimpressionforartonkimono.Thefolkdancesandtraditionalartcantdowithoutkimono,forthekimonocandisplaytheelegancyandbeautyofJapanesewomen.Japanesepeoplealwayswearbusinesssuitwhentheywork,especiallyforpeopleworkoutsideandsalesman,theircompaniesdemandtheworkermustwearbusinesssuit.第6页/共23页Theyoungpeoplearealwaysliketowearfashionableandinformaldressinsparetime.ThedressingofJapanesepeopleisneatandtidy;especiallytheJapanesewomenlikedressingupandmakeupproperly.Theyareparticularaboutdressing.Thekimonosarevariousandchangeconstantlyindesigns,colorandtextureinthousandsyears第7页/共23页Thereareobviousdifferencesindressingkimonobetweenmanandwoman.Themankimonoissingularincolorandemphasizeblackwithlessstyle,thinwaistbandandsimpleaccessoriessothateasytowear,Whilewomankimonoarecolorfulwithwidewaistband,variousstyleandmanyaccessories.PeopleweardifferentKimonoinspecificsituationandtimetoshowprudence.Womenhavekimonosforwedding,adult,dinner,ceremonyandalsocommonkimonos.第8页/共23页InJapan,thereisstillapaintinggenrespecializeindrawingthewomenwearingkimono.Thesepaintingsnotonlykeepthecolor,texture,design,fashionandaccessoriesofkimonosindifferentperiod,butalsoreflectdressingrulesanddifferentposeswithdifferentexpressionswhenwearingit.Thepaintingsalsoexpresstheattitudeandfondnessofartistandthepeopleinthesameage.Besides,therearesomespecificrulesandtabooinwearingit.ThearticlestatetheimportantmeaningofkimonoforJapaneseculturethroughtheintroductionofkimonoindetail,anddemonstratetheimportanceofmoderncostumeinnationalhistoryandculture.第9页/共23页Animebeganatthestartofthe20thcentury,whenJapanesefilmmakersexperimentedwiththeanimationtechniquesalsopioneeredinFrance,Germany,theUnitedStates,andRussia.Theoldestknownanimeinexistencefirstscreenedin1917EarlypioneersincludedShimokawaOten,JunichiKouchi,andSeitarKitayama.Bythe1930sanimationbecameanalternativeformatofstorytellingtothelive-actionindustryinJapan.Butitsufferedcompetitionfromforeignproducersandmanyanimators,suchasNoburfujiandYasujiMuratastillworkedincheapercutoutnotcelanimation,althoughwithmasterfulresults.第10页/共23页ThesuccessofTheWaltDisneyCompanys1937featurefilmSnowWhiteandtheSevenDwarfsinfluencedJapaneseanimators.Inthe1960s,mangaartistandanimatorOsamuTezukaadaptedandsimplifiedmanyDisneyanimation-techniquestoreducecostsandtolimitthenumberofframesinproductions.第11页/共23页The1970ssawasurgeofgrowthinthepopularityofmangamanyofthemlateranimated.TheworkofOsamuTezukadrewparticularattention:hehasbeencalledalegendandthegodofmanga。RobotanimeliketheGundamandTheSuperDimensionFortressMacrossseriesbecameinstantclassicsinthe1980s,andtherobotgenreofanimeisstilloneofthemostcommoninJapanandworldwidetoday.Inthe1980s,animebecamemoreacceptedinthemainstreaminJapan，andexperiencedaboominproduction.第12页/共23页Followingafewsuccessfuladaptationsofanimeinoverseasmarketsinthe1980s,animegainedincreasedacceptanceinthosemarketsinthe1990sandevenmoreattheturnofthe21stcentury.第13页/共23页Nowanimehasbecomecommerciallyprofitableinwesterncountries,asearlycommerciallysuccessfulwesternadaptationsofanime,suchasAstroBoy,haverevealed.Sincethe19thcentury,manyWesternershaveexpressedaparticularinteresttowardsJapan.AnimedramaticallyexposedmoreWesternerstothecultureofJapan.Asidefromanime,otherfacetsofJapanesecultureincreasedinpopularity.Worldwide,thenumberofpeoplestudyingJapaneseincreased.Evendomesticanimationindustrieshadmadeattemptsatemulatinganime.Anime-influencedanimationreferstonon-Japaneseworksofanimationthatemulatethevisualstyleofanime.Somecreatorsciteanimeasasourceofinspirationwiththeirownseries.Furthermore,aFrenchproductionteamforbanStar-RacersmovedtoTokyotocollaboratewithaJapaneseproductionteamfromHalFilmMaker.Criticsandthegeneralanimefanbasedonotconsiderthemasanime.第14页/共23页ONE PIECENARUTOREBON Vampire KnightDetective ConanBlack butler第15页/共23页Japanese FoodThestapleoftheJapanesedietisrice,riceandsoybeancurdsoupbeingcommonbreakfastfoods.Therearealsomanypeoplewhoeatbreadforbreakfast.Japanesefoodmostlyconsistsoffishinsteadofmeat,andalsosoybeans,soitisgoodforthehealth.Foodsthataremostwellreceivedbyforeignersaretempura,sukiyaki,sushi,sashimi,buckwheatnoodles,andsoybeancurd.第16页/共23页Tempura天妇罗Thisdishmostlyconsistsofdeep-friedeggplant,squash,sweetpotato,andothervegetables,alongwithshrimpandFish.OnetheoryisthatthewordtempuracamefromtheSpanishtempera,meaningtemperature.Tempuraiseatenwithaspecialsoysauce-baseddip.第17页/共23页Sukiyaki 鸡素烧SukiyakiisoneoftherepresentativefoodsofJapan.Thenamecomesfromthefarmerspadesometimesusedtocookon.Sukiyakirefersdirectlytobroilingbeefonthespade,alongwithsoybeancurd,leeks,andvegetables.Theseasoningincludessoysauces:s,sweetsake,andsugar.第18页/共23页Buckwheat noodles荞麦面条BuckwheatnoodlesorsobaisalsoatypicalJapanesedish.Therearesomepeoplethateatsobaatleastonceaday.Manyofficeworkersmakeitahabittohavesobaforlunch.Sobanoodlesareamixtureofbuckwheat,flourandeggs.Itlookssimilartospaghettiinshape.Itisfirstboiled,andthendippedinasoupmadeofsoysauce,salt,sweetsake,andbonitobni:tushavingswhenitisbeingeaten.Becausesobaislong,itisconsideredasymboloflonglife.第19页/共23页寿司InJapanesecuisine,sushiisvinegaredrice,usuallytoppedwithotheringredients,includingfish,variousmeats,andvegetables.OutsideofJapan,sushiissometimesmisunderstoodtomeantherawfishbyitself,orevenanyfreshraw-seafooddishes.InJapan,slicedrawfishaloneiscalledsashimiandisdistinctfromsushi,assashimiistherawfishcomponent,notthericecomponent.Thewordsushiitselfcomesfromanoutdatedgrammaticalformofawordthatisnolongerusedinothercontexts;literally,sushimeansitssour.第20页/共23页第21页/共23页T第22页/共23页感谢您的观看！第23页/共23页
