非文学翻译作业3来友昊.pdf
课程：非文学翻译 Assignment 3 姓名：来友昊 学号：12016130373 The Lure of the Modern:Writing Modernism in Semicolonial China,1917-1937 现代的诱惑：书写半殖民地中国的现代主义，1917-1937(Excerpt)(节选)Chinese modernism departs further from the usual binary models of the non-Wests confrontation with the West“China versus the West”or“East versus West.”中国的现代主义演进史，偏离了通常的以非西方事物对抗西方事物的二进制模型，其中包括“中国与西方的冲突”和“东方与西方的冲突”。Most significant in this regard was the prominent role played by Japan as the mediating transmitter of Western culture and a potent force in the formation of Chinese modernism.其中最重要的是日本作为西方文化的中介传递者所起的突出作用，日本也是推动中国现代主义形成的强大力量。This triangular relationship is indicative of the political and cultural condition of China under multiple domination from Euro-American and Japanese imperialisms,which in turn problematizes the China/West binary model privileged in comparative culture studies.Translation journal:“problematize”的意思是“产生问题”，所以这里翻译为“产生了许多值得探讨的问题”。这个三角关系象征的是在欧美及日本帝国主义多重统治下的中国的政治和文化条件，进而让比较文化研究下中国/欧美地区的二进制模型产生了许多值得探讨的问题。“Modern Japan,”which was dramatically transformed by the modernization campaigns in the wake of the Meiji Restoration(1868),played a number of important roles for Chinese intellectuals.“近代日本”在明治维新（1868）之后，由现代化运动所发生的巨大变化，对中国知识分子起到了许多重要的作用。Translation journal:“Modern Japan”不能翻译为“现代日本”，这段论述都是在讨论亚洲近代历史，所以这里翻译为“近代日本”才符合学术论文的严谨。Japan was the sole Asian example of successful Westernization and hence the primary model for similar efforts in China;it was the pan-Asianist ally in the struggle against Western imperialism for nationalists like Sun Yat-sen;it loomed as the imperialist tiger hungering for Chinese territory;and it also mediated Western literature through Japanese translations and other productive cultural forms.日本是亚洲西方化唯一成功的例子，因此也是中国做出类似努力的初期模型；它是在反对西方帝国主义时期对于民族主义者如孙中山的泛亚细亚主义盟友；它是渴望中国领土的帝国主义老虎；它也通过日语翻译和其他成果丰富的文化形态介导了西方文学。The complex relationship between Japan and China not only refracts the China-West binary model of confrontation,but sometimes displaces the role of Western modernism entirely.日本和中国之间的复杂关系，不仅折射出中国对抗西方的二进制模式，但有时也完全取代了西方现代主义的角色。Translation journal:后面的两个分句其实是并列的结构，所以翻译时使用“不但.而且.”，“但”改为“而且”。The binary model therefore limits understanding of non-Western modernism by solipsistic ally honoring the hegemonic,narcissistic West as the ultimate frame of reference,and reinforces the construction of the West as the Hegelian third term triumphant in its successful absorption of the non-West.这种二元模型，因此限制了非西方现代主义盟友盲目崇拜张扬霸权和自恋主义西方的行为，即成为了最终的参考依据。并加强了黑格尔第三项胜利成功吸收非西方事物，同时加强了西方的势力。Translation journal:“盲目崇拜张扬霸权和自恋主义西方的行为，即成为了最终的参考依据”句子逻辑关系混乱，应修改为“唯我独尊的，以为自我为中心的西方霸权主义国家对非西方国家现代主义的理解”。Debunking the myths of Eurocentric modernism and the binary model of cultural confrontation is thereby a central task in any discussion of Chinese modernism.在任何关于中国现代主义的讨论中，揭露欧洲中心论现代主义神话的真相和文化对抗的二进制模型就成为了重中之重。In the sections below,this introductory chapter first exposes the myth making strategies of Western modernism by analyzing the ways in which“China”operates within those strategies,which foregrounds the intimate discursive and historical relationship between China and the West.在下面的章节中，开篇的第一章首先揭示了西方现代主义神话制造的策略。分析方式是中国在上述过程中的运作方式，这揭示出中国和欧美地区之间亲密又若即若离，和历史上的关系。This intimate relationship underlies my contention that Chinese modernism must be considered within the intersecting contexts of the local and the global,wherein the question of Chinese agency has to be dialectically posed in its historical specificity and difference across contexts,not via tropes of equivalence.Translation journal:以上红标词汇意思理解很难，网页上找不到相关解释。这种亲密的关系引起了我关于中国的现代主义必须在本土和全球视角相交的背景下分析的思考，其中西方在中国代理事务的问题必须在其历史性差异和背景的不同中构成辩证的看法，而不是通过修辞对等。This chapter then presents a historically specific argument regarding the relationship between Japanese and Chinese modernisms,troubling the binary model of cross-cultural studies,before moving on to a theorization of semicolonial cultural formation as the manifestation of global/local intersections.本章接着根据历史事实介绍了日本和中国现代主义之间的关系，推敲跨文化研究的二进制模型，然后对半殖民地文化的形成做出一个理论化的总结，以彰显出本土和全球视角相交下的思考。Translation journal:以上红标词汇意思理解很难，网页上找不到相关解释。
