2022年上半年教师资格《英语学科知识与教学能力》（初级中学）真题.docx

2022年上半年教师资格英语学科知识与教学能力（初级中学）真题窗体顶端单选题 （共19题，共19分）1.To make sure you get into the right _while driving on a motorway, you must notice the road signs.· A. way· B. track· C. path· D. laneABCD 标记 纠错2.The scientists have made an _study of the virus that causes the disease.· A. exhausted· B. exhausting· C. exhaustive· D. exhaustibleABCD 标记 纠错3.Sally was a bit shy, but her teacher found her quite_ discussing a recent film with others.· A. at home· B. at most· C. at house· D. at heartABCD 标记 纠错4.Men differ from animals _ they can think and speak.· A. for which· B. in which· C. in that· D. for thatABCD 标记 纠错5.The future of that country is hard to predict_ the economic system is reformed.· A. only after· B. unless· C. now that· D. as long asABCD 标记 纠错6.It is necessary that he_ the assignment without delay.· A. hand in· B. hands in· C. must hand in· D. has to hand inABCD 标记 纠错7.Which of the following shows the correct word stress for"encyclopedia”?· A. 见图A· B. 见图B· C. 见图C· D. 见图DABCD 标记 纠错8.You are greeting an acquaintance with"Hello"to perform the_function of language.· A. performative· B. metalingual· C. phatic· D. emotiveABCD 标记 纠错9.Which of the following is the smallest unit of speech that can be used to differ one word from another?· A. Morpheme· B. Suffix· C. Lexis· D. PhonemeABCD 标记 纠错10.What activities are not appropriate for developing the skill of reading for gist?· A. Reading a text quickly and writing a summary· B. Reading a text quickly and choosing the best title· C. Reading a text quickly and analyse its discourse patterns· D. Reading a text quickly and then telling what it is mainly aboutABCD 标记 纠错11.Which of the following refers to a process in which a teacher asks his/her students to analyzing sentences in a passage and then work out their structures?· A. Deductive teaching· B. Inductive teaching· C. Task-based teaching· D. Content-based teachingABCD 标记 纠错12.Which of following is the most controlled activity?· A. Acting out a dialogue· B. *· C. Reading aloud a dialogue· D. Exchanging informationABCD 标记 纠错13.Which of the following exercises is intended to practice the communicative use of"Do you have.?"and"I have."'· A. Changing one sentence pattern to the other· B. Applying those sentence patterns in a conversation· C. Listening to the tape and writing down the sentences· D. Substituting the objects in the sentences with the words givenABCD 标记 纠错14.Which of the following is most appropriate for developing a learner's integrated language skills?· A. Writing down a phone call message· B. Completing multiple-choice exercises· C. Copying words from a reading passage· D. Filling in the missing words in a passageABCD 标记 纠错15.请阅读Passage 1，完成小题。Passage 1 Of all the changes that have taken place in English-language newspapers during the past quarter-century,perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews.To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the Publications in which it appeared.In those far-off days,it was taken for granted that the critics of major papers would write in detail and at length about the events they covered.Theirs was a serious business,and even those reviews who wore their learning lightly,like George Bernard Shaw and Ernest Newman,could be trusted to know what they were about.These men believed in journalism as a calling,and were proud to be published in the daily press."So few authors have brains enough or literary gift enough to keep their own end up in journalism,"Newman wrote,"that I am tempted to definejournalismasa term of contempt applied by writers who are not read to writers who are."Unfortunately,these critics are virtually forgotten.Neville Cardus,who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975,is now known solely as a writer of essays on the game of cricket.During his lifetime,though,he was also one of Englands foremost classical-music critics,and a stylist so widely admired that his Autobiography(1947)became a best-seller.He was knighted in 1967,the first music critic to be so honored.Yet only one of his books is now in print,and his vast body of writings on music is unknown save to specialists.Is there any chance that Carduss criticism will enjoy a revival The prospect seems remote.Journalistic tastes had changed long before his death,and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized.Moreover,the amateur tradition in music criticism has been in headlong retreat.What is true about the current major English-language newspapers according to the first paragraphs?查看材料· A. High-quality arts criticism is rarely found· B. Arts reviews are often copied from other publications· C. *· D. Arts criticism has disappeared since the start of the 20th centuryABCD 标记 纠错16.请阅读Passage 1，完成小题。Passage 1 Of all the changes that have taken place in English-language newspapers during the past quarter-century,perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews.To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the Publications in which it appeared.In those far-off days,it was taken for granted that the critics of major papers would write in detail and at length about the events they covered.Theirs was a serious business,and even those reviews who wore their learning lightly,like George Bernard Shaw and Ernest Newman,could be trusted to know what they were about.These men believed in journalism as a calling,and were proud to be published in the daily press."So few authors have brains enough or literary gift enough to keep their own end up in journalism,"Newman wrote,"that I am tempted to definejournalismasa term of contempt applied by writers who are not read to writers who are."Unfortunately,these critics are virtually forgotten.Neville Cardus,who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975,is now known solely as a writer of essays on the game of cricket.During his lifetime,though,he was also one of Englands foremost classical-music critics,and a stylist so widely admired that his Autobiography(1947)became a best-seller.He was knighted in 1967,the first music critic to be so honored.Yet only one of his books is now in print,and his vast body of writings on music is unknown save to specialists.Is there any chance that Carduss criticism will enjoy a revival The prospect seems remote.Journalistic tastes had changed long before his death,and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized.Moreover,the amateur tradition in music criticism has been in headlong retreat.What can be Cardus according to the last two paragraphs?查看材料· A. His style caters largely to modern specialists· B. His writings fail to follow the amateur tradition· C. His music criticism may not appeal to readers today· D. His reputation as a music critic has long been in disputeABCD 标记 纠错17.请阅读Passage 1，完成小题。Passage 1 Of all the changes that have taken place in English-language newspapers during the past quarter-century,perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews.To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the Publications in which it appeared.In those far-off days,it was taken for granted that the critics of major papers would write in detail and at length about the events they covered.Theirs was a serious business,and even those reviews who wore their learning lightly,like George Bernard Shaw and Ernest Newman,could be trusted to know what they were about.These men believed in journalism as a calling,and were proud to be published in the daily press."So few authors have brains enough or literary gift enough to keep their own end up in journalism,"Newman wrote,"that I am tempted to definejournalismasa term of contempt applied by writers who are not read to writers who are."Unfortunately,these critics are virtually forgotten.Neville Cardus,who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975,is now known solely as a writer of essays on the game of cricket.During his lifetime,though,he was also one of Englands foremost classical-music critics,and a stylist so widely admired that his Autobiography(1947)became a best-seller.He was knighted in 1967,the first music critic to be so honored.Yet only one of his books is now in print,and his vast body of writings on music is unknown save to specialists.Is there any chance that Carduss criticism will enjoy a revival The prospect seems remote.Journalistic tastes had changed long before his death,and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized.Moreover,the amateur tradition in music criticism has been in headlong retreat.请阅读Passage 1，完成小题。Passage 1 Of all the changes that have taken place in English-language newspapers during the past quarter-century,perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews.To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the Publications in which it appeared.In those far-off days,it was taken for granted that the critics of major papers would write in detail and at length about the events they covered.Theirs was a serious business,and even those reviews who wore their learning lightly,like George Bernard Shaw and Ernest Newman,could be trusted to know what they were about.These men believed in journalism as a calling,and were proud to be published in the daily press."So few authors have brains enough or literary gift enough to keep their own end up in journalism,"Newman wrote,"that I am tempted to definejournalismasa term of contempt applied by writers who are not read to writers who are."Unfortunately,these critics are virtually forgotten.Neville Cardus,who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975,is now known solely as a writer of essays on the game of cricket.During his lifetime,though,he was also one of Englands foremost classical-music critics,and a stylist so widely admired that his Autobiography(1947)became a best-seller.He was knighted in 1967,the first music critic to be so honored.Yet only one of his books is now in print,and his vast body of writings on music is unknown save to specialists.Is there any chance that Carduss criticism will enjoy a revival The prospect seems remote.Journalistic tastes had changed long before his death,and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized.Moreover,the amateur tradition in music criticism has been in headlong retreat.请阅读Passage 1，完成小题。Passage 1 Of all the changes that have taken place in English-language newspapers during the past quarter-century,perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews.To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the Publications in which it appeared.In those far-off days,it was taken for granted th