2022年关于电影的英语演讲稿.docx

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1、2022年关于电影的英语演讲稿 There are so many movies Ive loved that the entire list would be nearly book-length. Its tough to pick just a few, but Ill give it a try. Before I start any kind of numbered list, I have to include one film that . well, itd be unfair to call it my favorite film, as they float in the

2、stratosphere above anything like a numerical favorites list. It isnt fair to list it with others. While Ill still refer to #1 on the list below as my favorite as follow. Movie:dAmlie Poulain, Directed by :Jean-Pierre Jeunet. Jean-Pierre Jeunet has created montages of insignificance and triviality on

3、ly to bring out in an euphemistic way the biggest support one can get in life;love.Every single character,including Amelie herself,has some kind of peculiarity in their characteristicsbut the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and appr

4、eciation.Amelie is like the angel who repairs the missing links in their lives and finds a root of her own.The Alls Well that Ends Well motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us. For 20 years Jean-Pierre Jeunet collect

5、ed small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin dAmlie Poulain. But i

6、ts popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: I guess I have to produce a film like Alien Resurrection to make a movie like Le fabuleux destin dAmlie Poulain, obviously not aware of the films potential. Unfortunately the film didnt win an Academy Award for the be

7、st foreign film in 2001 which still puzzles film fans all over the world. I consider Jean-Pierre Jeunets film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like med

8、itating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world.

9、Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget. Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue

10、 spot in the picture to set the contrast. Audrey Tautou , mostly wears either red or green dresses, as well as the housekeeper , and Amlies mother in the beginning of the film. When Amlie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the back

11、ground. Sometimes the use of color gets very obvious. Amlies apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I havent noticed the extreme use of color the first t

12、ime I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere. The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie. The principal motive appears in many variations somehow being joyfu

13、l, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world. Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Righ

14、t in the beginning when Amlies mother is introduced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. The same can be about the first shots of Amlies father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For

15、example there is an astonishing high angle shot of Amlie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase o

16、f the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amlie is entering the picture ru

17、nning after Nino. The camera follows her, then turning almost 180 around her to show her hold Ninos red bag that he lost. When Amlie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are re

18、ally awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions. 第6页 共6页第 6 页 共 6 页第 6 页 共 6 页第 6 页 共 6 页第 6 页 共 6 页第 6 页 共 6 页第 6 页 共 6 页第 6 页 共 6 页第 6 页 共 6 页第 6 页 共 6 页第 6 页 共 6 页