美国文学史及作品选读教案(共5页).doc
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1、精选优质文档-倾情为你奉上Lecture 10The Age of Modernism: Literature in the 1930s (John Dos Passos, John Steinbeck and Katherine Anne Porter) Teaching ContentJohn Dos Passos; John Steinbeck; Katherine Anne Porter Time Allotment2 periods Teaching Objectives and Requirements1 Make the students know something about
2、 the 1930s of America.2 Make the students know about John Dos Passos. 3 Help the students to know clearly about John Steinbeck.4 Make the students know about Katherine Anne Porter. Key Points and Difficult Points in TeachingJohn Steinbeck Teaching Methods and Means Lecture; Discussion; Multi-media T
3、eaching Process1 The 1930s1.1 General introduction The 1930s is often regarded as a dim decade as compared with the glittering twenties. There is a visible continuity between the two decades. Eliot, Hemingway, Fitzgerald, and Faulkner continued to produce great works of literature. The 1930s was rad
4、ically different from the 1920s in mood as well as in expression. Its mood was colored differently from the very beginning. The Wall Street crash of 1929 set the tone for the writing of the decade. For ten years the Americans plodded through a lightless tunnel and substantial change came only when W
5、WII broke out. The 1930s was truly a dark time, one of dreadful travail. As the Depression spread, life became a nightmarish experience of a struggle for survival for millions of people. 1.2 Literary scene The writers of the 1930s were faced with the challenge of painting a physical waste land that
6、America had become. There was, for many, sheer despair in the bleak years of the thirties. Social concern was topmost in the minds of many authors and social involvement was to be the major feature of the literature of the thirties. The naturalistic rhetoric was brought about a revival. In addition,
7、 the writers of the 1930s responded to the turbulence of their times very well. Literary expression in the period was abundant and forceful. The 1930s was a great age of fiction. (P256) The two major authors who became dominant figures in fiction were John Dos Passos and John Steinbeck. Dos Passos U
8、. S. A. and Steinbecks The Grapes of Wrath, along with their works and those of other writers offer an authentic account of the American experience in the debilitating years of the Depression. (P256-257) There were young novelists such as James T. Farrell, John OHara, and Erskine Caldwell who poured
9、 out their torrents of anger and protest in their left-oriented works. The drama of the 1930s is rich and varied. It is true that no figure comparable to ONeill appeared, but many people of talent tried to enrich the stage with their plays. The 1930s was not very good for poetry. (P258) 2 John Dos P
10、assos (1896-1970) In a sense the thirties can be called the decade of John Dos Passos. He was the leading naturalist of the Depression, and his masterwork, U. S. A., was probably the best work that came out of the period. John Dos Passos was a spectacular phenomenon in the twentieth-century literary
11、 history of the United States. 2.1 Works Trilogies U. S. A. (1938): The 42nd Parallel (1930), 1919 (1932) and The Big Money (1936) District of Columbia (1952): Adventures of a Young Man (1939), Number One, (1943) and The Grand Design (1949)chronicles Dos Passos further disillusion with the labour mo
12、vement and radical politics Novels: One Mans Initiation (1920) Three Soldiers (1921)Manhattan Transfer (1925)Chosen Country (1951)Midcentury (1961) Plays The Garbage Man (1926)Airways (1928) Fortune Heights (1934) A biography The Head and Heart of Thomas Jefferson (1954) An autobiography The Best of
13、 Times: An Informal Memoir (1966)2.2 U. S. A. It belongs to that category of fiction North Frye call “anatomy”. (P261-263) In U. S. A., Dos Passos developed the experimental literary devices where the narratives intersect and continue from one novel to the next. The devices included what became know
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