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1、精选优质文档-倾情为你奉上1998 To speak of American literature, then, is not to assert that it is completely unlike that of Europe. Broadly speaking, America and Europe have kept step. At any given moment the traveler could find examples in both of the same architecture, the same styles in dress, the same books
2、on the shelves. Ideas have crossed the Atlantic as freely as men and merchandise, though sometimes more slowly. When I refer to American habit, thoughts, etc., I intend some sort of qualification to precede the word, for frequently the difference between America and Europe (especially England) will
3、be one of degree, sometimes only of a small degree. The amount of divergence is a subtle affair, liable to perplex the Englishman when he looks at America. He is looking at a country which in important senses grew out of his own, which in several ways still resembles his own and which is yet a forei
4、gn country. There are odd overlappings and abrupt unfamiliarities; kinship yields to a sudden alienation, as when we hail a person across the street, only to discover from his blank response that we have mistaken a stranger for a friend. 说到美国文学,并非意欲断言,它与欧洲文学全然大相径庭。广而言之,美国与欧洲一直同步发展,协调一致。在任何一个特定的时刻,旅行
5、者在两地均能目睹同一样式的建筑实例,相同款式的服饰,书架上相同的书籍。在大西洋两岸,思想如同人员与货物往来一样自由交流,尽管有时会略显迟缓。当我提及美国式的习惯、思想等概念时,我意欲在“美国式的”这一词汇之前加上某种限定,因为欧美(尤其是英美)之间的差异往往只是程度上的差异而已,并且有时候仅仅只是微乎其微的一点程度差异而已。差异的多寡是件极为微妙的事务,这极容易使一个英国人在审视美国时大惑不解。他所审视的那个国家,从某些重要的意义上来说,诞生于他自己的国家,并在某些方面仍与他自己的国家相差无几然而,它却实实在在是一个异邦。两者间存在着某些古怪的交替重迭,以及令人甚感突兀的陌生感;亲缘关系已让位
6、于一种突如其来的异化与疏远,这种情景仿佛就像我们隔着马路向另一个人打招呼,结果却从这个人漠无表情的反应中发现,我们原来竟将一个陌生人误认为我们的熟人。1999 In addition, one class of family reasons shares a border with the following category, namely, having children in order to maintain or improve a marriage: to hold the husband or occupy the wife; to repair or rejuvenate th
7、e marriage; to increase the number of children on the assumption that family happiness lies that way. The point is underlined by its converse: in some societies the failure to bear children (or males) is a threat to the marriage and a ready cause for divorce. Beyond all that is the profound signific
8、ance of children to the very institution of the family itself. To many people, husband and wife alone do not seem a proper family they need children to enrich the circle, to validate its family character, to gather the redemptive influence of offspring. Children need the family, but the family seems
9、 also to need children, as the social institution uniquely available, at least in principle, for security, comfort, assurance, and direction in a changing, often hostile, world. To most people, such a home base, in the literal sense, needs more than one person for sustenance and in generational exte
10、nsion.此外,有一类家庭原因与下列类别不无共通之处,这便是:生儿育女是为了维系或改善婚姻:能拴住丈夫或者使妻子不至于无所事事;修复或重振婚姻;多子多孙,以为家庭幸福惟有此法。这一点更可以由其反面得到昭示:在某些社会中,无法生儿育女对婚姻而言是一种威胁,还可作为离婚的现成借口。后代对于家庭这一体制本身所具有的深远意义远非如此。对许多人来说,夫妻两人尚不足以构成一个真正意义上的家庭夫妻需要孩子来丰富其两人小天地,赋予该小天地以真正意义上的家庭性质,并从子孙后代身上获取某种回报。 孩子需要家庭,但家庭似乎也需要孩子。家庭作为一种社会机构,以其特有的方式,至少从原则上说,可在一个变幻莫测、常常是充
11、满敌意的世界中让人从中获取某种安全、慰藉、保障,以及价值取向。2000 If people mean anything at all by the expression “untimely death”, they must believe that some deaths run on a better schedule than others. Death in old age is rarely called untimelya long life is thought to be a full one. But with the passing of a young person, o
12、ne assumes that the best years lay ahead and the measure of that life was still to be taken. History denies this, of course. Among prominent summer deaths, one recalls those of Marilyn Monroe and James Deans, whose lives seemed equally brief and complete. Writers cannot bear the fact that poet John
13、Keats died at 26, and only half playfully judge their own lives as failures when they pass that year. The id ea that the life cut short is unfulfilled is illogical because lives are measure d by the impressions they leave on the world and by their intensity and virtue. 提起“英年早逝”人们或有所指,他们必然相信某些人的离世可以算
14、是寿终正寝,而另一些人则“死不逢时”。老年死亡很少被认为是“死不逢时”,因为能度过漫长的一生被认为是甚为圆满的。反之,如果所碰到的是一位年轻人之死,人们会以为这位年轻人风华正茂,前途无可限量,生命的倒计时尚未真正开始。当然,历史否定这一切。在诸多较为著名的英年早逝的情形中,我们会忆起玛丽莲.梦露与詹姆斯迪恩斯之死,其生命的短暂丝毫无损于其生命的完整性。对于约翰.济慈26岁便与世长辞这一事实,文人墨客们皆痛不欲生,但他们中仅有半数人诙谐地认为,设若他们也死于这一年龄,其一生可视为失败。视英年早逝为不圆满,这一观念不符合逻辑,因为衡量生命的尺度乃是留给世界的印记,是生命的深度与美德。2001 Ef
15、fort is the gist of it. There is no happiness except as we take on life- engaging difficulties. Short of the impossible, as Yeats put it, the satisfaction we get from a lifetime depends on how high we choose our difficulties. Robert Frost was thinking in something like the same terms when he spoke o
16、f “The pleas u re of taking pains”. The mortal flaw in the advertised version of happiness is in the fact that it purports to be effortless.We demand difficulty even in our games. We demand it because without difficulty there can be no game. A game is a way of making something hard for the fun of it
17、. The rules of the game are an arbitrary imposition of difficulty. When someone ruins the fun, he always does so by refusing to play by the roles. It is easier to win at chess if you are free, at your pleasure, to change the wholly arbitrary roles, but the fun is in winning within the rules. No diff
18、iculty, no fun.努力奋斗,废寝忘食是其精髓所在。除非我们愿意直面那些需要我们全身心投入的艰难困苦,否则便不会有幸福可言。正如叶芝所言,除却某些不可能的情形,我们于人生中所获取的满足皆取决于我们在多高的境界中选择我们所愿意面对的艰难困苦。当罗伯特?弗罗斯特言及“以苦为乐”时,他内心所思,大体如此。商业广告中所宣扬的那种幸福观,其致命的缺陷就在于这样一个事实,即它宣称,一切幸福皆唾手可得,不费吹灰之力。即便于游戏之中,我们也需要有艰难困苦。我们之所以需要它,因为设若没有困难,便断无游戏可言。游戏即是这样一种方式,为了享受其中的情趣而人为地使事情变得不那么轻而易举。游戏中的种种规则,便
19、是将困难武断地强加于人。当有人将情趣摧毁殆尽时,他总是因为拒不按游戏规则行事而使然。这犹如下棋;如果你随心所欲、心血来潮地去更改那些全然武断的游戏规则,这样去赢棋当然会更加容易。但下棋的情趣则在于,应在规则的限定范围内赢取胜利。一言以蔽之,没有艰难,断无情趣。2002 Winners do not dedicate their lives to a concept of what they imagine they should be: rather, they are themselves and as such do not use their energy putting on a pe
20、rformance, maintaining pretence, and manipulating others. They are aware that there is a difference between being loving and acting loving, between being stupid and acting stupid, between being knowledgeable and acting knowledgeable. Winners do not need to hide behind a mask. Winners are not afraid
21、to do their own thinking and to use their own knowledge. They can separate facts from opinions and dont pretend to have all the answers. They listen to others; evaluate what they say, but come to their own conclusions. Although winners can adore and respect other people, they are not totally defined
22、, demolished, bound, or awed by them.Winners do not play “helpless”, nor do they play the blaming game. Instead, they assume responsibility for their own lives.成功者不会毕生致力于这样一种概念:即想象自己应该成为何种人。相反,他们即他们自己。因此,他们不会费神去装腔作势,故作姿态,摆布他人。他们明白:爱与装爱,傻与装傻,知与装知、真正博学与假装博学之间是有区别的。成功者无须躲在面具后面。成功者敢于独立思考,敢于运用自己的知识。他们能够把
23、事实从纷繁的意见中剥离出来,而又不会假装无所不知。他们倾听他人的意见,品评他人的言论,却能得出自己的结论。虽然胜利者也钦佩他人,尊敬他人,但是,他们不会完全被他人所规定、所摧垮、所束缚,所吓倒。成功者不会假装无助,也不会怨天尤人,相反,他们承担起自己生命的责任。2003 In his classic novel, “The Pioneers”, James, Feminore Cooper has his hero, a land developer, take his cousin on a tour of the city he is building. He describes the
24、broad streets, rows of houses, a teeming metropolis. But his cousin looks around bewildered. All she sees is a forest, “Where are the beauties and improvements which you were to show me?” she asks. Hes astonished she cant see them. “Where! Why everywhere,” he replies. For though they are not yet bui
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