浅析《第二十二条军规》中的黑色幽默英语.doc

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1、【精品文档】如有侵权，请联系网站删除，仅供学习与交流浅析第二十二条军规中的黑色幽默英语.精品文档.本科毕业设计（论文）题 目: A Brief Study on Black Humor in Catch-22 浅析第二十二条军规中的黑色幽默 学 院： 外语学院 专 业： 英 语 毕业设计（论文）原创性声明和使用授权说明原创性声明本人郑重承诺：所呈交的毕业设计（论文），是我个人在指导教师的指导下进行的研究工作及取得的成果。尽我所知，除文中特别加以标注和致谢的地方外，不包含其他人或组织已经发表或公布过的研究成果，也不包含我为获得 及其它教育机构的学位或学历而使用过的材料。对本研究提供过帮助和做出过

2、贡献的个人或集体，均已在文中作了明确的说明并表示了谢意。作 者 签 名： 日 期： 指导教师签名： 日期： 使用授权说明本人完全了解 大学关于收集、保存、使用毕业设计（论文）的规定，即：按照学校要求提交毕业设计（论文）的印刷本和电子版本；学校有权保存毕业设计（论文）的印刷本和电子版，并提供目录检索与阅览服务；学校可以采用影印、缩印、数字化或其它复制手段保存论文；在不以赢利为目的前提下，学校可以公布论文的部分或全部内容。作者签名： 日 期： 学位论文原创性声明本人郑重声明：所呈交的论文是本人在导师的指导下独立进行研究所取得的研究成果。除了文中特别加以标注引用的内容外，本论文不包含任何其他个人或集

3、体已经发表或撰写的成果作品。对本文的研究做出重要贡献的个人和集体，均已在文中以明确方式标明。本人完全意识到本声明的法律后果由本人承担。作者签名： 日期： 年 月 日学位论文版权使用授权书本学位论文作者完全了解学校有关保留、使用学位论文的规定，同意学校保留并向国家有关部门或机构送交论文的复印件和电子版，允许论文被查阅和借阅。本人授权 大学可以将本学位论文的全部或部分内容编入有关数据库进行检索，可以采用影印、缩印或扫描等复制手段保存和汇编本学位论文。涉密论文按学校规定处理。作者签名：日期： 年 月 日导师签名： 日期： 年 月 日ContentsEnglish Outline.IChinese O

4、utline.IIEnglish Abstract.IIIChinese Abstract.IVChapter I Introduction.1Chapter II General Explanation of the Black Humor.1Chapter III An Brief Introduction to Joseph Heller.2Chapter IV Black Humor in Catch-22.6Chapter V Conclusion.11Works Cited.12目 录英文提纲.I中文提纲.III英文摘要.IV中文摘要.V第一章 引言.1第二章 黑色幽默简介 .1第

5、三章 约瑟夫.海勒简介.2第四章 黑色幽默在第二十二条军规中的体现.6第五章 结论.11参考文献.12OutlineThesis statement: This paper makes a tentative analysis of black humor in Joseph Hellers catch-22 aiming at deepening the readers understanding of the black humor and catch-22.Chapter I IntroductionChapter II General Explanation of the Black

6、HumorChapter III Brief Introduction to Joseph Heller3.1 Hellers Life3.2 Hellers Writing Style and Works3.3 Hellers Catch-223.3.1 The Background of Catch-223.3.2 A Gist of the NovelChapter IV Black Humor in catch-224.1 The Description of Main Characters 4.2 The Theme of the Novel4.3 The Structure of

7、the Novel4.4 The Characteristics of the Language Chapter VI ConclusionWorks Cited提 纲论文主旨：本文通过分析约瑟夫.海勒的作品第二十二条军规中的黑色幽默加深读者对这部作品以及黑色幽默的理解。第一章 引言第二章 黑色幽默简介第三章 约瑟夫简介3.1 约瑟夫.海勒的一生3.2约瑟夫.海勒的写作风格及作品3.3 海勒的第二十二条军规3.3.1第二十二条军规的创作背景3.3.2第二十二条军规的内容梗概第四章 黑色幽默在第二十二条军规中的精彩体现4.1 人物塑造4.2 小说主题4.3 结构特点4.4 语言特色第五章 结论参

8、考文献AbstractCatch-22 is one of the typical representative books of black humor. Joseph Heller, the author of this novel described many absurd images in a symbolic way. Many words, phrases, and dialogues in this novel are disorder, repeating, dubious and paradoxical. It is the wonderful deduction of b

9、lack humor. The author of this paper mainly analyzed black humor in catch-22 through concrete discussing the black humor in portraying the characters, deepening the theme, arranging the structure and selecting the words and sentences in this fiction. All in all, catch -22 is one of the most importan

10、t works of black humor and this paper is to make the readers have a better understanding of the novel catch-22.Key Words: black humor; catch-22; absurd摘 要二十二条军规是黑色幽默文学的代表作之一。二十二条军规的作者约瑟夫.海勒以象征主义手法创造了许多经典的角色。这部著作的许多词、短语、对话都是处于无序、重复、模棱两可和自相矛盾中，是黑色幽默的完美演绎。这篇论文主要通过详细探讨黑色幽默在塑造人物、深化主题、安排结构以及选词造句上的运用来分析黑色幽

11、默在这部小说中的完美展现。总之，第二十二条军规是黑色幽默最重要的著作之一，这篇论文旨在加深读者对它理解。关键词：黑色幽默；第二十二条军规；荒诞A Brief Study on Black Humor in Catch-22Chapter I IntroductionCatch-22 is the first and most important long novel of Joseph Heller. Since catch-22 was published in 1961 in America, it has always been a crucial part of modern lite

12、rature. With the time passing, the novel has not been out of date. On the contrary, it attracts wide attentions around the world because of the novels theme, writing style and value. In China, an increasing number of scholars write books and essays to expound different aspects of the novel. Through

13、detailed search and analysis, it was found that at present there are at least 130 academic papers about Catch-22 on the CDMD (Chinese Doctor and Masters Database). Among all these papers, 48 papers focus on its theme and the author and 66 papers are concerned with its writing skills. Some others mai

14、nly study on the absurdity as well as other things related with Catch-22, for example, Wu Shaohui(2006) Free Choice in an Absurd WorldAn Interpretation of the Existentialism and Wang Yimei(2005)The Gradual Return to SelfA Tentative Analysis of Self-awareness in the 20th Centurys Western Modernist Li

15、terature. Besides, several papers are about characters of Catch-22 such as Wan Shihua (2006)The Black Figure SalonAnalysis of the Figures on Catch-22. Undoubtedly no matter what subjects the scholars study, theme, writing skill or others, it is inevitable for them to touch on the literature gene of

16、this novelblack humor. This paper makes a tentative study on the relationship between black humor and Catch-22. From the perspective of black humor, the author of this paper is trying to make a detailed analysis on its main character, theme, structure and language aims to comprehensively display the

17、 deduction of black humor in Catch-22 and let the readers have a better understanding of this novel. Chapter II General Explanation of the Black HumorBlack humor is credited to the Anthology of Black Humor, a 1939 French anthology of 45 writers edited by Andre Breton. In the United States, black hum

18、or as a literary genre came to prominence in the 1950s and 1960s. Later, an English-language anthology edited by Bruce Jay Friedman, titled Black Humor, assembles works of 12 writers of the genre. It is one of the most representative genres in the American literature in 1960s. For instance, the work

19、s of such writers as Kurt Vonnegut, Thomas Pynchon, John Barth, Joseph Heller, and Philip Roth contain elements of black humor.It was usually used in literature, drama, and film, is a kind of grotesque or morbid humor retaining a serious tone .The purpose of black humor is to express the absurdity,

20、insensitivity, paradox, and cruelty of the modern world. Ordinary characters or situations are usually exaggerated far beyond the limits of normal satire or irony. Black humor uses devices often associated with tragedy and is sometimes equated with tragic farce. For example, Stanley Kubricks film Dr

21、. Strangelove or How I Learned to Stop Worrying and Love the Bomb (1963) is a terrifying comic treatment of the circumstances surrounding the dropping of an atom bomb, while Jules Feiffers comedy Little Murders (1965) is a delineation of the horrors of modern urban life, focusing particularly on ran

22、dom assassinations. Popular themes of the genre include murder, suicide, war, barbarism, drug abuse, terminal illness, domestic violence, insanity, nightmare, disease, racism, disability (both physical and mental), chauvinism, corruption, and crime. Besides, some comedians use it as a tool for explo

23、ring vulgar issues, thus provoking discomfort and serious thought as well as amusement in their audience.The author of this paper thinks that black humor as one of the American literature genres must have its origin. Looking back into the history, it is not difficult to find that there are two aspec

24、ts of reasons for the appearance of black humor. First of all, the war trauma and social disturbance make people have a foreboding of the end of the world. In 1960s, the WWII has just finished, but the effects of the war lasted for many years. All facts in American disclosed the lies of so-called ju

25、stice and patriotism resulting in shaking peoples belief in God, humanitarianism and reason. In addition, the lopsided development of technology caused the loss of personality. An increasing number of people were stressed out materially and spiritually. Under that circumstance, black humor came out

26、as a necessary method to express peoples inner feelings.Chapter III Brief Introduction to Joseph Heller3.1 Hellers LifeJoseph Heller (1923-1999) was born in Coney Island in Brooklyn, New York on May 1, 1923. He is the son of poor Jewish parents from Russia. He died of a heart attack at the age of 76

27、 years old at his home in East Hampton, on Long Island, in December 1999. Even as a child, he loved to write; as a teenager, he wrote a story about the Russian invasion of Finland and sent it to New York Daily News, which rejected it. His works were first published in 1948, when the Atlantic ran one

28、 of his short stories. That first story nearly won the “Atlantic First. In 1953, he began to write his Catch-22 and it was published in 1961. Shortly after Catch-22 was published, Heller thought of an idea for his next novel, which would become Something Happened. After that, he became a professiona

29、l writer and kept on writing until the completion of his last novel, Portrait of an Artist, as an Old Man.Reality is the setting of literature. Hellers life experience affected his writing career. He was born into a Jewish family. Because of racial persecution in Russia, his family immigrated to Ame

30、rica in 1913. When he was young, his family was very poor. In 1942, at the age of 19, he joined the U.S. Army Air Corps. Two years later, he was sent to Italian Front as a bombardier. Yossarian, the main character in Catch-22 is similar to him in many aspects. After the war, Heller studied English a

31、t the University of Southern California and New York University. During that period, he began to write short stories. He was once suffered from gullian-barre syndrome. His illness and recovery are recounted at great length in the autobiographical No Laughing Matter (Heller 1986). In 1998, he release

32、d a memoir, Now and Then: From Coney Island to Here, in which he relived his childhood as the son of a deliveryman and offered some details about the inspirations for Catch-22. 3.2 Hellers Works and Writing StyleJoseph Heller began his writing career as the author of short stories but won immediate

33、acclaim with Catch-22 (1961; film, 1970). A protest novel underscored with black humor, Catch-22 satirizes the horrors of war and the power of modern society, especially bureaucratic institutions, to destroy the human spirit. Hellers second novel, Something Happened (1974), an expose of the capacity

34、 of the business world to crush the individual, is a pessimistic statement about the effects of prosperity on the human condition. We Bombed in New Haven, a play produced on Broadway in 1967, is a tragicomedy similar in theme and mood to Catch-22. Good as Gold (1979) involves a humorous portrayal of

35、 Jewish family life and a satire of national politics, including attacks on real people such as Henry Kissinger. God Knows (1984) is a humorous retelling and analysis of the biblical account of King David. Among his later works are the novels Poetics (1987) and Picture This (1988) Closing Time (1994

36、) Portrait of an Artist, as an Old Man (2000). No Laughing Matter (1986) is a chronicle of Hellers recovery from Guillain-Barre syndrome, which contains alternating chapters by Heller and his good friend Speed Vogel. The book reveals the assistance and companionship Heller received during this perio

37、d from a number of his prominent friendsMel Brooks, Mario Puzo, Dustin Hoffman and George Mandel among them. Hellers works are characterized by a satirical sense of the absurd, speaking out against the military-industrial complex and those organized institutions which seem to manipulate peoples live

38、s in the name of reason or morality. The author of this paper just takes Hellers Catch-22 and something wrong as examples.In Catch-22, the author discarded the traditional realism, made whole works without a complete plot development clue. There was not a prominent character image. Instead, it is fu

39、ll of chaos, noisy, crazy atmosphere. But the authors also stressed a serious absurd, describing the whole American society from its internal dirty, corruption, and fall, especially those bureaucrats. Joseph Hellers second novel, Something Wrong, written in 1974, described a company staffs mental an

40、guish. It reflects the psychological state of American middle class. Something Wrong focused on writing external forces causing the persons oppression and corrosion. Catch-22 mainly told the characters inner spiritual life. The author in this novel made use of jokes to show that there was really som

41、ething wrong with the society. He also satirized the reality and politics through absurd and deforming description.3.3 Hellers Catch-223.3.1 The Background of Catch-22 After WWII, America experienced a period of unprecedented economic boom. In 1950s, America became the big brother of the capitalism

42、world. The Cold War broke out between America and Soviet Union. With the stronger of Soviet Union, many American began be afraid of communism. They thought that the lives of American would be in danger. The republican from Wisconsin Joseph R McCarthy speak out the fear of the American. McCarthyism m

43、ade the young be resentful and limited the development of literature. Besides, exhausting all resources to build up American military power aroused the anti-war sentiment. Under such political circumstances, Catch-22 came out to express the authors feeling to a chaotic America.At the beginning of 20

44、th-century, the famous new humanism critic More found that there was a kind of “the power of blackness” in American literature. O. Henry made use of “tearful humor” to tell the miserable life of ordinary people. Mark Twain used a kind of humor, which described bleeding with pleasure and made jokes o

45、n corpse. This kind of humor was very close to black humor literature created by Mark Twain has significant effects on the following writers. With the time passing, the humor literature was developed by leaps and bounds. Some scholars pointed out that ridicule was one of the characters in 20-th cent

46、ury literature. In 1960s, black humor became prevalent. It was a new period of humor after Mark Twain. Just at that time, Joseph Heller began to write his Catch-22. And after it was published, he became the representative writer of this period.There are social factors for Joseph Hellers Catch-22. Although the WWII ended in 1945, it was difficult for people to get rid of