怎样夯实英语基础远离托福浏览个位数分数.docx

《怎样夯实英语基础远离托福浏览个位数分数.docx》由会员分享，可在线阅读，更多相关《怎样夯实英语基础远离托福浏览个位数分数.docx（14页珍藏版）》请在淘文阁 - 分享文档赚钱的网站上搜索。

1、怎样夯实英语基础，远离托福浏览个位数分数怎样夯实英语基础，远离托福浏览个位数分数拿个托福浏览个位数分数总归是超级尴尬的结果，因而这个是每个托福考生在备考经过中要尽量避免的问题。总在个位数上彷徨，讲明你的英语基础还没有打好。要想真正突破托福浏览个位数字，就要回归到夯实英语基础的轨道上来。今天学习啦就来跟大家具体讲解怎样远离托福浏览个位数分数!怎样夯实英语基础，远离托福浏览个位数分数!首先是词汇。词汇学习是老生常谈的话题。业内普遍以为托福必须有8000词汇量，托福浏览至少有5000左右的词汇量。这就要求学生1.熟悉常用的500个学术词汇，至少保证基本能读懂题目。2.积累一点的专业主题词汇。背诵学术

2、词汇能够通过词汇造句，稳固学习。专业主题词汇的积累，能够根据学生的实际英语基础，利用老托福，或者TPO真题进行听抄或者跟读练习，在练习的同时来采集专业主题词汇，能够粗略分艺术，社会科学，自然科学，生物科学，美国历史，生活场景，甚至能够根据动物，植物，化学，地理，天文等细化主题场景。注意主题词汇一定要通过文章来稳固并不断循环记忆，同时能够催促学生准备一本属于本人的词汇本，专门记忆专业词汇。最后，托福浏览考前能够让学生本人看一下考前预测，基础较为薄弱的学生普遍有投机心里。看看预测十分是假如考试中有重题，考生的自自信心会有很大提升，做题状态会比拟好。当然不能依靠预测，由于一来机经上没有题目，二来答案

3、也不一定正确。对于经典加试题目，考生是必须认真记忆并且背下来。原因同上，而且加试题目一般比拟固定，基本能碰到旧题。托福浏览模拟题：文艺复兴题材Themedievalartistsdidntknowaboutperspective;theydidntwanttomaketheirpeoplelooklikereal，individualpeopleinareal，individualscene.Theywantedtoshowthetruth，theeternalqualityoftheirreligiousstories.Sotheseartistsdidntneedtoknowaboutpe

4、rspective.IntheEuropeanRenaissanceperiod，artistswantedtoshowtheimportanceoftheindividualpersonandhisorherpossessionsandsurroundings.Aflatmedievalstylecouldntshowthislevelofrealityandtheartistsneededanewtechnique.ItwastheItalianartistBrunelleschiwhodiscoveredthetechniqueofperspectivedrawing.Atfirstth

5、eartistsoftheRenaissanceonlyhadsingle-pointperspective.Latertheyrealizedthattheycouldhavetwo-pointedperspectiveandstilllatermulti-pointperspective.Withtwo-pointperspectivetheycouldturnanobject(likeabuilding)atanangletothepictureanddrawtwosidesofit.Thetechniqueofperspectivewhichseemssonaturaltousnowi

6、saninventedtechnique，apartofthe“grammarofpainting.Likeallbitsofgrammarthereareexceptionsaboutperspective.Forexample，onlyverticalandhorizontalsurfacesseemtomeetoneyelevel.Slopingrooftopsdontmeetoneyelevel.For500years，artistsinEuropemadeuseofperspectivedrawingintheirpictures.Nevertheless，therearearang

7、eofprioritiesthatartistsindisplayingindividualstyles.Crivelliwantedtoshowdepthinhispictureandheusedasimplesingle-pointperspective.Cezannealwaystalkedaboutspaceandvolume.VanGogh，likesomeoftheotherpaintersoftheImpressionistperiod，wasinterestedinJapaneseprints.AndJapaneseartistsuntilthiscenturywerealwa

8、ysverystrongdesignersof“flatpictures.Picassocertainlymadepictureswhichhavevolumeanddepth.However，hewantedtokeepoureyesonthesurfaceandtoremindusthathispaintingsarepaintingsandnotillusions.Itistechnicallyeasytogiveanillusionofdepth.However，astrongtwodimensionaldesignisjustasimportantasafeelingofdepth，

9、andperhapsmoreimportant.1Thepassagemainlydiscusses(a)thedifferencebetweenmedievalandRenaissanceart(b)howthetechniqueofperspectiveinfluencedthemodernart(c)thediscoveryofthetechniqueofperspective(d)thecontributionofRenaissanceartists2Theword“eternalinline3isclosestinmeaningto(a)timeless(b)infinite(c)f

10、requent(d)constant3Accordingtothepassage，whichisthemainconcernformedievalartists?(a)theindividualpersonandhis/herpossessionsandsurroundings(b)realpeople，realscenes(c)eternaltimelesstruthoftheearth(d)themesofreligiousstories4Thediscoveryofperspectivewastheresultof(a)Renaissanceartiststoprovethattheme

11、dievalartistscouldshowlevelofreality(b)theneedtoturnanobjectatanangleanddrawmorethanonesideofit(c)thesubjectbeingshiftedfromreligiousstoriestoindividualpersonandsurroundings.(d)naturalevolutionofhumansenses5Theword“itinline12refersto(a)thepicture(b)perspective(c)angle(d)theobject6Theword“Grammarinli

12、ne13isclosestinmeaningto(a)construction(b)grammaticalrules(c)rulesandregulations(d)tonesandvolume7Theauthorspurposetogivetheexampleinline14-15isto(a)explainhowperspectiveworkinpainting(b)supporttwo-pointedperspective(c)illustratethatthereareexceptionsaboutperspective(d)pointoutthatthetechniqueofpers

13、pectivethoughseemssonaturalisaninventedtechnique8Thefollowingartistsprioritiesinstyleshiftawayfromperspectiveexcept(a)Crivelli(b)Cezanne(c)Japaneseartists(d)Brunelleschi9ThewordIllusioninline25isclosestinmeaningto(a)deception(b)photograph(c)decoration(d)illustration10Itcanbeinferredfromthepassagetha

14、tRenaissanceartists(a)embracedthemedievalstyleofeternaltruth(b)neededtodevelopanewapproachtowardspaintingtoshowanewlevelofreality(c)wereinspiredbyverticalandhorizontalsurfacesininventingthetechniqueofperspective(d)sawtwodimensionaldesignmoreimportantthanafeelingofdepth参考答案：1.b2.a3.d4.c5.d6.c7.c8.d9.

15、a10.b托福浏览模拟题：人类的起源Therearetwomainhypotheseswhenitcomestoexplainingtheemergenceofmodernhumans.TheOutofAfricatheoryholdsthathomosapiensburstontothesceneasanewspeciesaround150，000to200，000yearsagoinAfricaandsubsequentlyreplacedarchaichumanssuchastheNeandertals.Theothermodel，knownasmulti-regionalevoluti

16、onorregionalcontinuity，positsfarmoreancientanddiverserootsforourkind.ProponentsofthisviewbelievethathomosapiensaroseinAfricasome2millionyearsagoandevolvedasasinglespeciesspreadacrosstheOldWorld，withpopulationsindifferentregionslinkedthroughgeneticandculturalexchange.Ofthesetwomodels，OutofAfrica，whic

17、hwasoriginallydevelopedbasedonfossilevidence，andsupportedbymuchgeneticresearch，hasbeenfavoredbythemajorityofevolutionscholars.ThevastmajorityofthesegeneticstudieshavefocusedonDNAfromlivingpopulations，andalthoughsomesmallprogresshasbeenmadeinrecoveringDNAfromNeandertalthatappearstosupportmulti-region

18、alism，thechanceofrecoveringnuclearDNAfromearlyhumanfossilsisquiteslimatpresent.Fossilsthusremainverymuchapartofthehumanoriginsdebate.Anothermeansofgatheringtheoreticalevidenceisthroughbones.ExaminationsofearlymodernhumanskullsfromCentralEuropeandAustraliadatedtobetween20，000and30，000yearsoldhavesugg

19、estedthatbothgroupsapparentlyexhibittraitsseenintheirMiddleEasternandAfricanpredecessors.ButtheearlymodernspecimensfromCentralEuropealsodisplayNeandertaltraits，andtheearlymodernAustraliansshowedaffinitiestoarchaicHomofromIndonesia.Meanwhile，thedebateamongpaleoanthropologistscontinues，assupportersoft

20、hetwohypotheseschallengetheevidenceandconclusionsofeachother.1Thepassageprimarilydiscusseswhichofthefollowing(a)Evidencethatsupportsthe“OutofAfricatheory(b)Twohypothesesandsomeevidenceonthehumanoriginsdebate(c)Thedifficultiesinobtainingagreementamongtheoristsonthehumanoriginsdebate(d)Thatfossilsrema

21、inverymuchapartofthehumanoriginsdebate2Theword“emergenceinline1isclosestinmeaningto(a)complexity(b)development(c)appearance(d)decline3Theword“proponentsinline6isclosetinmeaningto(a)experts(b)advocates(c)inspectors(d)historians4Allofthefollowingaretrueexcept(a)threemethodsofgatheringevidencearementio

22、nedinthepassage(b)themulti-regionalmodelgoesbackfurtherinhistory.(c)theOutofAfricamodelhashadmoresupportfromscholars(d)DNAstudiesofferoneofthebestwaysinfuturetoprovideclearevidence.5Theword“sliminline14isclosestinmeaningto(a)small(b)narrow(c)thin(d)difficult6Whichofthefollowingisnottrue(a)thevastmaj

23、orityofgeneticstudieshavefocusedonlivingpopulations(b)earlymodernhumanskullsallsupportthesameconclusions(c)bothhypothesesfocusonAfricaasalocationforthenewspecies.(d)earlymodernAustralianskullshavesimilaritiestothosefromIndonesia.7Inline18，theword“theirreferstowhichofthefollowing(a)MiddleEasternersan

24、dAfricans(b)skulls(c)centralEuropeansandAustralians(d)traits8WhichofthefollowingisNOTtrueaboutthetwohypotheses(a)BothhypothesesregardNeandertalstobethepredecessorsofmodernhumans(b)Geneticstudieshavesupportedbothhypotheses(c)BothhypothesesciteAfricaasanoriginatinglocation.(d)Onehypothesisdatestheemer

25、genceofhomosapiensmuchearlierthantheother.9Itcanbeinferredfromthepassagethat(a)thereislikelytobeanendtothedebateinthenearfuture(b)thedebatewillinteresthistorianstotakepartin(c)thedebateislikelytobelessimportantinfuture(d)thereislittlelikelihoodthatthedebatewilldiedown10Accordingtothepassage，themulti

26、-regionalevolutionmodelpositsfarmorediverserootsforourkindbecause(a)Evidencefromexaminationsofearlymodernhumanskullshascomefromanumberofdifferentpartsoftheworld.(b)DNAfromNeandertalappearstosupportmulti-regionalism(c)Populationsindifferentregionswerelinkedthroughgeneticandculturalexchange(d)Thishasbeensupportedbyfossilevidence参考答案：1.b2.c3.b4.d5.a6.b7.c8.a9.d10.c怎样夯实英语基础，远离托福浏览个位数分数