三天提高托福浏览.docx

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1、三天提高托福浏览三天提高托福浏览托福浏览想要快速的进行提升，一些科学的备考方法是必需要把握的，本篇文章就为大家共享三天提高托福浏览，希望对大家的成绩提高有所帮助。三天提高托福浏览1、词汇温习建议除了常规的词汇背诵以外，下面三类材料都能够作为备考利器：1)托福在线练习题(TPO1-48)里出现过的所有词汇题及答案要记熟;2)翻阅离考试日期至少8个月的词汇机经，用最近反复考察的词汇做一次现有词汇水平的检验;3)考前一周的词汇机经，大大提高真实考试词汇题的正确率。除此以外，日常备考时还应养成随手翻阅Merriam-Webster的好习惯，毕竟是官方指定的参考字典。2、长难句温习建议托福浏览长难句构造

2、的划分跟考生的语法基础息息相关，但无外乎是常见的四、五种语法点的交替出现，比方定语后置，倒装句，虚拟语气等。所以长难句怎样有效秒杀它呢?先从句子简化题入手，横向练习，找出薄弱语法点，针对性温习。再在精读经过中，总结长难句，练习意群断句，进一步稳固。3、逻辑构造温习建议听力有听写跟读，浏览有复述。看完一整段后，能否把段落起承转合整理到85%的水平，关键就看能否捉住句间逻辑联络。在托福阶段，逻辑基本以显性的逻辑关联词作为代表，要熟记;在此基础上，要储备常见的段落构造，做到举一反三，以不变应万变来面对新文章，新段落。4、考前冲刺建议学生经常都有这样的困惑：TPO刷完了还有什么材料值得温习呢?纵览市面

3、上所有的温习材料，在文章选取和题目设置上都有或多或少的硬伤。盲目地拿和真实考试有差距的题目进行练习，反而会打乱正确的解题思路，事倍功半。苦刷TPO三百遍，更要来场全真模考验一验。暂不讲题源文章很难触及，市面上所有的模考软件在评分标准上都有这样那样的缺陷，导致很多考生的实际分数和平常练习的分数有一定落差，而只要ETS才有最权威的算分机制，其他渠道皆无从得知。利用模考卷，检验所学所得，查漏补缺，及时调整温习策略，是从被动的考试者转变成主动学习者最关键的一步!影响托福备考时长的四大因素首先，托福考试准备的时间的长短取决于你的基础，你是在什么基础上准备呢?高中毕业的水平，CET4或6的水平，或者已经考

4、完了GRE了。而且这些考试有个共同的特点，不注重衡量你的听力，写作，最重要的是白话方面的水平。可能你的浏览和词汇都没有问题，但是你的白话在什么基础呢?听力呢?作文呢?一般来讲，假如能天天温习6个小时左右，2个月左右的温习是还是必要的。就算考完GRE，最好也要2个月，有英语六级水平大概3个月左右。只要英语四级水平的话4个月也差不多了，假如连英语四级水平都没有，就要4个月甚至更多了。当然，这些时间都是非常粗略的。其次，托福考试准备的时间取决于你有效的温习时间，注意是有效，你真正花在温习上的时间天天有多少时间呢，有些人天天能花出10个小时孜孜不倦的学习;有些人本身有工作，温习的时间也不长。有些人看似

5、很忙，却能抽出很多空闲的时间温习，整出来的有效时间甚至比那些看上去不是很忙的人还多。另外，托福考试准备的时间取决于你想要的托福考试分数，还有很重要的是托福考试单项分数。很多学校对托福考试单项成绩都有要求，这就意味着不能一门考得十分低，尤其是白话。假如托福考试分数想上100分就得确保托福浏览和听力不能低，最好是拿高分，托福白话不能太低，最好分数在20分以上，托福写作能够拿个一般的分数。对托福单项分数规划了之后，能够在制订计划时候更有目的性。假如你的目的只是80分，那么你应该为本人的各个部分更好的规划了，比方白话假如基础不好只能拿15分左右，那么你得保证你别的部分补充白话的空缺。最后，托福考试准备

6、的时间取决于你的态度，态度其实就是你学习的动力，你假如有强烈的愿望去战胜新托福，你的效率往往会很高，这样能大大缩短温习时间。相反，你报着无所谓的态度，天天报着一本托福词汇书，或者OG看，可能你也看不进多少。托福浏览真题1Rentcontrolisthesystemwherebythelocalgovernmenttellsbuildingownershowmuchtheycanchargetheirtenantsinrent.IntheUnitedStates,rentcontrolsdatebacktoatleastWorldWarII.In1943thefederalgovernmenti

7、mposedrentcontrolstohelpsolvetheproblemofhousingshortagesduringwartime.Thefederalprogramendedafterthewar,butinsomelocations,includingNewYorkCity,controlscontinued.UnderNewYorkscontrols,alandlordgenerallycannotraiserentsonapartmentsaslongasthetenantscontinuetorenewtheirleases.InplacessuchasSantaMonic

8、a,California,rentcontrolsaremorerecent.Theywerespurredbytheinflationofthe1970s,which,combinedwithCaliforniasrapidpopulationgrowth,pushedhousingprices,aswellasrents,torecordlevels.In1979SantaMonicasmunicipalgovernmentorderedlandlordstorollbacktheirrentstothelevelschargedin1978.Futurerentscouldonlygou

9、pbytwo-thirdsasmuchasanyincreaseintheoverallpricelevel.Inanyhousingmarket,rentalpricesperformthreefunctions:(1)promotingtheefficientmaintenanceofexistinghousingandstimulatingtheconstructionofnewhousing,(2)allocatingexistingscarcehousingamongcompetingclaimants,and(3)rationinguseofexistinghousingbypot

10、entialrenters.Oneresultofrentcontrolisadecreaseintheconstructionofnewrentalunits.Rentcontrolshaveartificiallydepressedthemostimportantlong-termdeterminantofprofitabilityrents.Considersomeexamples.InarecentyearinDallas,Texas,witha16percentrentalvacancyratebutnorentcontrollaws,11,000newhousingunitswer

11、ebuilt.Inthesameyear,inSanFrancisco,California,only2,000unitswerebuilt.Themajordifference?SanFranciscohasonlya1.6percentvacancyratebutstringentrentcontrollaws.InNewYorkCity,exceptforgovernment-subsidizedconstruction,theonlyrentalunitsbeingbuiltareluxuryunits,whichareexemptfromcontrols.InSantaMonica,

12、California,newapartmentsarenotbeingconstructed.Newofficerentalspaceandcommercialdevelopmentsare,however.Theyareexemptfromrentcontrols.1.Whatdoesthepassagemainlydiscuss?(A)TheconstructionofapartmentsintheUnitedStates.(B)Causesandeffectsofrentcontrol(C)Thefluctuationsofrentalprices(D)Theshortageofaffo

13、rdablehousingintheUnitedStates.2.ThewordTheyinline9refersto(A)thetenants(B)theirleases(C)places(D)rentcontrols.3.WhichofthefollowingwasNOTareasonfortheintroductionofrentcontrolsinSantaMonica,California?(A)rapidpopulationgrowth(B)inflation(C)economicconditionsduringwartime(D)record-highhousingprices4

14、.Thephraserollbackinline11isclosestinmeaningto(A)credit(B)measure(C)vary(D)reduce5.Thewordstimulatinginline15isclosestinmeaningto(A)experimentingwith(B)identifying(C)estimating(D)encouraging6.Itcanbeinferredthatthepurposeofrentcontrolisto(A)protecttenants(B)promoteconstruction(C)increasevacancyrates

15、(D)decreasesalesofrentalunits7.Theworddepressedinline19isclosestinmeaningto(A)saddened(B)created(C)lowered(D)defeated8.Theinformationinthelastparagraphsupportswhichofthefollowingstatements?(A)SanFranciscohaseliminateditsrentcontrollaws.(B)Rentcontrolleadstoareductionintheconstructionofhousingunits(C

16、)Luxuryapartmentsarerarelybuiltwhenthereisrentcontrol(D)Thereisagrowingneedforgovernment-subsidizedhousing.9.Accordingtothepassage,whichofthefollowingcitiesdoesNOTcurrentlyhaverentcontrols?(A)SantaMonica(B)Dallas(C)SanFrancisco(D)NewYorkCity10.Thewordstringentinline23isclosestinmeaningto(A)straightf

17、orward(B)strict(C)expanded(D)efficient11.Accordingtothepassage,whichofthefollowingisNOTexemptfromrentcontrol?(A)Luxuryapartments(B)Commercialdevelopment(C)Moderatelypricedapartments(D)Officespace.PASSAGE31BDCDDACBBBC托福浏览真题2By1776thefineartofpaintingasithaddevelopedinwesternEuropeuptothistimehadbeeni

18、ntroducedintotheAmericancoloniesthroughbooksandprints,Europeanvisitorsandimmigrants,andtravelingcolonistswhobroughtbackcopies(andafeworiginal)ofoldmasterpaintingsandacquaintancewithEuropeanartinstitutions.BytheoutbreakoftheRevolutionagainstBritishrulein1776,thestatusoftheartistshadalreadyundergonech

19、ange.Inthemid-eighteenthcentury,paintershadbeenwillingtoassumesuchartisan-relatedtasksasvarnishing,gildingteaching,keepingshops,andpaintingwheelcarriages,houses,andsigns.Theterminologybywhichartistsweredescribedatthetimesuggeststheirstatus:limnerwasusuallyappliedtotheanonymousportraitpainteruptothe1

20、760paintercharacterizedanyonewhocouldpaintaflatsurface.Bythesecondhalfofthecentury,colonialartistswhoweretrainedinEnglandoreducatedintheclassicsrejectedthestatusoflaborerandthoughtofthemselvesasartists.Somecolonialurbanportraitists,suchasJohnSingletonCopley,BenjaminWest,andCharlesWilsonPeale,consort

21、edwithaffluentpatrons.Althoughsubjecttofluctuationsintheireconomicstatus,allthreeenjoyedsufficientpatronagetoallowthemtomaintainanimageofthemselvesasprofessionalartists,animageindicatedbytheircustomofsigningtheirpaintings.AfewartcollectorsJamesBowdoinIIIofBoston,WilliamByrdofVirginian,andtheAliensan

22、dHamiltonsofPhiladelphiaintroducedEuropeanarttraditionstothosecolonistsprivilegedtovisittheirgalleries,especiallyaspiringartists,andestablishedintheirrespectivecommunitiestheideaofthevalueofartandtheneedforinstitutionsdevotedtoitsencouragement.Althoughthecoloniststendedtofavorportraits,theyalsoaccep

23、tedlandscapes,historicalworks,andpoliticalengravingsasappropriateartisticsubjects.WiththecomingofindependencefromtheBritishCrown,asufficientnumberofartistsandtheirworkswereavailabletoservenationalisticpurposes.Theachievementsofthecolonialartists,particularlythoseofCopley,West,andPeale,lentcredenceto

24、theboastthatthenewnationwascapableofencouraginggeniusandthatpoliticallibertywascongenialtothedevelopmentoftasteanecessarystepbeforeartcouldassumeanimportantroleinthenewrepublic.1.Whatdoesthepassagemainlydiscuss?(A)EuropeaninfluenceoncolonialAmericanpainting(B)Theimportanceofpatronagetoartist(C)Thech

25、angingstatusofartistsintheAmericancoloniesintheeighteenthcentury(D)SubjectspreferredbyartistsintheAmericancoloniesintheeighteenthcentury.2.Thewordoutbreakinline5isclosestinmeaningto(A)cause(B)beginning(C)position(D)explanation3.Thewordundergoneinline6isclosestinmeaningto(A)ledto(B)transformed(C)pref

26、erred(D)experienced4.Accordingtothepassage,beforetheAmericanRevolutionthemaintaskoflimnerswasto(A)paintwheelcarriages(B)paintportraits(C)varnishfurniture(D)paintflatsurfaces5.ItcanbeinferredfromthepassagethatartistswhoweretrainedinEngland(A)consideredartiststobesuperiortopainters(B)barelypaintedport

27、raitists(C)wereoftenverywealthy(D)imitatedEnglishpainters6.Thewordconsortedinline14isclosestinmeaningto(A)madedecisions(B)studies(C)agreed(D)associated7.Thewordsufficientinline16isclosestinmeaningto(A)adequate(B)temporary(C)friendly(D)expensive8.Accordingtothepassage,artistssuchasCopley,WestandPeals

28、ignedtheirpaintings(A)increasedthemonetaryvalueofthepaintings(B)madeitmoredifficultforotherartiststocopythepaintings(C)supportedtheartistsimageofprofessionalism(D)distinguishedcolonialAmericanartistsfromEuropeanartists9.TheauthormentionsJamesBowdoinIIIandWilliamByrdinline17asexamplesofwhichofthefoll

29、owing?(A)ArtgalleryownerswhodisplayedonlyEuropeanart(B)ArtcollectorswhohadaprofoundinfluenceonAmericanattitudestowardart(C)Artistswhogavefinancialsupporttootherartists(D)Patronswhosehelpedtoencourageartisanstobecomeartists10.Withwhichofthefollowingwouldtheauthorbemostlikelytoagree?(A)Countriesthathavenothadapoliticalrevolutionareunlikelytodevelopgreatart.(B)Themostsuccessfulartcollectorsareusuallyartiststhemselves.(C)ThevalueofcolonialAmericanpaintingsdecreasedaftertheRevolution.(D)Colonialartistsmadeanimportantcontributiontotheevolvingcultureofthenewnation.PASSAGE32CBDBADACBD三天提高托福浏览