2021陕西同等学力人员申请硕士学位考试考试真题卷（9）.docx

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1、2021陕西同等学力人员申请硕士学位考试考试真题卷（9）本卷共分为1大题50小题，作答时间为180分钟，总分100分，60分及格。一、单项选择题（共50题，每题2分。每题的备选项中，只有一个最符合题意） 1. Dalton wondered why the heavier and lighter gases in the atmosphere did not separate as oil and water do. He finally concluded that the constituent (61) must exist in the form of tiny particles o

2、r atoms and that these (62) be completely mixed together in the atmosphere. This threw a new light in (63) law of definite proportions. It was only necessary to suppose that the atoms (64) combine into small groups of uniform (65) and so form more complex substance; (66) the mystery of this law was

3、(67) . Dalton suggested, for example, that carbon monoxide (68) formed by the one with one (69) of atoms of carbon and oxygen, (70) carbon dioxide results from a single (71) of carbon uniting with two atoms of oxygen. Assuming this to be true, (72) the definite proportions of Prouts law (73) all che

4、mical compounds the different constituents (74) enter in unvarying proportions would naturally (75) the relative weights of the many different kinds of atoms. ApieceBtypeCatomDmeasure 2. Dalton wondered why the heavier and lighter gases in the atmosphere did not separate as oil and water do. He fina

5、lly concluded that the constituent (61) must exist in the form of tiny particles or atoms and that these (62) be completely mixed together in the atmosphere. This threw a new light in (63) law of definite proportions. It was only necessary to suppose that the atoms (64) combine into small groups of

6、uniform (65) and so form more complex substance; (66) the mystery of this law was (67) . Dalton suggested, for example, that carbon monoxide (68) formed by the one with one (69) of atoms of carbon and oxygen, (70) carbon dioxide results from a single (71) of carbon uniting with two atoms of oxygen.

7、Assuming this to be true, (72) the definite proportions of Prouts law (73) all chemical compounds the different constituents (74) enter in unvarying proportions would naturally (75) the relative weights of the many different kinds of atoms. AthenBsoCbyDthat 3. Dalton wondered why the heavier and lig

8、hter gases in the atmosphere did not separate as oil and water do. He finally concluded that the constituent (61) must exist in the form of tiny particles or atoms and that these (62) be completely mixed together in the atmosphere. This threw a new light in (63) law of definite proportions. It was o

9、nly necessary to suppose that the atoms (64) combine into small groups of uniform (65) and so form more complex substance; (66) the mystery of this law was (67) . Dalton suggested, for example, that carbon monoxide (68) formed by the one with one (69) of atoms of carbon and oxygen, (70) carbon dioxi

10、de results from a single (71) of carbon uniting with two atoms of oxygen. Assuming this to be true, (72) the definite proportions of Prouts law (73) all chemical compounds the different constituents (74) enter in unvarying proportions would naturally (75) the relative weights of the many different k

11、inds of atoms.A. from B: in C. to D. for 4. Dalton wondered why the heavier and lighter gases in the atmosphere did not separate as oil and water do. He finally concluded that the constituent (61) must exist in the form of tiny particles or atoms and that these (62) be completely mixed together in t

12、he atmosphere. This threw a new light in (63) law of definite proportions. It was only necessary to suppose that the atoms (64) combine into small groups of uniform (65) and so form more complex substance; (66) the mystery of this law was (67) . Dalton suggested, for example, that carbon monoxide (6

13、8) formed by the one with one (69) of atoms of carbon and oxygen, (70) carbon dioxide results from a single (71) of carbon uniting with two atoms of oxygen. Assuming this to be true, (72) the definite proportions of Prouts law (73) all chemical compounds the different constituents (74) enter in unva

14、rying proportions would naturally (75) the relative weights of the many different kinds of atoms. AareBwouldntCalwaysDnever 5. Dalton wondered why the heavier and lighter gases in the atmosphere did not separate as oil and water do. He finally concluded that the constituent (61) must exist in the fo

15、rm of tiny particles or atoms and that these (62) be completely mixed together in the atmosphere. This threw a new light in (63) law of definite proportions. It was only necessary to suppose that the atoms (64) combine into small groups of uniform (65) and so form more complex substance; (66) the my

16、stery of this law was (67) . Dalton suggested, for example, that carbon monoxide (68) formed by the one with one (69) of atoms of carbon and oxygen, (70) carbon dioxide results from a single (71) of carbon uniting with two atoms of oxygen. Assuming this to be true, (72) the definite proportions of P

17、routs law (73) all chemical compounds the different constituents (74) enter in unvarying proportions would naturally (75) the relative weights of the many different kinds of atoms. AdescribeBunitCmixDreveal 6.Many things make people think artists are weirdthe odd hours, the nonconformity, the clove

18、cigarettes. However, the weirdest may be this: artists only jobs are to explore emotions, and yet they choose to focus on the ones that feel lousy. This wasnt always so. The earliest forms of art, like painting and music, are those best suited for expressing joy. But somewhere in the 19th(上标) centur

19、y, more artists began seeing happiness as insipid, phony or, worst of all, boring. In the 20th(上标) century, classical music became more atonal, visual art more unsettling. Sure, there have been exceptions, but it would not be a stretch to say that for the past century or so, serious art has been at

20、war with happiness. In 1824, Beethoven completed his Ode to Joy. In 1962, novelist Anthoy Burgess used it in A Clockwork Orange as the favorite music of his ultra-violent antihero. You could argue that art became more skeptical of happiness because modern times have seen such misery. But the reason

21、may actually be just the opposite: there is too much damn happiness in the world today. In the West, before mass communication and literacy, the most powerful mass medium was the church, which reminded worshippers that their souls were in peril and that they would someday be meat for worms. Today th

22、e messages that the average Westerner is bombarded with are not religious but commercial, and relentlessly happy. Since these messages have an agendato prey our wallets from our pocketsthey make the very idea of happiness seem bogus(假的). Celebrate! commanded the ads for the arthritis drug Celebrex,

23、before we found out it could increase the risk of heart attack. What we forgetwhat our economy depends on us forgettingis that happiness is more than pleasure without pain. The things that bring the greatest joy carry the greatest potential for loss and disappointment. Today, surrounded by promises

24、of easy happiness, we need someone to tell us that it is OK not to be happy, that sadness makes happiness deeper. As the wine-connoisseur movie Sideways tells us, it is the kiss of decay and mortality that makes grape juice into Pinot Norway need art to tell us, as religion once did, that you will d

25、ie, that everything ends, and that happiness comes not in denying this but in living with it. Its a message even more bitter than a clove cigarette, yet, somehow, is a breath of fresh air.What is most strange about artistsAThey wear special clothes.BThey rarely work in the daytime.CThey mainly depic

26、t distressing things.DThey are liable to take illegal drugs. 7.Many things make people think artists are weirdthe odd hours, the nonconformity, the clove cigarettes. However, the weirdest may be this: artists only jobs are to explore emotions, and yet they choose to focus on the ones that feel lousy

27、. This wasnt always so. The earliest forms of art, like painting and music, are those best suited for expressing joy. But somewhere in the 19th(上标) century, more artists began seeing happiness as insipid, phony or, worst of all, boring. In the 20th(上标) century, classical music became more atonal, vi

28、sual art more unsettling. Sure, there have been exceptions, but it would not be a stretch to say that for the past century or so, serious art has been at war with happiness. In 1824, Beethoven completed his Ode to Joy. In 1962, novelist Anthoy Burgess used it in A Clockwork Orange as the favorite mu

29、sic of his ultra-violent antihero. You could argue that art became more skeptical of happiness because modern times have seen such misery. But the reason may actually be just the opposite: there is too much damn happiness in the world today. In the West, before mass communication and literacy, the m

30、ost powerful mass medium was the church, which reminded worshippers that their souls were in peril and that they would someday be meat for worms. Today the messages that the average Westerner is bombarded with are not religious but commercial, and relentlessly happy. Since these messages have an age

31、ndato prey our wallets from our pocketsthey make the very idea of happiness seem bogus(假的). Celebrate! commanded the ads for the arthritis drug Celebrex, before we found out it could increase the risk of heart attack. What we forgetwhat our economy depends on us forgettingis that happiness is more t

32、han pleasure without pain. The things that bring the greatest joy carry the greatest potential for loss and disappointment. Today, surrounded by promises of easy happiness, we need someone to tell us that it is OK not to be happy, that sadness makes happiness deeper. As the wine-connoisseur movie Si

33、deways tells us, it is the kiss of decay and mortality that makes grape juice into Pinot Norway need art to tell us, as religion once did, that you will die, that everything ends, and that happiness comes not in denying this but in living with it. Its a message even more bitter than a clove cigarett

34、e, yet, somehow, is a breath of fresh air.What does the author mean by a stretchAA terrible thing.BAn exaggeration.CA continuous period of time.DAn exception. 8.Many things make people think artists are weirdthe odd hours, the nonconformity, the clove cigarettes. However, the weirdest may be this: a

35、rtists only jobs are to explore emotions, and yet they choose to focus on the ones that feel lousy. This wasnt always so. The earliest forms of art, like painting and music, are those best suited for expressing joy. But somewhere in the 19th(上标) century, more artists began seeing happiness as insipi

36、d, phony or, worst of all, boring. In the 20th(上标) century, classical music became more atonal, visual art more unsettling. Sure, there have been exceptions, but it would not be a stretch to say that for the past century or so, serious art has been at war with happiness. In 1824, Beethoven completed

37、 his Ode to Joy. In 1962, novelist Anthoy Burgess used it in A Clockwork Orange as the favorite music of his ultra-violent antihero. You could argue that art became more skeptical of happiness because modern times have seen such misery. But the reason may actually be just the opposite: there is too

38、much damn happiness in the world today. In the West, before mass communication and literacy, the most powerful mass medium was the church, which reminded worshippers that their souls were in peril and that they would someday be meat for worms. Today the messages that the average Westerner is bombard

39、ed with are not religious but commercial, and relentlessly happy. Since these messages have an agendato prey our wallets from our pocketsthey make the very idea of happiness seem bogus(假的). Celebrate! commanded the ads for the arthritis drug Celebrex, before we found out it could increase the risk o

40、f heart attack. What we forgetwhat our economy depends on us forgettingis that happiness is more than pleasure without pain. The things that bring the greatest joy carry the greatest potential for loss and disappointment. Today, surrounded by promises of easy happiness, we need someone to tell us th

41、at it is OK not to be happy, that sadness makes happiness deeper. As the wine-connoisseur movie Sideways tells us, it is the kiss of decay and mortality that makes grape juice into Pinot Norway need art to tell us, as religion once did, that you will die, that everything ends, and that happiness com

42、es not in denying this but in living with it. Its a message even more bitter than a clove cigarette, yet, somehow, is a breath of fresh air.The example that Ode to Joy was used in Burgesss novel is meant to illustrate that_.Amusicians and novelists share similar artistic tasteBviolent people have a

43、strong desire to be happyCserious art is often contradictory with happinessDmusic is enjoyed by good and bad people alike 9.Many things make people think artists are weirdthe odd hours, the nonconformity, the clove cigarettes. However, the weirdest may be this: artists only jobs are to explore emoti

44、ons, and yet they choose to focus on the ones that feel lousy. This wasnt always so. The earliest forms of art, like painting and music, are those best suited for expressing joy. But somewhere in the 19th(上标) century, more artists began seeing happiness as insipid, phony or, worst of all, boring. In

45、 the 20th(上标) century, classical music became more atonal, visual art more unsettling. Sure, there have been exceptions, but it would not be a stretch to say that for the past century or so, serious art has been at war with happiness. In 1824, Beethoven completed his Ode to Joy. In 1962, novelist An

46、thoy Burgess used it in A Clockwork Orange as the favorite music of his ultra-violent antihero. You could argue that art became more skeptical of happiness because modern times have seen such misery. But the reason may actually be just the opposite: there is too much damn happiness in the world toda

47、y. In the West, before mass communication and literacy, the most powerful mass medium was the church, which reminded worshippers that their souls were in peril and that they would someday be meat for worms. Today the messages that the average Westerner is bombarded with are not religious but commerc

48、ial, and relentlessly happy. Since these messages have an agendato prey our wallets from our pocketsthey make the very idea of happiness seem bogus(假的). Celebrate! commanded the ads for the arthritis drug Celebrex, before we found out it could increase the risk of heart attack. What we forgetwhat our economy depends on us forgettingis that happiness is more than pleasure without pain. The things that bring the greatest joy carry the greatest potential for l