萧伯纳英文简介.doc

《萧伯纳英文简介.doc》由会员分享，可在线阅读，更多相关《萧伯纳英文简介.doc（15页珍藏版）》请在淘文阁 - 分享文档赚钱的网站上搜索。

1、精品文档，仅供学习与交流，如有侵权请联系网站删除George Bernard Shaw (26 July 1856 2 November 1950) was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his m

2、ain talent was for drama, and he wrote more than 60 plays. Nearly all his writings address prevailing social problems, but have a vein of comedy which makes their stark themes more palatable. Shaw examined education, marriage, religion, government, health care, and class privilege.He was most angere

3、d by what he perceived as the exploitation of the working class. An ardent socialist, Shaw wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal rights for men and women, alleviating abuses of the wor

4、king class, rescinding private ownership of productive land, and promoting healthy lifestyles. For a short time he was active in local politics, serving on the London County Council.In 1898, Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. They settled in Ayot St Lawrence i

5、n a house now called Shaws Corner. Shaw died there, aged 94, from chronic problems exacerbated by injuries he incurred by falling from a ladder.He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Oscar (1938), for his contributions to literature and for his work

6、 on the film Pygmalion (adaptation of his play of the same name), respectively. Shaw wanted to refuse his Nobel Prize outright because he had no desire for public honors, but accepted it at his wifes behest: she considered it a tribute to Ireland. He did reject the monetary award, requesting it be u

7、sed to finance translation of Swedish books into English.Contents hide 1 Lifeo 1.1 Early years and familyo 1.2 Educationo 1.3 Personal lifeo 1.4 Political activismo 1.5 Contributionso 1.6 Final years2 Careero 2.1 Writingso 2.2 Criticismo 2.3 Novelso 2.4 Short storieso 2.5 Playso 2.6 Polemicso 2.7 Co

8、rrespondence and friendso 2.8 Photography 3 Political and social views 4 Eugenics 5 Religion 6 Legacy7 Workso 7.1 Novelso 7.2 Short storieso 7.3 Dramao 7.4 Essayso 7.5 Musical Criticismo 7.6 Debate 8 See also 9 Notes 10 References 11 External linksedit LifeShaws birthplace, Dublinedit Early years an

9、d familyGeorge Bernard Shaw was born in Synge Street, Dublin, on 26 July 18563 to George Carr Shaw (181485), an unsuccessful grain merchant and sometime civil servant, and Lucinda Elizabeth Shaw, ne Gurly (18301913), a professional singer. He had two sisters, Lucinda Frances (18531920), a singer of

10、musical comedy and light opera, and Elinor Agnes (185576).edit EducationShaw briefly attended the Wesley College, Dublin, a grammar school operated by the Methodist Church in Ireland, before moving to a private school near Dalkey and then transferring to Dublins Central Model School. He ended his fo

11、rmal education at the Dublin English Scientific and Commercial Day School. He harboured a lifelong animosity toward schools and teachers, saying: Schools and schoolmasters, as we have them today, are not popular as places of education and teachers, but rather prisons and turnkeys in which children a

12、re kept to prevent them disturbing and chaperoning their parents.4 In the astringent prologue to Cashel Byrons Profession young Byrons educational experience is a fictionalized description of Shaws own schooldays. Later, he painstakingly detailed the reasons for his aversion to formal education in h

13、is Treatise on Parents and Children.5 In brief, he considered the standardized curricula useless, deadening to the spirit and stifling to the intellect. He particularly deplored the use of corporal punishment, which was prevalent in his time.When his mother left home and followed her voice teacher,

14、George Vandeleur Lee, to London, Shaw was almost sixteen years old. His sisters accompanied their mother6 but Shaw remained in Dublin with his father, first as a reluctant pupil, then as a clerk in an estate office. He worked efficiently, albeit discontentedly, for several years.7 In 1876, Shaw join

15、ed his mothers London household. She, Vandeleur Lee, and his sister Lucy, provided him with a pound a week while he frequented public libraries and the British Museum reading room where he studied earnestly and began writing novels. He earned his allowance by ghostwriting Vandeleur Lees music column

16、,89 which appeared in the London Hornet. His novels were rejected, however, so his literary earnings remained negligible until 1885, when he became self-supporting as a critic of the arts.edit Personal lifeThe front of Shaws Corner as it stands todayInfluenced by his reading, he became a dedicated S

17、ocialist and a charter member of the Fabian Society,10 a middle class organization established in 1884 to promote the gradual spread of socialism by peaceful means.7 In the course of his political activities he met Charlotte Payne-Townshend, an Irish heiress and fellow Fabian; they married in 1898.

18、The marriage was never consummated, at Charlottes insistence, though he had had a number of affairs with married women;11In 1906 the Shaws moved into a house, now called Shaws Corner, in Ayot St. Lawrence, a small village in Hertfordshire, England; it was to be their home for the remainder of their

19、lives, although they also maintained a residence at 29 Fitzroy Square in London.edit Political activismShaw declined to stand as an MP, but in 1897 he was elected as a local councillor to the London County Council as a Progressive.12edit ContributionsShaws plays were first performed in the 1890s. By

20、 the end of the decade he was an established playwright. He wrote sixty-three plays and his output as novelist, critic, pamphleteer, essayist and private correspondent was prodigious. He is known to have written more than 250,000 letters.13 Along with Fabian Society members Sidney and Beatrice Webb

21、and Graham Wallas, Shaw founded the London School of Economics and Political Science in 1895 with funding provided by private philanthropy, including a bequest of 20,000 from Henry Hunt Hutchinson to the Fabian Society. One of the libraries at the LSE is named in Shaws honor; it contains collections

22、 of his papers and photographs.14 Shaw helped to found the left-wing magazine New Statesman in 1913 with the Webbs and other prominent members of the Fabian Society.15edit Final yearsDuring his later years, Shaw enjoyed attending to the grounds at Shaws Corner. At 91 he joined the Interplanetary Soc

23、iety for the last three years of his life.16 He died at the age of 94,17 of renal failure precipitated by injuries incurred by falling while pruning a tree.18 His ashes, mixed with those of his wife, Charlotte Payne-Townshend, were scattered along footpaths and around the statue of Saint Joan in the

24、ir garden.19edit Careeredit WritingsSee Works by George Bernard Shaw for listings of his novels and plays, with links to their electronic texts, if those exist.The International Shaw Society provides a detailed chronological listing of Shaws writings.20 See also George Bernard Shaw, Unity Theatre.21

25、edit CriticismShaw around 1900.Shaw became a critic of the arts when, sponsored by William Archer, he joined the reviewing staff of the Pall Mall Gazette in 1885.22 There he wrote under the pseudonym Corno di Bassetto (basset horn)chosen because it sounded European and nobody knew what a corno di ba

26、ssetto was. In a miscellany of other periodicals, including Dramatic Review (188586), Our Corner (188586), and the Pall Mall Gazette (188588) his byline was GBS.23 From 1895 to 1898, Shaw was the drama critic for his friend Frank Harriss Saturday Review, in which position he campaigned brilliantly t

27、o displace the artificialities and hypocrisies of the Victorian stage with a theatre of actuality and thought. His earnings as a critic made him self-supporting as an author and his articles for the Saturday Review made his name well-known.George Bernard Shaw was highly critical of productions of Sh

28、akespeare, and specifically denounced the dramatic practice of editing Shakespeares plays, whose scenes tended to be cut in order to create acting versions. He notably held famous 19th-century actor Sir Henry Irving in contempt for this practice, as he expressed in one of his reviews:In a true repub

29、lic of art, Sir Henry Irving would ere this have expiated his acting versions on the scaffold. He does not merely cut plays; he disembowels them. In Cymbeline he has quite surpassed himself by extirpating the antiphonal third verse of the famous dirge. A man who would do that would do anything cut t

30、he coda out of the first movement of Beethovens Ninth Symphony, or shorten one of Velzquezs Philips into a kitcat to make it fit over his drawing room mantelpiece.Shavian scholar John F. Matthews credits him, as a result, with the disappearance of the two-hundred-year-old tradition of editing Shakes

31、peare into acting versions.24Shaw in 1909.Shaw photographed by the press.He had a very high regard for both Irish stage actor Barry Sullivans and Johnston Forbes-Robertsons Hamlets, but despised John Barrymores. Barrymore invited him to see a performance of his celebrated Hamlet, and Shaw graciously

32、 accepted, but wrote Barrymore a withering letter in which he all but tore the performance to shreds. Even worse, Shaw had seen the play in the company of Barrymores then wife, but did not dare voice his true feelings about the performance aloud to her.25Much of Shaws music criticism, ranging from s

33、hort comments to the book-length essay The Perfect Wagnerite, extols the work of the German composer Richard Wagner.26 Wagner worked 25 years composing Der Ring des Nibelungen, a massive four-part musical dramatization drawn from the Teutonic mythology of gods, giants, dwarves and Rhine maidens; Sha

34、w considered it a work of genius and reviewed it in detail. Beyond the music, he saw it as an allegory of social evolution where workers, driven by the invisible whip of hunger, seek freedom from their wealthy masters. Wagner did have socialistic sympathies, as Shaw carefully points out, but made no

35、 such claim about his opus. Conversely, Shaw disparaged Brahms, deriding A German Requiem by saying it could only have come from the establishment of a first-class undertaker.27 Although he found Brahms lacking in intellect, he praised his musicality, saying .nobody can listen to Brahms natural utte

36、rance of the richest absolute music, especially in his chamber compositions, without rejoicing in his natural gift. In the 1920s, he recanted, calling his earlier animosity towards Brahms my only mistake.26 Shaws writings about music gained great popularity because they were understandable to the av

37、erage well-read audience member of the day, thus contrasting starkly with the dourly pretentious pedantry of most critiques in that era.28 All of his music critiques have been collected in Shaws Music.29 As a drama critic for the Saturday Review, a post he held from 1895 to 1898, Shaw championed Hen

38、rik Ibsen whose realistic plays scandalized the Victorian public. His influential Quintessence of Ibsenism was written in 1891.30edit NovelsShaw wrote five unsuccessful novels at the start of his career between 1879 and 1883. Eventually all were published.The first to be printed was Cashel Byrons Pr

39、ofession (1886),31 which was written in 1882. Its eponymous character, Cashel, a rebellious schoolboy with an unsympathetic mother, runs away to Australia where he becomes a famed prizefighter. He returns to England for a boxing match, and falls in love with erudite and wealthy Lydia Carew. Lydia, d

40、rawn by sheer animal magnetism, eventually consents to marry despite the disparity of their social positions. This breach of propriety is nullified by the unpresaged discovery that Cashel is of noble lineage and heir to a fortune comparable to Lydias. With those barriers to happiness removed, the co

41、uple settles down to prosaic family life with Lydia dominant; Cashel attains a seat in Parliament. In this novel Shaw first expresses his conviction that productive land and all other natural resources should belong to everyone in common, rather than being owned and exploited privately. The book was

42、 written in the year when Shaw first heard the lectures of Henry George who advocated such reforms.Shaw in 1925, when he was awarded the Nobel Prize in LiteratureWritten in 1883, An Unsocial Socialist was published in 1887.32 The tale begins with a hilarious description of student antics at a girls

43、school then changes focus to a seemingly uncouth laborer who, it soon develops, is really a wealthy gentleman in hiding from his overly affectionate wife. He needs the freedom gained by matrimonial truancy to promote the socialistic cause, to which he is an active convert. Once the subject of social

44、ism emerges, it dominates the story, allowing only space enough in the final chapters to excoriate the idle upper class and allow the erstwhile schoolgirls, in their earliest maturity, to marry suitably.Love Among the Artists was published in the United States in 1900 and in England in 1914,33 but i

45、t was written in 1881. In the ambiance of chit-chat and frivolity among members of Victorian polite society a youthful Shaw describes his views on the arts, romantic love and the practicalities of matrimony. Dilettantes, he thinks, can love and settle down to marriage, but artists with real genius a

46、re too consumed by their work to fit that pattern. The dominant figure in the novel is Owen Jack, a musical genius, somewhat mad and quite bereft of social graces. From an abysmal beginning he rises to great fame and is lionized by socialites despite his unremitting crudity.The Irrational Knot was w

47、ritten in 1880 and published in 1905.34 Within a framework of leisure class preoccupations and frivolities Shaw disdains hereditary status and proclaims the nobility of workers. Marriage, as the knot in question, is exemplified by the union of Marian Lind, a lady of the upper class, to Edward Conoll

48、y, always a workman but now a magnate, thanks to his invention of an electric motor that makes steam engines obsolete. The marriage soon deteriorates, primarily because Marian fails to rise above the preconceptions and limitations of her social class and is, therefore, unable to share her husbands interests. Eventually she runs away with a man who is her social peer, but he proves himself a scoundrel and abandons her in desperate circumstances. Her husband rescues her and offers to take her back, but she pridefully refuses, convinced she is unworthy and certain that she f