The Tragic Constituents in The Joy Luck Club《喜福会》中的悲剧因素.doc
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1、The Tragic Constituents in The Joy Luck Club喜福会中的悲剧因素 摘 要: 喜福会是华裔女作家谭恩美于1989年发表的处女作,发表之初就列入纽约时报畅销书排行榜达九个月之久。它的出版曾一度在美国掀起了一股华裔文学热,也为华裔作品进入美国主流文学做出了贡献。本文通过对四对母女共四个方面的悲剧因素的分析母亲们的女性他者、种族他者歧视的悲剧、女儿们在双重文化下中美文化的冲突、寻求身份认同的悲剧,使得读者明白在双重文化下产生的悲剧形象从而理解两种不同文化互相宽容接纳,共同生存的可能性,期待一个文化共存的和谐世界。关键词:悲剧; 他者; 喜福会; 抗争; 共存
2、The Tragic Constituents in The Joy Luck Club Abstract: The Joy Luck Club is the maiden work of the Chinese-American woman writer Amy Tan, published in 1989. It was on the best seller list for up to nine months since its publication. The publication of the novel has raised an upsurge of American Chin
3、ese Literary Study, which open the door of American mainstream literature for American Chinese literary works. In this paper, the author analyzes the tragic constituents of four pairs of mother-daughters. Mothers tragic constituents are formed by the gender “others” prejudice and racial “others” dis
4、crimination. Living in a bicultural circumstance, with the conflicts of Chinese culture and American culture and the hardship of seeking roots contribute to the daughters tragedy. This paper intends to reveal the tragic images under the double-cultural circumstance, through exploring the tragic cons
5、tituents in The Joy Luck Club. Then, readers get to understand the recombination of two kinds of totally different cultures is possible, and hope a harmonious co-existent world will come.Key Words: Tragedy; others; The Joy Luck Club; conflicts; co-existence Contents1. Introduction12. The Tragic Cons
6、tituents of “others”12.1 The tragedy of gender “others” identity in mothers22.2 The racial “others” discrimination in mothers33. The tragic constituents of living in a bicultural circumstance43.1 The conflicts between American culture & Chinese culture in daughters43.2 The hardship of finding root54
7、. Conclusion7Bibliography8Acknowledgements91. IntroductionThe Joy Luck Club is the maiden work of the Chinese-American woman writer Amy Tan, published in 1989. It was on the best seller list for up to nine months since its publication. In 1990 the book received a number of literary prizes, such as:
8、Angeles Times Book Award, the National Book Award, and The National Book Critics Award etc. The publication of the novel has raised an upsurge of American Chinese Literary Study, which open the door of American mainstream literature for American Chinese literary works. Tan has begun to “create what
9、is, in fact, a new genre of American fiction” and The Joy Luck Club is “a Jewel of a book” (Schell, 1989:4). The novel concerns the relationship between four pairs of mother and daughter. In this paper, the author, interpreted from the perspective of the tragic constituents in The Joy Luck Club, and
10、 found that Chinese-American women suffer a lot under the bicultural environment. The author explores the tragedies of mothers and daughters. Mothers tragedies can be divided into two periods. Every mother has a painful memory in China. They are gender “others” in male dominate society when they are
11、 in China. War refuge, class oppression, patriarchal society, contributes them to “silence”. They want to break the deadlock, to search a new life in the unknown land. However, the situation is not getting better. In America, they speak in broken English; keep their own traditional views of value, b
12、elief and custom. Mothers are unacceptable by the mainstream culture, trapped into linguistic and cultural dilemma. They go through a great from racial “others” discrimination. The daughters grew up speaking only English and swallowing more Coca-Cola than sorrow. They thought they were complete Amer
13、ican. However, the Chinese culture always influences them unconsciously. They are educated by American culture at school and Chinese culture at home. Chinese culture and American culture always conflict in their mind. They are confused. Who am I? They begin their difficult journey to seek their cult
14、ural and social identity. On this road, daughters also suffer from different kinds of tragedies. In this paper, author analyzes the tragic constituents to find out the causes of tragedies to obtain a comprehensive perspective of the different images under the double cultural environment and aim to t
15、he final understanding of two cultures. It is also significant for the Chinese-American women to maintain their characteristics and find a way to survive under the American cultural hegemony.2. The Tragic Constituents of “others”The key clue in this novel is the relationship between mothers and thei
16、r daughters. What is more, mothers marriages, the dominant causes of the mothers tragedy are gender “others” and racial “others”, which lead them to swallow all the sorrow and always keep silence to the unfair things happening in them. In their mind masculinity is their sun, giving them bright and w
17、arm. However, the truth is cruel. The cruel truth drives them to the white people world, searching for the new life. Unfortunately, mothers find themselves again being stripped of self and devalued as racial “others” in a Eurocentric America. 2.1 The tragedy of gender “others” identity in mothers Ac
18、cording to Confucian doctrine, a woman without talent and ambition is a woman of virtue. That doctrine is based on the assumption that women are generally narrow-minded, short-sighted, and unsuited for mental cultivation. Every mother (include grandmother) in this novel has the painful memory in Chi
19、na. Under the context of anti-Japanese war, the feudal society of China was very dark. Class oppression from the feudal Confucian theory and value, war refuge included. Women did not have the right to choose their love; they were subordinate to man as filial daughter, virtuous wife and kind mother.
20、Women owned very low social status. They become the tool to give birth babies (especially boys), and obeyed to the “three obedience and four virtue” of the Confucian ethics under the feudal system. All of them were the victims in that society. Anmeis mother is driven out because she is raped by Wu T
21、sing and she is pregnant after the death of her husband. No one believes that she is innocent. She has no choice but to be Wu Tsings fourth wife. “My mother, she suffered. She lost her face and tried to hide it. She found only greater misery and finally could not hide that. There is nothing more to
22、understand. That was China. That was what people did back then. They had no choice. They could not speak up. They could not run away. That was their fate.” (Tan, 1989: 303) Women could not speak out their tragedy, and did not learn to shout out. Because they are women, they must listen to their husb
23、and, their families. Anmeis mother is the victim of class oppression from the feudal Confucian theory and value. Lena has been engaged when she is four years old. They do not see each other before. Her marriage is decided by her parents and the matcher. From that day, her mother treats her as a visi
24、tor. When the day she becomes daughter-in-law of Huangs, giving birth to a boy is the most important thing in her whole life. What a miserable thing! Woman was nothing but the tool of giving births. Women did not have the right to choose their life but were subordinate to the male and their parents.
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