【国外文学】My Life.docx
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1、【国外文学】My LifeForewordOur times again are rich in memoirs, perhaps richer than ever before. It is because there is much to tell. The more dramatic and rich in change the epoch, the more intense the interest in current history. The art of landscape-painting could never have been born in the Sahara. Th
2、e “crossing” of two epochs, as at present, gives rise to a desire to look back at yesterday, already far away, through the eyes of its active participants. That is the reason for the enormous growth in the literature of reminiscence since the days of the last war. Perhaps it will justify the present
3、 volume as well.The very fact of its coming into the world is due to the pause in the authors active political life. One of the unforeseen, though not accidental, stops in my life has proved to be Constantinople. Here I am camping but not for the first time and patiently waiting for what is to follo
4、w. The life of a revolutionary would be quite impossible without a certain amount of “fatalism.” In one way or another, the Constantinople interval has proved the most appropriate moment for me to look back before circumstances allow me to move forwardAt first I wrote cursory autobiographical sketch
5、es for the newspapers, and thought I would let it go at that. And here I would like to say that, from my refuge, I was unable to watch the form in which those sketches reached the public. But every work has its own logic. I did not get into my stride until I had nearly finished those articles. Then
6、I decided to write a book. I applied a different and infinitely broader scale, and carried out the whole work anew. The only point in common between the original newspaper articles and this book is that both discuss the same subject. In everything else they are two different products.I have dealt in
7、 especial detail with the second period of the Soviet revolution, the beginning of which coincided with Lenins illness and the opening of the campaign against “Trotskyism.” The struggle of the epigones for power, as I shall try to prove, was not merely a struggle of personalities; it represented a n
8、ew Political chapter the reaction against October, and the preparation of the Thermidor. From this the answer to the that I have so often been asked “How did you lose power?” follows naturally.An autobiography of a revolutionary politician must inevitably touch on a whole series of theoretical quest
9、ions connected with the social development of Russia, and in part with humanity as a whole, but especially with those critical periods that are called revolutions. Of course I have not been able in these pages to examine complicated theoretical problems critically in their essence. The so-called the
10、ory of permanent revolution, which played so large a r?le in my personal life, and, what is more important, is acquiring such poignant reality in the countries of the East, runs through this book as a remote leitmotif. If this does not satisfy the reader, I can say that the consideration of the prob
11、lem of revolution in its essence will constitute a separate book, in which I shall attempt to give form to the principal theoretical conclusions of the experiences of the last decades.As many people pass through the pages of my book, portrayed not always in the light that they would have chosen for
12、themselves or for their parties, many of them will find my account lacking the necessary detachment. Even extracts that have been published in the newspapers have elicited certain denials. That is inevitable. One has no doubt that even if I had succeeded in making my autobiography a mere daguerreoty
13、pe of my life which I never intended it to be it would nevertheless have called forth echoes of the discussion started at the time by the collisions described in the book. This book is not a dispassionate photograph of my life, however, but a component part of it. In these pages, I continue the stru
14、ggle to which my whole life is devoted. Describing, I also characterize and evaluate; narrating, I also defend myself, and more often attack. It seems to me that this is the only method of making an autobiography objective in a higher sense, that is, of making it the most adequate expression of pers
15、onality, conditions, and epoch.Objectivity is not the pretended indifference with which con firmed hypocrisy, in speaking of friends and enemies, suggests indirectly to the reader what it finds inconvenient to state directly. Objectivity of this sort is nothing but a conventional trick. I do not nee
16、d it. Since I have submitted to the necessity of writing about myself nobody has as yet succeeded in writing an autobiography without writing about himself I can have no reason to hide my sympathies or antipathies, my loves or my hates.This is a book of polemics. It reflects the dynamics of that soc
17、ial life which is built entirely on contradictions. The impertinence of the schoolboy toward his master; the pin-pricks of envy in the drawing-room, veiled by courtesies; the constant competition of commerce; the frenzied rivalry in all branches of pure and applied science, of art, and sport; the pa
18、rliamentary clashes that reveal the deep opposition of interests; the furious struggle that goes on every day in the newspapers; the strikes of the workers; the shooting down of participants in demonstrations; the packages of explosives that civilized neighbors send each other through the air; the f
19、iery tongues of civil war, almost never extinguished on our planet all these are the forms of social “polemics,” ranging from those that are usual, constant and normal, almost unnoticed despite their intensity, to those of war and revolution that are extraordinary, explosive and volcanic. Such is ou
20、r epoch. We have all grown up with it. We breathe it and live by it. How can we help being polemical if we want to be true to our period in the mode of the day?But there is another and more elementary criterion, one that relates to plain conscientiousness in stating facts. Just as the most bitter re
21、volutionary struggle must take account of time and place, the most polemical work must observe the proportions that exist between objects and men. I hope that I have observed this demand not only in its entirety, but also in its particulars.In certain cases although these are not very numerous I rel
22、ate long-ago conversations in dialogue form. No one will demand a verbatim report of conversations repeated many years after. Nor do I claim such accuracy. Some of these dialogues have rather a symbolic character. Everyone, however, has had moments in his life when some particular conversation has i
23、mpressed itself indelibly on his memory. One usually repeats that sort of conversation to ones personal or political friends; thanks to this, they become fixed in ones memory. I am thinking primarily, of course, of all conversations of a political nature.I may state here that I am accustomed to trus
24、t to my memory. Its testimony has been subjected to verification by fact more than once, and it has stood the test perfectly. But a reservation is necessary. If my topographic memory, not to mention my musical one, is very weak, and my visual memory and my linguistic memory fairly mediocre, still my
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