2021年人教版小学体育教案设计模板.pdf

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1、人教版小学体育教案设计模板人教版小学二年级体育教案时间第十一周第一节课型一课时内容1、队列：走圆形；2、游戏：十字接力；目的1、通过本次课的学习，使学生进一步巩固走的技能，培养身体正确姿势感觉空间的能力。2、学习弯道跑和转接棒的方法，发展奔跑的能力。3、培养学生克服困难，勇敢等优良品质。一、课堂常规：1、体委整队、师生问好、报告人数、检查服装。2、宣布课的内容和任务。二、准备活动：1、队列：慢跑，蛇形跑。2、拍手操。精品w o r d 可编辑资料-第 1 页，共 33 页-3、专项准备活动。组织：同上队列四列横队。1、教师语言要清晰。2、教师讲解课堂要求和任务。3、讲解队列练习的要求。4、师生

2、一同练习。1、学生站四列横队。2、学生认真听讲，注意关查。3、听从指挥注意力集中。4、学生充分活动各关节。队列：（走圆形）重点：走的自然、协调；难点：走的要圆。1、教师讲解动作方法和要领。2、教师做分解和完整动作示范。3、教师给学生个别指导。1 学生认真听讲动作方法和要领2 学生集体练习。精品w o r d 可编辑资料-第 2 页，共 33 页-文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编

3、码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2

4、 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2

5、ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文

6、档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6

7、T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O

8、2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D

9、4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D43 学生分组练习。实用标准文案结合学习号子的创造性活动。(二)能够演唱具有浓厚劳动气息的军民大生产和翁嘿呀两首民歌，演唱时能够表现出歌曲紧密结合劳动的特点。并表现出这两首歌曲的民族和地区特色。(三)通过学习、演唱军民大生产、翁嘿呀和聆听哈腰挂、连连夯、船工号子，体验号子和劳动歌曲的特点与风格。(四)知道劳动号子的音乐特点，初步了解劳动号子和创作劳动歌曲的关系。二、教材分析(一)军民大生产军民大生产又名边区十唱、解放区十唱。1945 年作曲家张寒晖用陇东民歌推炒面的曲调填词改编而成。推炒面是广泛流行于甘肃东部的著

10、名打夯号子。军民大生产表现了当年陕甘宁边区军民响应党中央开展大生产运动的号召，踊跃投入开荒生产的热烈情景。这1/18首歌当年在陕甘宁边区曾广泛流传。原曲有10 段歌词，后被选入音乐舞蹈史诗东方红，改为现在的5 段词，歌词文档大全实用标准文案内容表现开荒、纺线、习武等劳动、战斗生活，歌词中还以“嗬咳”、“西里里里察拉拉拉”等富有劳动特色的衬词，渲染了歌曲热烈、欢腾气氛，特别是第5 段歌词，增加了队列口号声，更显威武、雄壮，表现边区军民们的乐观精神。军民大生产为C商调式，由六声音阶写成。演唱形式为领唱和齐唱，具有劳动号子“一领众和”的特点。曲调健壮豪迈，多采用同音重复与跳进相结合进行，有很强的动力

11、感。节奏精品w o r d 可编辑资料-第 3 页，共 33 页-文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I

12、1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H1

13、0N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:C

14、S6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH

15、6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5

16、H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码

17、:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4张寒晖(19021946)作曲家、戏剧家。河北定县人。1922年入北京人艺戏剧专门学校学习戏剧表演，1925 年入1929 北京艺术专门学校戏剧系学习表演和编导。年毕业后在北京、西安等地从事中学教育

18、、戏剧演出、民众教育和报刊2/18编辑等工作。1941年 8 月赴延安。先后担任陕甘宁边区文化协会秘书长、戏剧委员会委员等职。1946 年在延安病逝。一生创作歌曲 50 余首，大多自己作词。并作有配合革命斗争文档大全实用标准文案的秧歌剧。代表作品有：松花江上、去当兵、游击乐、军民大生产等。他创作的歌曲具有鲜明的民族风格，朴素、洗炼，形象鲜明，语言生动。(二)翁嘿呀翁嘿呀是吉林延边朝鲜族的一首劳动歌曲，因歌中用了很有特色的衬词“翁嘿呀”而得名。朝鲜族农民在集体劳动中，合着劳动节奏，“一领众和”地歌唱，有利于调节精神，统一意志。歌词随兴而编，领唱者唱正词，众人唱衬词。表现了丰收时节的打谷场上，人们

19、载歌载舞、喜获劳动果实的情景，呈现一派热火朝天的劳动景象。歌曲具有浓郁的朝鲜族民歌特色。歌曲为C羽调式、由、1、2、3 四个音编织而成。2/4 拍子。一段体结构(单一部曲式)。歌曲节奏紧凑、规整，突出的节拍重音，有规则地进行，使大家的力量集中，情绪高涨。开始的4 小节中带长音的引子由众人唱出，好像大家已经做好劳动准备，就等一声号令开始干活。3/18接下来是“一领众和”的演唱，领唱从高音开始，以兴奋的情绪唱出第一句，众人精品w o r d 可编辑资料-第 4 页，共 33 页-文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH

20、6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5

21、H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码

22、:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2

23、HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 Z

24、L5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档

25、编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T

26、2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4在句尾呼应，而后是紧张的间隔一小节的领唱与合唱的交替进行，节奏紧凑，腔节短小，犹如自然的劳动呼号。到最后句尾4 小节又出现了与引子相同的曲调，但与引子效果不同的是，此处已告一个段落，这样的结尾便于在持续性的劳动中不断反复演唱。这种旋律特征也是许多劳动号子所共有的。文档大全实用标准文案这首歌曲具有明显的劳动歌曲特点，重音突出，节奏感强，唱腔短小，近似于自然劳动呼号，而且歌词常常是即兴

27、而编的。(三)哈腰挂哈腰挂是流行于我国东北林区的一种抬木号子。又称“吆号子”，流传较广，遍及整个东北林区。属于搬运号子类。1956 年著名号子歌手赵希孟根据林区号子改编成男声合唱森林号子联唱，哈腰挂是其中一首，曾在全国音乐周上演出，得到好评。搬运木头时，木头两侧各站4 个人，歌唱形式为一领众和，当领唱者唱出“哈腰挂呀”时(预备开始的号令)，大家一起弯腰(哈腰)把挂钩挂在被抬的木头上，当挺起腰来开始起步时，左侧 4 人迈右脚，右侧 4 人迈左脚，形成相对的脚步，边走边唱，随着歌声的节奏齐步向前迈进。哈腰挂歌唱简便，气势雄浑，歌曲采用D宫调4/18式。节拍采用两拍子与一拍子混合形式，其节拍规律是“

28、强、弱、强”。曲调的基本结构是单乐句的多次反复变化，乐句的衔接不固定，也没有一定的句数，根据劳动的情况随时都可以结束。曲调起伏较小，全曲虽有一个八度，但经常用的音调只在的五度范围内。多为依字行腔，与当地方言音调紧密结合。在抬较细的小木头时，进行的速度比较快，歌声高亢，号子的旋律性较强;如遇到沉重的大木头时，每个人文档大全实用标准文案精品w o r d 可编辑资料-第 5 页，共 33 页-文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1

29、V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10

30、N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS

31、6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6

32、I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H

33、10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:

34、CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 H

35、H6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4肩负着几百斤的重量，精神需要高度集中，行进速度不仅减慢，而且唱时不可避免地带着粗重的自然呼喊声，领唱与和唱在接腔时常形成声部重叠。(四)连连夯连连夯是一首在打夯时唱的劳动歌曲，属于打夯号子类。多为一领众和形式(也有少数是齐唱的)。领唱者往往就是集体劳动的指挥者。连连夯就是连续不停打夯时所唱的号夯。词多即兴编唱，有时也引用某些戏曲唱词，唱词内容除与劳动相关外，也唱古今中外、天文地理之类的内容。节奏鲜明、铿锵活跃、节拍工整，重音突出，音调质朴开朗，雄壮热烈，高亢有力，与劳

36、动动作紧密配合，展现了一幅热火朝天的劳动图景。歌曲为 2/4 拍子，五声徵调式。5/18曲式结构为变化重复的一段体结构(单一部曲式)。开始的 4 小节为歌曲的上句，之后有两小节的重复，其音乐主题是由动机发展而成，嘹亮、高亢的歌声，激发起人们的劳动热情;接下来的 4 小节是歌曲乐段的下句，它是上句的变化发展，十六分音符的运用显得十分活跃，以流畅的进行停留在调式的主音上，构成这个乐段结束。再接下来的4 小节是乐段上句的重复，曲调由音乐变化主题发展而来，前两小4 小节在中低音区，而后八度向上大跳，使情绪高涨，最后节是乐段的下句完全再现，使全曲完满结束。歌曲短小精炼，适于劳动中歌唱，音乐显示出北方黄土

37、高原高亢、开朗的特文档大全实用标准文案色。(五)船工号子船工号子是影片旋涡里的歌的一首插曲。歌曲吸收了四川民歌川江船夫号子的音乐素材和结构特点创作而成，是一首很有特色的、表现船工劳动的男声独唱曲。川江船夫号子廖云、孑农作词，常苏民、陶嘉舟作曲。8 首不是流行于四川境内长江流域的一种船工劳动号子，由精品w o r d 可编辑资料-第 6 页，共 33 页-文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D

38、4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2

39、K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V

40、1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J

41、2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1

42、W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V

43、6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N

44、9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4同特点的号子联缀而成。行船时，通过号工的领唱来指挥、协调大家的动作。领唱部分旋律婉转，装饰音较多，常用远距离音程，和唱部分6/18节奏富于变化，常与领唱交织重叠，构成多声部合唱。每种号子有不同曲调，可以独立唱，也可以联唱。其中，有表现在平静江面上航行时唱的悠扬动听的平水号子和下滩号子;有发现险滩后，准备投入紧张战斗时唱的、坚定有;而在闯滩夺险与凶滩恶水搏力、充满信心的见滩号子斗时，唱近似呐喊的急促紧张、气氛强烈的上滩号子与拼命号子。这首歌曲由多段不同的号子联缀而成。号子实际演唱是“一领众和”，而在这首独

45、唱曲里，与独唱相呼应的是伴奏，它不仅渲染了气氛，而且起到“众和”的作用，增强了音乐的表现力。歌曲用了4/4、3/4、2/4 三种拍子，五声羽调式和宫调式。曲式为多段联缀结构(或称多段体结构)。由羽调文档大全实用标准文案式开始的第 1 小节是歌曲的引子，它把我们带进一个宽阔江面的意境之中。接下来的5 小节，由慢板转入中速，其曲调，间好似“平水号子”中“号工”的领唱，豪放而有气势奏好似“船工们”的呼应，坚定有力;第 7 小节至第 10 小节的曲调进行，好似见滩号子，它告诉我们，前面就是险滩，要做好与惊涛骇浪搏斗的准备，节奏紧凑，语气刚毅;7/18第 11 小节至 14 小节的曲调进行，好似上滩号子

46、，3/4 拍，歌声与伴奏紧密呼应，随着速度的加快，情绪逐渐高涨，气氛越来越紧张。第15 小节至 38 小节的曲调进行，好似拼命号子，这是全曲最紧张的段落。表现船工们拼着性命与惊涛骇浪顽精品w o r d 可编辑资料-第 7 页，共 33 页-文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T

47、2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2

48、 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4

49、文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K

50、6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1O2 ZL5H10N9J2D4文档编码:CS6G1W2K6T2 HH6I1V6V1