2021年美国文学重点名词解释.pdf
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1、学习资料收集于网络,仅供参考学习资料1.2.6.Transcendentalism:is literature,philosophical and literary movement that flourished in New England from about 1836 to1860.It originated among a small group of intellectuals who were reaching against the orthodoxy of Calvinism and the rationalism of the Unitarian Church,their
2、own faith centering on the divinity of humanity and the natural world instead.Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy,and from such English authors as Carlyle,Coleridge,and Wordsworth.The ideas of transcendentalism were most eloquently expresse
3、d by Ralph Waldo Emerson in such essays as Nature and Self-Reliance and by Henry David Thoreau in his book Walden.Symbolism 象征主义:It is the writing technique of using symbols.It s a literary movement that arose in France in the last half of the 19th century and that greatly influenced many English wr
4、iter,particularly poets,of the 20th century.It enables poets to compress a very complex idea or set of ideas into one image or even one word.It s one of the most powerful devices that poets employ in creation.8.American naturalism:this term was created by Emile Zola.Charles Darwins evolutionary theo
5、ry played an important role in naturalism.In the works off naturalism,characters were conceived as complex combinations of inherited attributes and habits conditioned by social and economic forces.At the end of the 19th century,this pessimistic form of realism appeared in america.Naturalism attempte
6、d to achieve extreme objectivity and frankness.Characters in the works of naturalism were dominated by their environment and heredity.Naturalism emphasized:the world was around;men had no free will;religious“truth”were illusory;the destiny of human beings was misery in life and oblivion in death.The
7、 dominant figures in naturalism were Stephen crane,Frank Norris,Jack London and Theodore Dreiser.3.The lost generation:included the young English and American expatriates as well as men and women caught in the war and cut from the old value and yet unable to come to terms with the new era when civil
8、ization had gone mad.These writers adopted unconventional style of writing and reacted against the tendencies of the older writers in the 1920s.The term came from Gertrude Stein who said in Hemingways presence that“you are all a lost generation.”4.Local colorism As a trend became dominant in America
9、n literature in the 1860s and early 1870s,it is defined by Hamlin Garland as having such quality of texture and background that it could not have been written in any other place or by anyone else than a native stories of local colorism have a quality of circumstantial(详细的)authenticity(确实性),as local
10、colorists tried to immortalize(使不朽)the distinctive natural,social and linguistic features.It is characteristic of vernacular(本.国语)language and satirical(讽刺的)humor.The major local colorist is Mark Twain.精品w o r d 学习资料 可编辑资料-精心整理-欢迎下载-第 1 页,共 5 页学习资料收集于网络,仅供参考学习资料5.Jazz age:the novelist F.Scott Fitzge
11、rald coined the termJazz Age retroactively to refer to the decade after World War I and before the stock market crash in 1929,during which Americans embarked upon what he called the gaudiest spree in history.Jazz Age is inextricably associated with the wealthy whiteflappers and socialites immortaliz
12、ed in Fitzgeralds fiction.6.Free verse:is a poetry that has an irregular rhythm and line length and that attempts to avoid any predetermined verse structure,instead,it uses the cadences of natural speech.While it alternates stressed and unstressed syllables as stricter verse forms do,free verse does
13、 so in a looser way.Whitmans poetry is an example of free verse at its most impressive.It has since been used by Ezra Pound,T.S.Eliot and other major American can poets of the 20th century.7.The iceberg analogy:The Iceberg Theory is a writing theory by American writer Ernest Hemingway,as follows:if
14、a writer of a prose knows enough about what he is writing about he may omit things that he knows and the reader,if the writer is writing truly enough,will have a feeling of those things as strongly as though the writer had stated them.1.Poes Poetic Ideas A.His conviction that the function of poetry
15、is not to summarize and interpret earthly experience,but to create a mood in which the soul soars toward supernal beauty.B.He insists that poetry must be disembarrassed of that moral sense.C.Poe believes that the elevation of excitement of the soul should be“the poetic principle”thus poetry must con
16、cern itself only with“supernal beauty”.D.Poe defines poetry as“the rhythmical creation of beauty”a definition giving unexampled emphasis upon the importance of the rhythmical or musical element in poetry.2 Whitmans style 1)The sprawling lines of the poems are often extremely long.2)Parallelism:the p
17、arallel lines say the same thing but use different words.3)Envelope structure:the first line begins with the subject,and then more and more lines list modifiers till the verb appears in the last line of the stanza.This is like enclosing a whole list of ideas in an envelope.4)Catalogue technique:mean
18、s listing.Typical poems by Whitman make long,long lists of images,of 精品w o r d 学习资料 可编辑资料-精心整理-欢迎下载-第 2 页,共 5 页文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3
19、ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D
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21、ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D
22、3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3
23、ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D
24、3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2文档编码:CX4D3Y7T7V9 HV3W5U1W1W3 ZK2Z6S3P4Y2学习资料收集于网络,仅供参考学习资料sights,sounds,smells,taste,and touch.5)No regular p
25、attern.6)The verse unit is usually an independent clause.3 Formal features of Dickinsons poetry A.Dicksons poems are usually based on her own experience,her sorrows and joys.Dickinson was original.She sounded idiosyncratic,sometimes.B.Love is another subject Dickinson dwells on.C.Many poems Dickinso
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