国外英文文学系列 Ayn Rand - Atlas Shrugged.docx
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1、国外英文文学系列 Ayn Rand - Atlas Shrugged ATLAS SHRUGGED 作为一部乌托邦作品,阿特拉斯耸耸肩描绘了一个由自私而精明的商人、科学家、艺术家等社会精英组成的世外桃源,有着田园诗般的诗意和现实社会中的欲望的满足。在这里,维系着一切的不是道德而是金钱,金钱被视作为崇拜的偶像,是自由交换和公平正义的象征,每个人都是独立的创造者和思考者。小说结尾,由于强者罢工、抛弃了弱者,世界陷入了无边的黑暗,而乌托邦里则是一片和谐幸福。同时,兰德借书中主人公约翰高尔特之口来说明了她的客观主义哲学:财富观财富是人类生活的一种工具,是人类思想力的结晶。当你判断某人德性的时候,请听他
2、对金钱的理解:诅咒金钱的人通过不正当的手段获取金钱,尊敬金钱的人则依自己的本事赚取金钱。金钱是社会美德的气压计,远离告诉你钱是万恶之源的人。历史观文明就是一个逐步将个人解放出来的过程。人天生便会思考,让那些叫嚣说人的思想自由在创建工业文明后便毫无用处的吃人者从大学的经济系主任的位置上退下来,让他们拿起弓箭,穿起兽皮。每个独裁者都是神秘论者,每个神秘论者都是潜在的独裁者。道德观你生命中的道德的唯一目的是去获得幸福,让自己得到快乐便是他的最高道德目标。“牺牲”就是为了你并不在乎的东西而放弃你所看重的。人的生命是道德的标准,在生命里,快乐是成功的状态,痛苦则通向死亡。正如你不能对大自然进行伪装一样,
3、你同样也不能对人的品格进行假造。武力与头脑是截然对立的;枪声一响,道德无存。价值观人类是真正的英雄:以自己的幸福作为生活的道德准则,以实质性的成就作为最高贵的行动,以理性为自己唯一的主宰。人不应该为他人而活,也不应该要求他人为自己而活。思考是人的唯一最根本的美德,其它的一切皆因它而生。自豪就是承认你是自己的最高价值,这和一个人所有的价值一样,需要去赢得。哲学观A就是A,一个东西就是它本身。存在是特性,意识是鉴明。存在是存在着的。每个问题都有两面,一面是正确,一面是错误,夹在对与错中间的则是邪恶。 CONTENTS PART I NON-CONTRADICTION I THE THEME II
4、THE CHAIN III THE TOP AND THE BOTTOM IV THE IMMOVABLE MOVERS V THE CLIMAX OF THE DANCONIAS VI THE NON-COMMERCIAL VII THE EXPLOITERS AND THE EXPLOITED VIII THE JOHN GALT LINE IX THE SACRED AND THE PROFANE X WYATTS TORCH PART II EITHER-OR I THE MAN WHO BELONGED ON EARTH II THE ARISTOCRACY OF PULL III
5、WHITE BLACKMAIL IV THE SANCTION OF THE VICTIM V ACCOUNT OVERDRAWN VI MIRACLE METAL VII THE MORATORIUM ON BRAINS VIII BY OUR LOVE IX THE FACE WITHOUT PAIN OR FEAR OR GUILT X THE SIGN OF THE DOLLAR PART III A IS A I ATLANTIS II THE UTOPIA OF GREED III ANTI-GREED IV ANTI-LIFE V THEIR BROTHERS KEEPERS V
6、I THE CONCERTO OF DELIVERANCE VII THIS IS JOHN GALT SPEAKING VIII THE EGOIST IX THE GENERATOR X IN THE NAME OF THE BEST WITHIN US PART I NON-CONTRADICTION CHAPTER I THE THEME Who is John Galt? The light was ebbing, and Eddie Willers could not distinguish the bums face. The bum had said it simply, wi
7、thout expression. But from the sunset far at the end of the street, yellow glints caught his eyes, and the eyes looked straight at Eddie Willers, mocking and still-as if the question had been addressed to the causeless uneasiness within him. Why did you say that? asked Eddie Willers, his voice tense
8、. The bum leaned against the side of the doorway; a wedge of broken glass behind him reflected the metal yellow of the sky. Why does it bother you? he asked. It doesnt, snapped Eddie Willers. He reached hastily into his pocket. The bum had stopped him and asked for a dime, then had gone on talking,
9、as if to kill that moment and postpone the problem of the next. Pleas for dimes were so frequent in the streets these days that it was not necessary to listen to explanations, and he had no desire to hear the details of this bums particular despair. Go get your cup of coffee, he said, handing the di
10、me to the shadow that had no face. Thank you, sir, said the voice, without interest, and the face leaned forward for a moment. The face was wind-browned, cut by lines of weariness and cynical resignation; the eyes were intelligent. Eddie Willers walked on, wondering why he always felt it at this tim
11、e of day, this sense of dread without reason. No, he thought, not dread, theres nothing to fear: just an immense, diffused apprehension, with no source or object. He had become accustomed to the feeling, but he could find no explanation for it; yet the bum had spoken as if he knew that Eddie felt it
12、, as if he thought that one should feel it, and more: as if he knew the reason. Eddie Willers pulled his shoulders straight, in conscientious self-discipline. He had to stop this, he thought; he was beginning to imagine things. Had he always felt it? He was thirty-two years old. He tried to think ba
13、ck. No, he hadnt; but he could not remember when it had started. The feeling came to him Suddenly, at random intervals, and now it was coming more often than ever. Its the twilight, he thought; I hate the twilight. The clouds and the shafts of skyscrapers against them were turning brown, like an old
14、 painting in oil, the color of a fading masterpiece. Long streaks of grime ran from under the pinnacles down the slender, soot-eaten walls. High on the side of a tower there was a crack in the shape of a motionless lightning, the length of ten stories. A jagged object cut the sky above the roofs; it
15、 was half a spire, still holding the glow of the sunset; the gold leaf had long since peeled off the other half. The glow was red and still, like the reflection of a fire: not an active fire, but a dying one which it is too late to stop. No, thought Eddie Willers, there was nothing disturbing in the
16、 sight of the city. It looked as it had always looked. He walked on, reminding himself that he was late in returning to the office. He did not like the task which he had to perform on his return, but it had to be done. So he did not attempt to delay it, but made himself walk faster. He turned a corn
17、er. In the narrow space between the dark silhouettes of two buildings, as in the crack of a door, he saw the page of a gigantic calendar suspended in the sky. It was the calendar that the mayor of New York had erected last year on the top of a building, so that citizens might tell the day of the mon
18、th as they told the hours of the day, by glancing up at a public tower. A white rectangle hung over the city, imparting the date to the men in the streets below. In the rusty light of this evenings sunset, the rectangle said: September 2. Eddie Willers looked away. He had never liked the sight of th
19、at calendar. It disturbed him, in a manner he could not explain or define. The feeling seemed to blend with his sense of uneasiness; it had the same quality. He thought suddenly that there was some phrase, a kind of quotation, that expressed what the calendar seemed to suggest. But he could not reca
20、ll it. He walked, groping for a sentence that hung in his mind as an empty shape. He could neither fill it nor dismiss it. He glanced back. The white rectangle stood above the roofs, saying in immovable finality: September 2. Eddie Willers shifted his glance down to the street, to a vegetable pushca
21、rt at the stoop of a brownstone house. He saw a pile of bright gold carrots and the fresh green of onions. He saw a clean white curtain blowing at an open window. He saw a bus turning a corner, expertly steered. He wondered why he felt reassured-and then, why he felt the sudden, inexplicable wish th
22、at these things were not left in the open, unprotected against the empty space above. When he came to Fifth Avenue, he kept his eyes on the windows of the stores he passed. There was nothing he needed or wished to buy; but he liked to see the display of good?, any goods, objects made by men, to be u
23、sed by men. He enjoyed the sight of a prosperous street; not more than every fourth one of the stores was out of business, its windows dark and empty. He did not know why he suddenly thought of the oak tree. Nothing had recalled it. But he thought of it and of his childhood summers on the Taggart es
24、tate. He had spent most of his childhood with the Taggart children, and now he worked for them, as his father and grandfather had worked for their father and grandfather. The great oak tree had stood on a hill over the Hudson, in a lonely spot of the Taggart estate. Eddie Willers, aged seven, liked
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