三维动画的视听语言运用毕业论文外文文献翻译.doc

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1、毕业论文外文文献翻译院 系：年级专业：姓 名：学 号：附 件：Audio and visual language used in the animation 指导老师评语： 由于该生经过大量地查阅与视听语言应用相关的国内外文献，较好地掌握了该研究领域的专业知识，从而较准确地翻译了该外文文献，语句通顺，层次分明。译文原文字数大于3000个实词，格式字体符合要求。 指导教师签名：年 月 日【Abstract】Practical effect of this paper is through study the three dimensional animation audio-visual lan

2、guage in film reviews, movie and TV peoples aesthetic ability and economic role in real life, show the importance of its existence and audio-visual language in the development of Chinas status quo and the foreseeable, also called for in the age of people to improve the importance of audio-visual lan

3、guage, able to put the audio-visual language, as a kind of common knowledge to learn, can strengthen the audio-visual language education the course of teaching. Through some web sites to find relevant materials, library literature, weipu journal net to find the related literature and Chinese hownet,

4、 and conduct market research. 【Key words】audio-visual,culture influence,language use, practical tools,development.Animation is the art, music, literature and computer technology to a cross the diversity of art form, animation and rely on the application of audio-visual language beyond the past any t

5、ime. The use of audio-visual language in animation, which makes the current animation with irresistible charm. Audio-visual language is a way of telling the story, is also an effective way to express director emotions and thoughts, make the emotional expression to the extreme, great combination, it

6、brings the audience a strong comprehensive aesthetic experience.Audio-visual language and any other language, has its own constituent units, expression and grammar rules. In this paper, from the visual language of expression method, auditory language expression method, and audio-visual language comp

7、rehensive representation of these aspects, explore animation audio-visual language of expressing feelings. Separated by seeing and hearing language, using the instance to research and analyze various elements of emotional expression, audio-visual language audio-visual language in use, the number of

8、elements is combined together, so they are thinking as a whole, comprehensive analysis of animation audio-visual language of emotional expression, from two angles of seeking to build animation audio-visual language expression system.Animation as a movie and TV art, using the rich symbolic visual sym

9、bols and hearing to the expression expresses ones ideas, communicate ideas, it combines with the characteristics of film, television and art, has its own unique artistic characteristics, manifestation, social function. Animated film, whether its art, culture and ideological content to carry through

10、audio-visual language, and convey to the audience. Through the audio-visual language representation and meaning function, we can deeply understand to the cartoon the artistic features of the external performance to the inner meaning of thought.Along with the progress of The Times, the film and telev

11、ision art expression means are constantly enrich and perfect, audio and visual elements of the combination is more and more variety and diversity, as a symbol carrier of culture and thought, they wont change, the essence of the Chinese animation in future development has the right guidance.The three

12、 dimensional animation as auxiliary means of teaching has penetrated the education technology, has been more and more attention, and widely used in the higher vocational teaching. Use its three-dimensional, dynamic auxiliary teaching, which is easily understood by students and master, can solve the

13、teaching emphasis and difficulty in vivid image. This paper introduces the meaning and classification of form the three dimensional animation, combined with characteristics of higher vocational teaching and the application of 3 d animation in the higher vocational teaching present situation, how to

14、reasonable use of 3 d animation can be made a concrete analysis to improve the teaching effect.Science and education film and television works, landscape, revealing the science to science, disseminating scientific thought, promote scientific methods as own duty, therefore it has a very wide range of

15、 objects, content is very rich, many of which even beyond the scope of the human eye observation and camera lens shooting ability, such as macroscopic objects in the universe, the microscopic bacteria, viruses, molecules and atoms, and a variety of physical phenomena, chemical reaction and so on. In

16、 order to comprehensive accurately reflects the scientific content, let the audience understanding works to express the theme of the thought, the artists often use some special way to show these conventional photography cannot accurately. This special expression way, is mainly refers to 2 d animatio

17、n by hand and by the special photography, photography of microscopic magnification, endoscopic and so on means of special photography, these two kinds of expression way in many film and television works, achieved good artistic effect.Hand-drawn animation is the adopted by lattice and or using a comp

18、uter generated image frame by frame, scene shooting the film, with a strong subjectivity and the graphic film PianZhong. Due to the nature of animated films, made animated film in color more freedom and using exaggerated, animation film color is designed according to the needs of the plot by design

19、personnel, thus has a lot of room for imagination and space, closer to the painting creation. Colour is realistic, so to speak, also can say illusory, and its rich, so to speak, also can say while generalizations, designers can undertake mediation and arranged according to the needs of the plot, to

20、generalize extremely rich color, unifying the style of color. At the same time, the development of color to the story and the character bust of psychological performance also has a very important role. Colour is the strongest visual impact, the most profound psychological effect factors. Animation f

21、ilm has compared to the more painting, so with the creation of animation can reflect more strong national color, regional and other factors. In early Chinese ink painting animation and paper-cut animation scene or character modelling, especially the use of techniques and processing is under the infl

22、uence of national and folk traditional factors and create the resplendence. Japans hayao miyazakis animation events each film are also full of Japanese traditional national elements. In animation creation, various national and regional features of more or less reflected in the use of color. Visible

23、colors the importance in the animated cartoon, so in the use requirements we must according to the plot development pace of change, and can reflect the artistic quality of reasonable use of color. These colour is the visual and artistic appreciation value, and must be subject to the overall film rhy

24、thm and tone of the coherence and coordination。Audio-visual language is mainly characterized by visual and sound two forms, one is given priority to with visual form. From research on animation film lens used in the process of understanding to the animation audio-visual language content is roughly:

25、story structure, picture composition, use color, light, sound, time space performance, and so on. Structure is a skeleton of the story, play a supporting role，Good story structure can shape a good script, it is the essence of the film, have the effect of over links; Animation refers to the compositi

26、on form of script, it emphasizes the form feeling, often means that the level of aesthetic, artistic appreciation level, is the lens, based on the processing to the continuity of the story when considering the camera movement; Color and light is an indispensable partner of a group, they directly con

27、trol the tone of the whole film, transfer film and the audience emotional atmosphere; Music and soundtracks to join, make the film have their own personalities; Time and space for the development of the story provides the framework and the environment. Audio-visual language as a kind of information

28、the symbol system of communication, in addition to the said information through a lens, more is based on the image thinking, is passed to the audience the internal and profound emotional experience. In the visual image and sound information, audio-visual language use, the combination of ideology, ca

29、n make all kinds of established the animation film, the symbol of the moral. Animation audio-visual language is also a time dimension, it can not only in narrative framework, more is through the lens of coherent picture, with deeper emotional and psychological hint.Montage video editing provides a t

30、heoretical basis for the network. A complete network video works by a number of plots is composed by paragraphs, and each paragraph of a plot consists of the montage of several paragraphs (or sentences montage). “Montage” is derived from the French, the original architectural term, meaning compositi

31、on, assembly. Later become one of the main narrative and performance of its means on creating and editing video and audio synthesis. With the way of montage, video enjoys great freedom of space and time jumping. Montage editing relies on the intrinsic link to create the lens topic, which guides the

32、audiences to interpret events and strengthens the events through the combination of image and sound. Whats more, through the combination of ways, the director would be able to express his ideas. Internet video is a collection of the greatest features of voice, video, text and other elements of advan

33、tages, which can attract the audiences attention within a short time. Therefore, it requires full utilization of this particular montage editing techniques, and left the audiences with space of imagination in the meantime.It is difficult to have an exact accurate conclusion on the classification of

34、montage. According to the processing view of means of montage, it can be divided into rhythmic montage, analytical montage, Lenovo montage, montage and other types of modeling; and according to the function, it can be divided into narrative montage, montage and rational expressive montage.Rhythmic m

35、ontage segment mainly for the screen of time, one is such a time slice, the other is the time frame or clip the situation gradually decreasing and increasing. Lenovo montage composes of different compared and conflict contents. Compared the images associated with one subject by two different groups

36、received from the event or scene before and after montage, for the expression of two related feelings caused by a subject. The montage in the online video advertising is in the highest frequency of use, which makes up the main concept of the unity of the performance of concrete problems, reflecting

37、the subtle handling of the ads enhanced the artistic expression of online video advertising. Many lens in the online video advertising performance and the group are often different from the situation of a simple narrative, the performance of the content does not necessarily have strong logic, then t

38、he director or production division by modeling similar morphology, motion and psychological style trend similarity with the fast way to stack in series screen. We will shape this relationship due to the formation of art called montage style montage. Of course, this way of modeling montage production

39、 methods are generated from the perspective of the director which can be classified as associative montage, but feeling a bit far-fetched. It is always presented as performance-based shape modeling montage and structure similarity, such as curve similar to the direction,other art elements similar to

40、 the movement.Montage is a unique way of thinking and artistic images, and the basic structure of the network video tools.It not only includes the lens, scenes, paragraphs, and all the arrangements with the combination of artistic skills,but also works in post-production and edition, and act as a gu

41、ideline for certain internet staff work and audio material for the video.Has the characteristics of the language, we can be summarized in two aspects: one is direct communication, and according to these information, through interpersonal communication, social activities, long-term formed certain rul

42、es to persons psychological hint. Unique picture tells a story from the animation, you can see, the image also has the same words, texts and psychological suggestion function, more intuitive than words and images. If the word is silent words, images of the carrier, is silent language performance, mo

43、re close to we use our eyes to see the world. Based on animation narrative basis points, the picture is not mentioned here that we out of thin air or under some sort of fantasy, Discussed here is in animation works.【摘 要】 三维动画作为教学的辅助手段已经渗透到了教育技术领域,受到了越来越多的重视,并被广泛应用于高职教学中。利用其立体、动态地辅助教学,易于被学生所理解和掌握,能生动

44、形象地解决教学中的难点与重点。文章介绍了三维动画表现形式的含义以及分类,结合高职教学特点和三维动画在高职教学中的运用现状,对于如何合理运用三维动画才能提高教学效果做出了具体分析。【关键词】视听语言；教学；运用现状；效果动画是融汇了美术、音乐、文学和计算机技术的一种交叉的多元化的艺术形式,动画中对视听语言的应用和依赖超越了以往的任何时期。视听语言在动画中的运用,使得当前动画具有无法阻挡的魅力。视听语言是一种讲故事的方法,也是表达导演情感与思想的有效途径,使情感表达到极致,音画结合,其综合性给观众带来了强烈的审美体验。视听语言和其他语言一样,有它自身的构成单位、表达方式和语法规则。本论文从视觉语言

45、的表述方法,听觉语言的表述方法,以及视听语言的综合表述这几个方面,探索动画视听语言对情感表达的运用。通过将视听语言分离开,运用实例对视听语言各种元素情感表现进行分析研究,视听语言在运用之时,诸多元素是相互结合共同作用的,所以又以整体的思维,综合分析动画视听语言的情感表达,从两个角度寻求建立动动画片作为一种影视艺术,运用丰富的视觉符号和听觉符号来表情达意、传达思想,它集电影、电视的特点和艺术的特点于一身,有着自己独特的艺术特性、表现形式、社会功能。一部动画片,不论是它的艺术性、文化性还是思想性都要通过视听语言来进行承载,并传达给受众。通过视听语言的表象和表意功能,我们可以深刻地了解到动画片外在表

46、现的艺术特征到内在蕴含的思想意义。随着时代的进步,电影和电视的艺术表现手段也不断丰富和完善,视听元素的组合越来越多样化和多元化,他们作为文化和思想的符号载体,本质永远不会改变,对我国今后的动画片发展有着启迪性的指导。三维动画作为教学的辅助手段已经渗透到了教育技术领域,受到了越来越多的重视,并被广泛应用于高职教学中。利用其立体、动态地辅助教学,易于被学生所理解和掌握,能生动形象地解决教学中的难点与重点。文章介绍了三维动画表现形式的含义以及分类,结合高职教学特点和三维动画在高职教学中的运用现状,对于如何合理运用三维动画才能提高教学效果做出了具体分析。科教影视作品，以展示科学景观、揭示科学道理、宏扬

47、科学思想、宣传科学方法为己任，因此它所表现的对象非常广泛，内容十分丰富，其中有不少甚至超越了人类肉眼的观察范围和摄影机镜头的拍摄能力，像宏观的天体宇宙，微观的细菌病毒、分子原子，还有各种物理现象，化学反应等等。为了能全面准确地反映科学内容，让观众正确理解作品所要表达的主题思想，创作者们经常会运用一些特殊的方式来表现这些常规摄影无法真实再现的内容。这里所说的特殊表现方式，主要是指二维手工动画和由特技摄影、显微放大摄影、内窥摄影等组成的特殊摄影手段，这两种表现方式曾在许多影视作品中取得了良好的艺术效果。动画片是采用逐格拍摄的手绘画面,或是用电脑生成的逐帧影像,是非实拍影片,带有强烈主观性和非写实性

48、的电影片种。由于动画电影的特性,使得动画电影在色彩运用上更加自由和夸张,动画电影的色彩是由设计人员根据剧情需要设计出来的,因而具有很大的空间和想象的余地,更接近于绘画创作。色彩可以说写实的,也可以说虚幻的,可以说及其丰富的,也可以说抽象概括的,设计师可以根据剧情的需要进行调解和安排,使极其丰富的色彩得以高度概括,从而统一影片色彩风格。同时色彩对故事的发展和角色半身的心理表现也有着非常巨大的作用。色彩是视觉冲击力最强,心理效应最深刻的画面构成因素。 动画电影相比较下更具有绘画性,所以在动画的创作中更能体现出强烈的民族色彩、地域性等因素的影响。中国早期的水墨动画以及剪纸动画无论在场景还是人物造型,

49、特别是技法的运用与处理上都深受传统民族、民间因素的影响并创造了辉煌。日本动画大事宫崎骏的每一部影片也都同样充满了日本传统民族的元素。在动画片创作中,各个民族、地域的特色或多或少的体现于色彩的运用。可见色彩在动画片中的重要性,所以在运用中要求我们要根据剧情发展节奏变化,并且能够体现其艺术性的合理运用色彩。这些色彩具有着视觉与艺术的欣赏价值,并且必须服从于整体影片的节奏和基调的连贯、协调。视听语言主要表现为视觉和声音两大形式,其中以视觉构成为主。从对动画影片镜头运用研究的过程中认识到动画电影视听语言内容大致表现为:故事结构,画面构图,色彩运用,光影,声音,时间空间的表现等等。结构是一个故事的骨骼,起着支撑的作用,好的故事结构可以塑造好的剧本,它是影片的精髓,起到统领链接的作用;画