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1、Part 1 Word Dictation(每小题:1分)Directions: Listen and write down the words you hear. You are going to listen to the recording twice. During the first time, write the word that you hear. Check your answers as you listen the second time.15.Part 2 Understanding Short Conversations(每小题:1分)Directions: In t
2、his section youll hear some short conversations. Listen carefully and choose the best answer to the questions you hear.1. A. Reading.巳 B. Walking.C. Studying.D. Planting trees.2.A. Animals are dying.1 B. Animals can care too.U C. People depend on animals.D. People are failing.3._ A. Go on a hot date
3、.c_ B. Return home.c一, C. Fuel the car.E一 D. Drive a lot.A. Damage done by last nights winds.B. Cars overturned in the streets.C. Several houses destroyed.D. Trees pulled out of the ground.A. The man will join the conservation group.B. The man will plant trees in the forest.C. The man will cut down
4、trees in the forest.D. The man wont go with the woman today.Part 3 Understanding Long Conversations(每小题:1分)Directions: In this section youll hear a long conversation or conversations. Listen carefully and choose the best answer to the questions you hear. (DCBAC)Part 4 Understanding Passages(每小题:1分)D
5、irections: In this section youll hear a passage or passages. Listen carefully and choose the best answer to the questions you hear.Questions 1 to 5 are based on the same passage or dialog.A. Damage done by an earthquake.B. Rescue teams after the earthquake.C. Help given by the UN and others.D. Earth
6、quakes around the world.A. He said he had never seen such a big natural disaster.B. He sent medical aid and food.C. He asked bordering countries for help.D. He gave sympathy for all the people killed.A. Israel.B. Turkey.C. Germany.D. Greece.A. $6.7 million.B. $2 million.C.$540 thousand.D.$30 thousan
7、d.A. Germany.B. France.C. Istanbul.D. Izmit.Part 5 Compound Dictation(每小题:1分)Directions: In this section you will hear a passage or passages three times. When the passage is read for the first time, you should listen carefully for its general idea. When the passage is read for the second time, you a
8、re required to fill in the blanks with the information you have just heard. Finally, when the passage is read for the third time, you should check what you have written.Questions 1 to 10 are based on the same passage or dialog.A very important world problem is the increasing number of people who act
9、ually inhabit (tt) this planet. We must look at the limitedI amount(1)1of land and land resources. They will soon beI population、,if it continues toI growthgrow at its present rate. Even though the rate of (3)1has begun to slow down, we might still have a problem. Most expertsFbillionbelieve the pop
10、ulation size will still pass eight (4)1during the next 50 years.Not all land is useful to humans as it cannot (5)1food. More than three fifths of the land is either desert orI permanently(6)1covered by snow and ice, or is toomountainous. Some of this land is even at too great aI height(7)1above sea-
11、level. Obviously, with so little land toI we should ?be taking great care not to isupport us, (8)1. But arewe? Mankind seems to be unable to accept that we live on a finite (有限的)planetwe act as if its resources were infinite. Man(9)1. By only consideringour needs of today, we are ensuring there will
12、 be no tomorrow.In short, it is everybod/s duty to safeguard (保护)the future of mankindnot only through population control, but (10)1. Nature is bothfragile (脆弱的)and powerful. It is very easily destroyed; on the other hand, it can so easily destroy its most aggressive enemy-man.6.0X(未答)permanently7.4
13、/heightheight8.0(未答)we should be taking great care not to reduce It further than we have already9.0(未答)Is constantly destroying the very resources that keep him alive In the world today10.0(未答)by being more aware of our actions effects on the world we live InPart 6 Multiple Choice(每小题:1分)Directions:
14、 Choose the best answer from the four choices marked A, B, C and D.1. One of his eyes was injured in an accident, but after a operation, he quickly recovered his sight._ A. delicateE B. consideratecU C. precise_D. sensiblec2. Could you please an appointment for me to see Mr.Smith?A. manage区B. arrang
15、e已C. takeD. prepare3. Mr. Lewis broke the world for the 100 meters.A. mark.B. standardD. recordIn American universities, classes are often arranged in more flexible and many jobs on campus are reserved forstudents.A. scalesB. patternsC. gradesD. ranks5. Last year the advertising rate by 20 percent._
16、 A. roseE_ B. raisedc_ C. arousedc1 D. arosec6. The guard walked through the train everyones ticket.区 A. inspecting B. overlookingC. reviewing D. analyzing7. Our holiday was by showers of rain.匹 A. spoiledB. destroyedD. discouraged8. We were tired of hearing him about how strong hewas._ _ A. comment
17、c_ B. remarkc_ C. referc1 D. boastE9. Most nurses are women, but in the higher ranks of the medical profession women are in a.U A. scarcity匹 B. minority_ C. minimumcU D. shortage10. The room cool in summer and warm in winter.匹 A. feels1 B. has been feltc1 C. is feltc_ D. has been feeling11. My uncle
18、 rarely used to oversleep,?1 A. wasnt hec一 B. didnt heC. was heD. did he12. Jack was about to announce our plan but I.已 A. put him through1 B. turned him outc C. gave him upLj匠 D. cut him short13. Only after a long chat,that Mr. Smith was in fact a boss of a big factory._ A. he realized1 B. he has r
19、ealized1 C. did he realizeE_ D. has realized hec14. Theres a man at the reception desk who seems very angry and I think he means trouble. A. making1 B. to makeE1 C. to have madecD. having made15. I found him always of others.U A. thought一 B. thinkD. thoughtful16. My wallet is nowhere to be found. I
20、on the trainyesterday._ _ A. have lostc_ B. must lose itc C. must have lost itE1 D. could have lost it17. Id rather read than watch television; the programs seem all the time. A. to get worse色B. to be getting worse C. to have got worseD. getting worse18. It is vital that enough money to help the pro
21、ject. A. be collected1 B. must be collectedE1 C. is collectedc_ D. can be collected19. If only the committee the regulations and put theminto effect as soon as possible. A. approveB. will approveC. can approveD. would approve Lj20. You see the lightning it happens, but you hear thethunder later._ A.
22、 the instantc_ _ B. for an instantc1 C. on the instantE_ D. in an instantcPart 7 Skimming and Scanning (True or False Questions + Blank Filling) (每小题:2分)Directions: Read the following passage and then answer the questions. For questions 1-7, choose Y (YES) if the statement agrees with the informatio
23、n given in the passage, choose N (NO) if the statement contradicts the information given in the passage, choose NG (NOT GIVEN) if the information is not given in the passage. For questions 8-10, complete the sentences with the information given in the passage.Questions 1 to 10 are based on the same
24、passage or dialog.Alfred Hitchcock: Britains Best Film DirectorThe early years in the film industryIn the early part of his career, Alfred Hitchcock was widely considered to be Britains best film director. His silent films were greeted with great enthusiasm by critics, and, at a time of expansion an
25、d increasing excitement for the British film industry, they were evidence that British films had reached an international standard. In 1929, Hitchcock was hailed by British critics for a film which used sound and dialogue with more imagination than any Hollywood or European film of the time. And in
26、the mid-1930s, Hitchcocks films gave energy to the film industry with their fast pace and British sense of humor.After the outbreak of the Second World War the British press said he had gone Hollywood. Throughout the 1940s and 1950s, British critics favored realism over all else, and they looked dow
27、n upon the Hollywood style that characterized much of Hitchcocks work during this time.In the 1960s and 1970s, when critics celebrated Hitchcocks films, it was mainly the Hollywood Hitchcock that they admired, and these (largely American and French) critics had little interest in his British films.
28、Of course Hitchcocks public character in his later years was still very closely associated with his English background, as his appearances on the Alfred Hitchcock Presents television programs demonstrated. But his dark suits, manners, and humor seemed to be the style of a person overseas.It can be s
29、urprising, then, to discover the respect that Hitchcock enjoyed in his native country during his first dozen years as a director. When one of his films was first shown in 1926, it was declared to be a great piece of art and its director was proclaimed to be a young genius. Hitchcock was already twen
30、ty-seven years old at the time, but his rise did seem to have been remarkable.Hitchcock*s start in filmsHe was born on the eastern edge of London, in Leytonstone, Essex, on 13th, August, 1899, and his family lived above a shop on Leytonstone High Road and later in the East End neighborhood of Poplar
31、 and Stepney. He left school at the age of fourteen, and worked as a clerk at the Henley Telegraph (电报)Company and took evening lessons in drawing at the University of London. In 1919, this skill enabled him to get a job as a title card designer with the American production company Famous Players-La
32、sky when it began making films in a converted power station in Islington.The Americans did not stay long in Islington, but Hitchcocks rise quickened when the studio was taken over by Michael Balcons Gainsborough Pictures in 1924. Balcon allowed Hitchcock to work at different jobs for Gainsborough: a
33、s a set designer, writer, editor and as the assistant director to Graham Cutts, who was then Gainsboroughs top director.The young directorIn 1925, Hitchcock was given his own assignments, as he directed two films that were filmed in Munichs Emelka Studios as part of a deal between Gainsborough and t
34、he German producer Erich Pommer. Neither film attracted much attention, and it was not until his third film, The 厶。dger (房客),that both the critics and the public took notice of Hitchcock.Indeed, The Lodger seemed able to please just about everyone. It had techniques informed by the international art
35、 cinema of the 1920s, a narrative form borrowed from Hollywood, and an English subject matter. It was a remarkable combination and a great example of late silent cinema. The Lodger also introduced several of Hitchcocks most enduring story elements: a hero whose virtue is in doubt, a love filled with
36、 suspicion, humor, and an interest in beautiful women. These elements would endure for many years.The Hitchcock touchDuring these early years Hitchcock was known primarily for the visual creativity of his films. The German director F.W. Murnau was a strong influence in this regard. While filming in
37、Germany in 1924, Hitchcock visited Murnau. It was a key moment in his development as a filmmaker. Murnaus interest in an unchained camera and in a pure cinema (telling the story in visual terms alone) would be the lifelong interest of Hitchcocks too. He was also a member of the London Film Society,
38、and its screening of French, German and Soviet art films, as well as early and pioneering American films, provided a unique forum for the consideration of film form and technique, and one that influenced Hitchcock and many other British filmmakers of the time.One can further point to Hitchcocks inte
39、rest in drawing as a factor that enriched and enhanced the visual dynamic (强度)of his films. In his silent films, this was so striking that critics regularly discussed the Hitchcock touch, referring to the visually dramatic sequences that distinguished his work. Such moments might convey an amusing,
40、dark or romantic story plot (故事情节),or they might explain the meaning of the story, but they always demonstrated the directors ability to tell the story without relying on dialogues or explanations.Britains finestIn 1927 Hitchcock left Gainsborough for the larger British International Pictures (BIP),
41、 and his new contract made him the highest paid director in Britain. Being assigned to direct BIPs first talking film was another sign of his status, and the film proved that such regard was fully deserved. At the time, many people interested in cinema thought that the use of speech would reducecine
42、ma to being only pictures of people talking, but Hitchcocks inventive use of sound demonstrated that the new technology actually opened a new world of possibilities.Many have said that Hitchcock found his true calling with the 1930s thrillers, while for others this concentration on one type of film
43、represented a limitation of Hitchcocks talents and interests. Either way, their popularity ensured that he was invited to Hollywood, and in 1939 he took up a contract with the producer David O. Selznick.This opportunity must have looked great. In the late 1930s, the British film industry had entered
44、 a financial crisis, and its difficulties would only become larger with the start of war. Yet it is evident that Hitchcock was eager to hold onto ties with Britain. He returned in wartime to make two short films for the Ministry of Information.In the immediate post-war period, he formed a production
45、 company that was designed to enable him to make films in Britain, and to free him from the interference of Hollywood producers such as Selznick. Of the companys two films only one was filmed in Britain, and although both are remembered for their bold experimentation with long takes and deep focus,
46、neither was a popular success. His company soon folded, and Hitchcock subsequently worked with a range of Hollywood studios.He made only two further films in Britain. The first was a thriller set in the West End theatre world that had excited him in his youth, but the films sense of time and place w
47、as weakened by its international cast and its curiously limited use of location shooting. The second, shown in 1972, seemed to hit much closer to home and could be seen to represent a remake of The Lodger. The story was centered on a man who was wrongly believed to be a killer of women, and it was filmed with a largely British cast and in a London setting, the old Covent Garden market. This is not Hitchcocks last film, but it can be seen as a revisiting of his careers dramatic beginnings in Britain and as a homecoming for a dir
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