从家庭教育主题分析《小妇人》中乔·马奇的性格,英语论文.docx
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1、从家庭教育主题分析(小妇人)中乔马奇的性格,英语论文 (小妇人是路易莎 梅 奥尔柯特的代表作。它通过讲述美国南北战争时期马奇家的四姐妹的成长故事,树立了以乔为首的一群兼具传统美德与女性意识的新型女性形象,给后人留下了深入的启迪和教育意义。本论文重点分析了书中的主人公乔 马奇的性格和以马奇太太为核心的家庭教育,并且指出了家庭教育对她的影响。通过分析乔 马奇的性格及马奇家庭的教育方式方法,能够起到一个积极启发的作用。乔在辛勤劳动、独立自强、慈善精神以及满足常乐四方面的教育下,战胜生活中的重重困难,最终成为了有思想的成功女性。此论文的第二章主要分析了乔的性格。第三章讨论了(小妇人中的家庭教育,主要为
2、马奇太太的教育方式方法。第四章阐述了家庭教育对乔的生活的影响。第五章总结家庭教育对乔性格美德养成的重要意义。另外指出家庭教育在现实生活中的重要性。 本文关键词语:(小妇人;乔 马奇;家庭教育;性格 The Analysis of Jo March s Personality in Little Women from the Perspective of the Family Education Theme ABSTRACT Little Women is Louisa May Alcott s masterpiece. It sets the modern female image of a
3、groupof women led by Jo with both traditional virtues and female consciousness by telling the storyconcerning the lives and loves of the March s four sisters growing up during the American CivilWar. The book has a far-reaching significance in enlightenment and education. This thesis isintended to an
4、alyze the characteristics of the main character Jo March s personality and Mrs. March s methods of family education, and it also points out the influences of family education onher. Under the family education on work hard, self-independence, kind-heart and satisfaction, Joovercomes difficulties in e
5、veryday life and eventually becomes a thoughtful successful woman. The second chapter of this thesis presents the analysis of Jo s personality. The third chapterdiscusses the family education in Little Women, mainly about the methods of Mrs. Match s. Thefourth chapter illustrates the influences of f
6、amily education on Jo s life. Based on the previouschapters, a conclusion about the momentous significance of family education on thedevelopment of Jo s character is given in the fifth chapter. In addition, current significance offamily education is pointed out. Keywords: Little Women; Jo March; fam
7、ily education; personality TABLE OF CONTENTS 摘 要 ABSTRACT Chapter One Introduction Chapter Two The Analysis of Jo March s Personality in Little Women 2.1 Equality and love 2.2 Self-support and self-esteem 2.3 Self-sacrifice Chapter Three Family Education in Little Women 3.1 Education on working hard
8、 3.2 Education on self-independence 3.3 Education on kind-heartedness 3.4 Education on satisfaction Chapter Four The Influences of Family Education on Jo March 4.1 Being successful in career 4.2 Being equal in marriage Chapter Five Conclusion REFERENCES ACKNOWLEDGEMENTS Chapter One Introduction The
9、literature world of America in the 19th century was the age of talented writers. Washington Irving, Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, MarkTwain, Herman Melville and Walter Whitman etc. were all masters with their thought-provokingworks. Remarkably, many ladies also picke
10、d up their pens and devoted themselves to writing. Susan Warner s The Wide, Wide World, Harriet Beecher Stowe s Uncle Tom s Cabin andCharlotte Mary Yonge s The Heir of Redclyffe were the representative ones. Hundred years havesoon passed, many works of the female writers in the 19th century graduall
11、y overshadowed, butthere is still one shines along- Louisa May Alcott s Little Women. Based on the life of herchildhood, Louisa May Alcott developed the novel with simple words and pure emotion, butreminded readers of the feelings of coziness, and also caused readers to think deeply about life. As i
12、s pointed out by Liu Chunying (2001:98), the ladies in the March s family are all artists. Jo writes novels, Amy paints pictures, Beth plays the piano, Meg manages the housework, withmother teaches and guides untiringly. They create a life of prestigiousness, invigoration andautonomy. Each of them r
13、eceives what they need and what they deserve. The novel shows theirprogress into young womanhood with the additional strains of romance, Beth s terminal illness,the pressures of marriage and the outside world. At the same time, independence is the commoncharacter of the four girls. Rolla Romero once
14、 cited in her Family Lives and The Novels, InLittle Women, Alcott created a value system in the background of the Civil War, it not onlyprovides the priority to women, but also the priority to the women as a representative of theinherent vitality. (Elliott 2005:121) This is the story of their growin
15、g maturity and wisdom andthe search for the contentedness of family life. The typical image of women built in LittleWomen is inseparable with the education in the age of the Civil War and the family education ofthe Marches. Some recent studies have shed light on the analysis of the personality of th
16、e characters inthe novel. In 2001, Liu Chunying summarized the personality of the March sisters of self-independence and self-esteem, also with love and self-sacrifice. Later, other scholars, forexample, Chen Youfang and Chen Jing put forward some new analysis in 2008. However, mostformer studies on
17、 Jo s personality are relatively simple and general. Besides, the socialbackground is so excessively described that it is a little bit hard to have a better understanding. Above all, it is necessary to analyze Jo March s personality with a more specific conception. This thesis focuses on the analysi
18、s of Jo March s personality and the methods of familyeducation. Chapter Two and Three are the core of this thesis, Jo s personality and the methods ofMrs. March s family education are explained at length by giving relevant examples. Chapter Fourillustrates the influences of family education on Jo s
19、life. At last, a conclusion is given in the fifthchapter. Chapter Two The Analysis of Jo March s Personalityin Little Women Jo March is the main character of Little Women. Her character is based in a large part on LouisaMay Alcott herself. Jo leaves a deep impression of an outspoken tomboy with a pa
20、ssion for writingon the readers. What s more, she differs from the traditional girls. In this chapter, Jo March sdistinctive personality will be explored. 2.1 Equality and love In the 19th century society only the male was dominant, and the female was subjected to themale in America. Jo constantly p
21、ursues equal rights, and she is a representative of new womenwith great vigor in mind. At the beginning of the novel, the author has already portrayed the unique image of Jo. Shespeaks frankly and bluntly with quick and insightful minds. I m not! And if turning up my hair makes me one, I ll wear it
22、in two tailstill I m twenty, cried Jo, pulling off her net, and shaking down a chestnut mane. I hate to think I ve got to grow up, and be Miss March, and wear long gowns,and look as prim as a China Aster! It s bad enough to be a girl, anyway, when Ilike boy s games and work and manners! I can t get
23、over my disappointment innot being a boy. And it s worse than ever now, for I m dying to go and fight withPapa. And I can only stay home and knit, like a poky old woman! (Alcott 2007:6) Jo is eager to be a boy, so that she can do what she wants to do without constraints. Shedoes not like wearing the
24、 dress and she is not good at doing housework. Born in the 19th century,girls were considered that their ultimate pursuit was family and marriage. However, Jo scoffs atsuch idea, thinking women should be equal to men. She develops her talent in writing which isthen only men s territory, and devotes
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