贵州省凯里市第一中学2022-2023学年高二上学期期末英语试题.pdf
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1、贵州省凯里市第一中学 2022-2023 学年高二上学期期末英语试题 一、阅读理解 Britain seems to have great creativity especially in the performing and visual arts.Theatrical tradition Theaters in Britain date back at least to the 16th century,and the most famous playwright is of course William Shakespeare.A company was founded in his n
2、ame,with a stage at his birthplace,Stratford-upon-Avon.It has trained generations of actors.In the 20th century,classical and more modern plays were also performed at many regional theaters,where actors and writers gained experience.Film stars The world of film-making has involved British creative t
3、alent from the beginning.Charlie Chaplin,born in poverty in Londons East End,began as a child entertainer in music halls.He then became a pioneer of silent movies in Hollywood and created many black-and-white classics during the First World War.British actors,who were often classically trained in th
4、eater,Laurence Olivier and Alec Guinness became house-hold names after the Second World War.Supporting talent Film-making creativity has been supported by two major studios.Productions at Shepperton have included Richard Attenboroughs Gandhi and Ridley Scotts Alien.Pinewoods most famous products mus
5、t be the James Bond films.Both theater and film have their own annual festivals,including one of the biggest festivals in Scotlands capital,Edinburgh.Visual expression The visual arts also show Britains creative spirit,from Romantic Age painters like Turner and Constable to groups such as the Pre-Ra
6、phaelites and the modernist sculpture of Henry Moore and Barbara Hepworth.Todays famous artists Damien Hirst or Tracey Emin regularly show in the newspapers,and their works are sold at high prices.1.Which of the following helps actors and writers a lot?AMusical theaters.BStratford-upon-Avon.CLondons
7、 West End.DRegional theaters.2.What can we learn from the passage about Charlie Chaplin?AHe came from a rich family.BHe went to theater school as a child.CHe began as a child entertainer in Hollywood.DHe contributed to the early film industry in Hollywood.3.What do we know about Damien Hirst and Tra
8、cey Emin?AYou have to pay a lot to buy their works.BThey have both invented new art forms.CThey mainly learnt from Romantic Age painters.DYou can buy their works from many major galleries.Twelve years ago,Danny called me from a dark,damp subway station.“A baby!”he shouted.“Get down here,and flag dow
9、n a police car or something.”By nature,Danny is a very calm person,so when I could almost feel his heartbeat through the phone line,I ran.When I got to the subway station,Danny was holding a light-brown-skinned baby,about a day old.The baby had been wrapped(被包裹)in an oversize black sweatshirt and le
10、ft on the ground in a corner behind the gate.What neither of us knew,or could have assumed,was that Danny had not just saved an abandoned infant;he had found our son.Three months later,Danny appeared in family court to tell the story of finding the baby.Suddenly,the judge asked,“Would you be interes
11、ted in adopting this baby?”The question surprised everyone in the courtroom,except Danny,who answered,simply,“Yes.”“But I know its not that easy,”he said.“Well,it can be,”said the judge before giving orders to allow me to be a parent-to-be.My first reaction,when I heard,went something like,“Are you
12、crazy?How could you say yes without asking me?In three years as a couple,we had never discussed adopting a child:I was an devoted playwright(剧作家)working as a part-time word clerk.Danny was a respected yet wildly under-paid social worker.We had a roommate,who slept in our living room,to help pay the
13、rent.We knew how many challenges couples usually faced when they want to have a baby.And while Danny had patience and selflessness,I didnt know how to change a diaper(尿布),let alone nurse a child.I didnt trust the social system and was sure there would be difficulties.Also,I couldnt handle parenthood
14、.So I promised myself I wouldnt devote to it.The caretaker held the baby and then placed him in my arms.But when the baby stared up at me,with all the innocence and hope he showed to me,I,like Danny,completely fell for him.4.Why did Danny call the author?ABecause he found their lost son.BBecause he
15、found a deserted baby and needed some help.CBecause he had a heart trouble.DBecause someone gave birth to a baby there.5.Whats the reaction of the author after hearing Dannys answer to the judges question?AVery excited.BA little angry.CWorried.DDisappointed.6.Eventually,what would the couple do acco
16、rding to the last paragraph?AThey would send the baby to somebody.BThey would adopt the baby.CThey would leave the baby at the court.DThey would bring up the baby together with the judge.7.According to the passage,what conclusion can we draw on the couple?AOutgoing and friendly.BHardworking and seri
17、ous.CKind and caring.DCold and indifferent.Soil creates life from death.The production of more than 95%of the food we eat relies on soil.But this precious resource is eroded(侵蚀)at a global average of 13.5 tons per hectare per year.Instead of nourishing crops,fertile topsoil is washed and blown away,
18、ending up in inconvenient places such as ditches and oceans.Jo Handelsman and Kayla Cohen try to make readers care about soil in A World Without Soil.Their prologue(前言)takes the form of a letter to the government.With the letter,they hope to make soil management a federal priority.The following chap
19、ters cover the basic science of soil as well as the causes and consequences of its erosion.In the last part of the book,the authors turn to possible solutionsmany of them simple,and some centuries old.They describe about traditional soil management techniques,including planting diverse crops in rota
20、tion(轮种),increasing organic content,ploughing as little as possible,etc.With these techniques,farmers are able to produce rich agricultural production while maintaining deep banks of fertile soil.Why,then,is fertile soil being allowed to be washed and blown away?The answer,not surprisingly,rests in
21、global capitalism.Farmers profit is thin,forcing farmers to plant the highest-profit crop from field to field every season.To ensure food security,Handelsman and Cohen urge the world to demand a real top-down change in how agricultural production is managed.“The burden of protecting soil cannot be s
22、hifted to farmers and environmental activists,”they note.Governments must begin to move towards a model in which farmers are less independent business people growing and selling food,and more government-supported land workers managing both food production and soil protection.This should be the core
23、of agriculture.Our land and soil are too precious to be destroyed by the market price of crops.We must invest deeply and thoughtfully in our farmers so that they can invest deeply and thoughtfully in the land.This is the future of farming.8.What is the function of paragraph 1?ATo begin a story.BTo i
24、ntroduce the topic.CTo warn people of a danger.DTo mention a fact.9.What are the main contents of the book A World Without Soil?AA letter to the government.BThe future of farming.CThe basic science of soil and the causes and consequences of its erosion.DSome possible solutions.10.What do Handelsman
25、and Cohen advise?AFarmers should invest in the most profitable crops.BOnly environmental activists need to take up the burden of protecting soil.CThe whole world just needs to make a few possible changes in the management of agricultural production.DFarmers should work the land with the help of gove
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