【英文文学】故园风雨后 Brideshead Revisited.docx
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1、【英文文学】故园风雨后 Brideshead RevisitedPrefaceTHIS novel, which is here re-issued with many small additions and some substantial cuts, lost me such esteem as I once enjoyed among my contemporaries and led me into an unfamiliar world of fan-mail and press photographers. Its theme - the operation of divine g
2、race on a group of diverse but closely connected characters - was perhaps presumptuously large, but I make no apology for it. I am less happy about its form, whose more glaring defects may be blamed on the circumstances in which it was written.In December 1943 1 had the good fortune when parachuting
3、 to incur a minor injury which afforded me a rest from military service. This was extended by a sympathetic commanding officer, who let me remain unemployed until June 1944 when the book was finished. I wrote with a zest that was quite strange to me and also with impatience to get back to the war. I
4、t was a bleak period of present privation and threatening disaster - the period of soya beans and Basic English - and in consequence the, book is infused with a kind of gluttony, for food and wine, for the splendours of the recent past, and for rhetorical and ornamental language, which now with a fu
5、ll stomach I find distasteful. I have modified the grosser passages but have not obliterated them because they are an essential part of the book.I have been in two minds as to the treatment of Julias outburst about mortal sin and Lord Marchmains dying soliloquy. These passages were never of course,
6、intended to report words actually spoken. They belong to a different way of writing from, say, the early scenes between Charles and his father. I would not now introduce them into a novel which elsewhere aims at verisimilitude. But I have retained them here in something near their original form beca
7、use, like the Burgundy (misprinted in many editions) and the moonlight they were essentially of the mood of writing; also because many readers liked them, though that is not a consideration of first importance. It was impossible to foresee, in the spring of 1944, the present cult of the English coun
8、try house. It seemed then that the ancestral seats which were our chief national artistic achievement were doomed to decay and spoliation like the monasteries in the sixteenth century. So I piled it on rather, with passionate sincerity. Brideshead today would be open to trippers, its treasures rearr
9、anged by expert hands and the fabric better maintained than it was by Lord Marchmain. And the English aristocracy has maintained its identity to a degree that then seemed impossible. The advance of Hooper has been held up at several points. Much of this book therefore is a panegyric preached over an
10、 empty coffin. But it would be impossible to bring it up to date without totally destroying it. It is offered to a younger generation of readers as a souvenir of the Second War rather than of the twenties or of the thirties, with which it ostensibly deals. Combe Florey 1959 E.W.Chapter 1I HAVE been
11、here before, I said; I had been there before; first with Sebastian more than twenty years ago on a cloudless day in June, when the ditches were creamy with meadowsweet and the air heavy with all the scents of summer; it was a day of peculiar splendour, and though I had been there so often, in so man
12、y moods, it was to that first visit that my heart returned on this, my latest.That day, too, I had come not knowing my destination. It was Eights Week. Oxford - submerged now and obliterated, irrecoverable as Lyonnesse, so quickly have the waters come flooding -in - Oxford, in those days, was still
13、a city of aquatint. In her spacious and quiet streets men walked and spoke as they had done in Newmans day; her autumnal mists, her grey springtime, and the rare glory of her summer days - such as that day - when the chestnut was in flower and the bells rang out high and clear over her gables and cu
14、polas exhaled the soft airs of centuries of youth. It was this cloistral hush which gave our laughter its resonance, and carried it still, joyously, -over the intervening clamour. Here, discordantly, in Eights Week, came a rabble of womankind, some hundreds strong, twittering and fluttering over the
15、 cobbles and up the steps, sight-seeing and pleasure-seeking, drinking claret cup, eating cucumber sandwiches; pushed in punts about the river, herded in droves to the college barges; greeted in the Isis and in the Union by a sudden display of peculiar, facetious, wholly distressing Gilbert-and-Sull
16、ivan badinage, and by peculiar choral effects in the College chapels. Echoes of the intruders penetrated every corner, and in my own College was no echo, but an original fount of the grossest disturbance. We were giving a ball. The front quad, where I lived, was floored and tented; palms and azaleas
17、 were banked round the porters lodge; worst of all, the don who lived above me, a mouse of a man connected with the Natural Sciences, had lent his rooms for a Ladies Cloakroom, and a printed notice proclaiming this outrage hung not six inches from my oak.No one felt more strongly about it than my sc
18、out.Gentlemen who havent got ladies are asked as far as possible to take their meals out in the next few days, he announced despondently. Will you be lunching in? No, Lunt.So as to give the servants a chance, they say. What a chance! Ive got to buy a pin-cushion for the Ladies Cloakroom. What do the
19、y want with dancing? I dont see the reason in it. There never was dancing before in Eights Week. Commem. now is another matter being in the vacation, but not in Eights Week, as if teas and the river wasnt enough. If you ask me, sir, its all on account of the war. It couldnt have happened but for tha
20、t. For this was 1923 and for Lunt, as for thousands of others, things could never be the same as they had been in 1914. Now wine in the evening, he continued, as was his habit half in and half out of the door Cor one or two gentlemen to luncheon, theres reason in. But not dancing. It all came in wit
21、h the men back from the war. They were too old and they didnt know and they wouldnt learn. Thats the truth. And theres some even goes dancing with the town at the Masonic - but the proctors will get them, you see . . . Well, heres Lord Sebastian. I mustnt stand here talking when theres pin-cushions
22、to get.Sebastian entered - dove-grey flannel, white crepe de Chine, a Charvet tie, my tie as it happened, a pattern of postage stamps Charles - what in the worlds happening at your college? Is there a circus? Ive seen everything except elephants. I must say the whole of Oxford has become most peculi
23、ar suddenly. Last night it was pullulating with women. Youre to come away at once, out of danger. Ive got a motor-car and a basket of strawberries and a bottle of Chateau Peyraguey - which isnt a wine youve ever tasted, so dont pretend. Its heaven with strawberries.Where are we going?To see a friend
24、.Who?Name of Hawkins. Bring some money in case we see anything we want to buy. The motor-car is the property of a man called Hardcastle. Return the bits to him if I kill myself; Im not very good at driving.Beyond the gate, beyond the winter garden that was once the lodge, stood an open two-seater Mo
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