现实主义_欧洲文学史课件 (2).ppt
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1、Realisminthe19thcenturyRealismAmovementinartandliterature;ItdevelopedinEuropeandtheUS;Inthesecondhalfofthe19thcenturyandtheearlyyearsofthe20thcentury;Itcentered集中集中inthenovel;Itemphasizesfidelity忠实忠实torealityandactual experience实际经验实际经验.Itaimsatatruthful representation陈述陈述ofhumanbehaviorandsurroundi
2、ngsorfiguresandobjects客观事物客观事物exactlyastheyactorappearinlife.Attemptsatrealismhavebeenmadeseveraltimesthroughouthistoryinallthearts,buttheterm词汇词汇isgenerallyrestricted限定约束限定约束toamovementthatbeganinthemid-19thcentury,inreactiontothehighlysubjective主观主观approachofRomanticism.ItwasinoppositiontoRomantic
3、ismsemphasisonfeelingsandimaginations,whichwasbelievedasanescapefromrealitybythewritersofRealism.TheworldreflectedinRomanticwritersworkswasfalse错误的错误的andtheromanticworkswereconsideredtoosentimental伤感的感情脆弱的伤感的感情脆弱的bytherealists.ItbeganinFranceinthenovelsofFlaubertandtheshortstoriesofMaupassant.Centra
4、ltotheidea核心思想核心思想ofRealismisthebeliefthatliterature is the mirror镜子镜子 of real life.WritersofRealismuseeverydayscenesandoccurencesastheirsubject主题主题.Method:observationalandobjectiverepresentationTherealistsregardcharacterization人物人物塑造塑造ratherthantheplot情节情节thecenterofthenovel.Therealistshavemoreinte
5、restinsocial problemsandtendtotalkaboutethical伦伦理理issues.Itslanguageisusuallysimple,clearanddirect.Itstoneisusuallycomicandsometimessatirical讽刺性的讽刺性的.Therealistsconcentrateonmiddle-classlifeandpreoccupations想法想法,avoidinglarger,moredramaticissues.Fortherealists,itisimportanttoreflecttheworldasitisfro
6、mthepersonal experienceofit.RepresentativefiguresFranceStendhalBalzac巴尔扎克巴尔扎克FlaubertZola左拉左拉MaupassantEnglandDickens狄更斯狄更斯-GeorgeEliot-theBrontesistersThackeray-ThomasHardyRussiaAntonChekhov-TurgenevDostoyevsky-TolstoyNorthernEuropeHenryIbsennatualismFrenchLiteratureStendhaloneoftheleadingRealistFr
7、enchnovelistsofthe1800sMajorworks:The Red and the Black(1830)红与黑红与黑The Charterhouse of Parma(1839)巴马巴马修道院修道院CharateristicsofhisworksHehasanacute敏锐的敏锐的analysisofthecharacters psychology心理心理.Hisuseofcharacter analysismarkshimasoneofthefirstrealistsin19th-centuryliteratureHisworksarealsonotedfortheuseo
8、firony讽讽刺反语刺反语,ambiguity模棱两可模糊模棱两可模糊,andnarrativecomplexity复杂的复杂的.Hisnarrativepointofviewrestricts限制限制thereadersvisiontothatofthecharacters,soitgivesreadersanobjectivepicturefromthecharactersperspective透视图透视图.Forexample,FabricedelDongoinLa chartreuse de ParmegoestothebattleofWaterloo,butbothheandthe
9、readerareuncertainafterward后来以后后来以后ifhehaswitnessedit.Thisambiguityisakindofpsychological心里上的心里上的realism.Similarly,Stendhalsheroesandheroinescannotbecompletelyknown,eitherbythereaderorbythemselves.Thenarrator叙述者叙述者constantly不断的不断的undercuts削弱削弱thereadersassumptions假想假想aboutthecharacterswithirony,indi
10、cating表明表明sometimeshownaive天真天真ormistakenthecharactersare,whilesometimesexpressingsurpriseatwhattheydoorsay.HonordeBalzac(1799-1850)a French novelist and playwright The Human Comedy(1842-1848)人间喜人间喜剧剧 Le Pre Goriot(Father Goriot or Old Goriot)1835 高老头高老头CharacteristicsofhiswritingsBalzacachievedsubl
11、ime令人崇敬的令人崇敬的realisminhisnovelsthroughhisattentiontodetails andhisintensely强烈强烈的紧张的的紧张的 portrayed描绘描绘 characters.Balzacextensivelyusesdetail,especiallythe detail of objects,toillustrate阐明阐明thelivesofhischaracters.“Theauthorfirmly坚决的坚决的believesthatdetailsalonewillhenceforthdeterminethemerit价值价值ofwork
12、s.”自此以后characterizationHischaractersaremulti多多-faceted有小面的有小面的;evenhislesser较小的较小的charactersarecomplex,morallyambiguousandfullyhuman.Hesoughttopresenthischaractersasrealpeople,neitherfullygoodnorfullyevil,butfullyhuman.Thecharactersrepresentaparticularrange范范围幅度围幅度ofsocialtypes.Objectsarealsoimbued充
13、满充满withcharacter;Paris,asettingformuchofhiswriting,takesonmanyhumanqualities.The Human ComedyItisinspiredbyDantesThe Divine Comedy.Itisasetofabout90worksthatexploretheinfluenceofsocietyontheindividual.Itisabookleftunfinishedatthetimeofhisdeath.Hisgoalwastodepict描绘描绘thehumanspeciesinFrancewithitsmany
14、charactertypesandassociated关联关联behaviors.Itgaveacomprehensive广泛的综合的广泛的综合的viewoftheFrenchsocietyofhistime,andnearlyallsocialclasseshavebeendepicted.GustaveFlaubert福楼拜福楼拜(1821-1880)OftencalledthefirstFrenchrealistConsideredbymanytobethefatherofrealisticfictionMasterpiece:Madame Bovary(1857)包法利夫人包法利夫人C
15、haracteristicsofhisworksHisworksinfluencedthedevelopmentofthemodernnovel,mostnotably显著的显著的intheirdetailed,objectiveobservationofeverydaylifetheirconcernforformHeattemptstohidealltracesoftheauthor.Theexactthoughtsofacharacterarereportedbyanobjectivenarrator,whomakesnocommentonthecharacteratall,revolu
16、tionized改革改革modernfiction.Hewasaperfectionist完美主义者至善主义者完美主义者至善主义者abouthiswritingandwasalwayssearchingfortherightword.Madame BovaryCharlesBovaryisakindhearteddoctorwithoutmuchabilityorambition野心报复野心报复.Hemeetsoneofhisclients顾客委托人顾客委托人daughter,Emma艾玛艾玛,abeautiful,daintily-dressed讲究讲究的的youngwomanwhohasr
17、eceivedagoodeducationandhasapowerfulyearning渴望渴望forluxury奢侈奢侈andromancethatshelearntfromthepopularnovels.Charlesisimmediatelyattractedtoher.Whenhiswifedies,theyaremarried.Charlesmeanswell,butisboringandclumsy笨拙的笨拙的,andEmmagrowsdisillusioned幻想破灭的幻想破灭的withmarriedlife.Charlesdecidesthatsheneedsachangeo
18、fscenery,andmovesfromthevillageintoamarkettown.Emmagivesbirthtoadaughter,however,motherhoodprovesdisappointing.Shethendevelopsanaffairwithayounglawstudent,Lon,whoisconsideredbyherthefinerthingsinlife.Outoffearandshame,however,EmmahidesherloveforLonandhercontempt轻蔑轻蔑forCharles,andplaystheroleofthedev
19、otedwifeandmother,allthewhileconsoling安慰安慰herselfwiththoughtsandself-congratulationsofherownvirtue美德美德.Finally,indespair绝望绝望ofevergainingEmmasaffection,Londeparts离开离开tostudyinParis.Athree-yearaffairbetweenEmmaandalandownerfollows.Fullofromanticfantasy幻想幻想,Emmainsistsoneloping私私奔奔withhim.Theman,howev
20、er,hasnosuchintentionandendstherelationship.TheshockissogreatthatEmmafallsdeathlyill,andbrieflyturnstoreligion.WhenEmmaisnearlyfullyrecovered,sheandCharlesattendtheopera,whichreawakens重新唤起重新唤起Emmaspassions,andshemeetsLonagain.Theybeginanaffair.WhileCharlesbelievesthatsheistakingpianolessons,Emmatrav
21、elstothecityeachweektomeetLon,alwaysinthesameroomofthesamehotel,whichtheycallittheirhome.Later,LongrowsboredwithEmmasemotionalexcesses过度过度,andEmmafeelshimunsatisfactory.Meanwhile,Emma,outofvanity虚荣心虚荣心,purchasesincreasingamountsofluxuryitemsoncreditandherdebtsmountquickly.Whenitistimetopaydebt,Emmap
22、leads恳求恳求formoneyfromseveralpeoplebutisturneddown.Indespair,sheswallows吞下吞下poison毒药毒药anddies.Charlesisindeepgrief悲痛悲痛andpreserves保存保存Emmasroomasifitisashrine圣地圣地,andinanattempttokeephermemoryalive,adoptsseveralofherattitudesandtastes.Inhislastmonths,hestopsworkingandlivesoffthesaleofhispossessions.W
23、henheaccidentallycomesacrossthelandlordslovelettersoneday,hestilltriestounderstandandforgive.Soonafter,hediesapoorman,leavinghisyoungdaughtertolivewithdistant遥远的遥远的relativesandeventuallysenttoworkatacottonmill磨磨坊坊.criticism批评批评Itisapenetrating尖锐的尖锐的psychologicalstudyofitsheroine女英雄女英雄,EmmaBovary,who
24、strugglestofindfulfillmentthrougharealizationofherromanticfantasiesofloveandwealth.Thebookcouldbeviewedasanexpose暴露揭发暴露揭发ofthesituationofwomeninthe19thcentury:womenhadnotyetbeenemancipated解放解放andwereexpectedtoobeytheirhusbands,tostayintheirhomeswhilethemenwenttoworkortofightinwars.Emmaalsoservesasav
25、oiceforFlaubert,whopatterned模仿模仿thecharacterspersonality品格品格afterhisown.EmmaBovarysrebellious反抗反抗attitudeagainsttheacceptedideasoftheday,reflectsFlaubertsviewsofthebourgeoisie.NaturalismInliterature,thetheorythatliterarycompositionshouldbebasedonanobjective,empirical经验主义经验主义presentationofhumanbeings
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