六级听力材料.doc
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1、Section A11W: This is one of our best and least expensive two-bedroom listings. Its located in a quiet building and its close to bus lines.M: That maybe true. But look at it, its awful, the paint has peeled off and carpet is worn and the stove is ancient.Q: What can we infer from the conversation?12
2、M: The pictures we took at the botanical garden should be ready tomorrow.W: I cant wait to see them, Im wondering if the shots I took are as good as I thought.Q: What is the woman eager to know?13W: The handle of the suitcase is broken. Can you have it fixed by next Tuesday?M: Let me see, I need to
3、find a handle that matches but that shouldnt take too long.Q: What does the man mean?14M: This truck looks like what I need but Im worried about maintenance. For us itll have to operate for long periods of time in very cold temperatures.W: We have several models that are especially adaptive for extr
4、eme conditions. Would you like to see them?Q: What do we learn about the man from the conversation?15M: I think your boss would be very upset when he gets your letter of resignation.W: That may be so. But in the letter, I just told him frankly I could no longer live with his poor management and stup
5、id decisions.Q: What do we learn about the woman?16W Id like to exchange the shirt. Ive learned that the person bought it for allergic to wool.M Maybe we can find something in cotton or silk. Please come this way.Q;What does the women want to do?17M: Excuse me, Miss?Did anyone happen to turn in a ne
6、w handbag? You know, its a birthday gift for my wife.W: Let me see. Oh, weve got quite a lot of womens bags here. Can you give me more detailed information, such as the color, the size and the trademark?Q: Where does this conversation most probably take place?18M What are you going to do with the ol
7、d house you are in heritage from your grandfather?W I once intended to sell it, but now, Im thinking of turning it into a guest house, because its still a solid structure.Q: What does the man plan to do with his old house?W: When you write a novel, do you know where youre going, Dr. James?M: Yes, yo
8、u must, really, if youre writing the classical detective story, because it must be so carefully plotted and so carefully clued. I have schemes. I have charts. I have diagrams. It doesnt mean to say that I always get it right, but I do plan before I begin writing. But what is so fascinating is how a
9、book changes during the process of writing. It seems to me that creative writing is a process of revelation, really, rather than of creativity in the ordinary sense.W: When youre planning the basic structure, do you like to go away to be sure that youre by yourself?M: I need to be by myself certainl
10、y, absolutely. I cant even bare anybody else in the house. I dont mind much where I am as long as Ive got enough space to write, but I need to be completely alone.W: Is that very important to you?M: Oh, yes. Ive never been lonely in all my life.W: How extraordinary! Never?M: No, never.W: Youre very
11、lucky. Someone once said that theres a bit of ice at the heart of every writer.M: Yes. I think this is true. The writer can stand aside from experience and look at it, watch it happening. There is this detachment and I realize that there are obviously experiences which would overwhelm everyone. But
12、very often, a writer can appear to stand aside, and this detachment makes people feel theres a bit of ice in the heart.Questions 19 to 21 are based on the conversation you have just heard.19. What is the key to write a good classical detective story according to the man?20. What does the man mainly
13、need when working on a book?21. What does the man say about writers?W: There is an element there about competition then, isnt there? Because British railways are a nationalized industry. Theres only one railway system in the country. If you dont like a particular kind of big beans, you can go and bu
14、y another. But if you dont like a particular railway, you cant go and use another.M: Some people who write to me say this. They say that if you didnt have monopoly, you wouldnt be able to do the things you do. Well, I dont think we do anything deliberately to upset our customers. We have particular
15、problems. Since 1946, when the Transport Act came in, we were nationalized.W: Do you think thats a good thing? Has it been a good thing for the railways, do you think, to be nationalized?M: Oh I think so, yes. Because in general, modes of transport are all around. Lets face the fact. The car arrived
16、. The car is here to stay. There is no question about that.W: So what are you saying then? Is it if the railways happen being nationalized, they would simply have disappeared?M: Oh, I think they would have. Theyre disappearing fast in America. Er, the French railways lose 1 billion ponds a year. The
17、 German railways, 2 billion ponds a year. But you see, those governments are preparing to pour money into the transport system to keep it going.W: So in a sense, you cope between two extremes. On the one hand, youre trying not to lose too much money. And on the other hand, youve got to provide the b
18、est service.M: Yes, you are right.Questions 22 to 25 are based on the conversation you have just heard.22. What does the woman say about British railways?23. What do some people who write to the man complain about?24. What does the man say threatens the existence of railways?25. What does the man sa
19、y about railways in other countries? Section BPassage OneAmong global warmings most frightening threats is the prediction is that the polar ice-caps will melt, raising sea level so much that coastal cities from New York to Los Angles to Shanghai will be flooded. Scientists agree that key player in t
20、his scenario is the West Antarctic ice sheet, a Brazil-size mass of frozen water that is much as 7000 feet thick. Unlike floating ice shelves which have little impact on sea level when they break up, the ice sheet is anchored to bedrock will blow the sea surface. Surrounded by open ocean, it is also
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