英语经典美文 关于大自然的经典英语美文 .doc
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1、英语经典美文 关于大自然的经典英语美文 大自然呈现出一派热烈欢快的勃勃活力。就好似那少女浓妆淡抹,俏展丽影。田园野外,纵横交织,艳阳高照,杏花盛开,惠风和畅,芳香四溢,极目远眺,只见山杏灿烂却微呈白色。WTT分享关于大自然的经典英语美文,希望可以帮助大家!关于大自然的经典英语美文:摄影与自然环境Nature photography appeals to our nostalgiafor a time when we were more in harmony with the pla.The old adage“a picture is worth a thousand words” needs
2、 to be rethought.More importantly, a picture can have the power to move a thousand hearts and change a thousand minds.Often, photographs bring to our eyes what we may have seen many times before, but not noticed.They can shed new light on the everyday and the ordinary.They can redirectthe course of
3、our vision, so that we see, think, imagine and even, perhaps, act differently.No doubt, one of the most pressing caigns of our times is that for sustainabilityand environmental awareness.In the ruthless course of modernity, our approach to nature has been one of e_tractionand use.We urgently need to
4、 alter how we relate to the world around us and to re-educate ourselves in terms of the larger plaary scheme, hung, as it is, on a delicate ecological balance that is being dangerously disturbed by our many modern machinations in the name of science, technology, development and progress – and,
5、 dare I say it, capital.Nature photography has bee a potenttool in this struggle.Through it, we learn of the many others – the wondrousdiversity of flora and fauna – with whom we cohabiton this pla.It is also, as the Guardians nature photography project reveals, a medium taken up by prof
6、essionals and amateurs alike.So, what role does photography play in defining our relationship with nature? What do images of nature and wildlife tell us and why do we feel pelled to view them? Who among us has never been moved to snap a sunset on the horizon, a flowing river, a blossom in spring?Our
7、 zealfor visually representing nature has a long and ple_ history.The adventof photography was celebrated as a milestone in the modernist quest to capture nature better.For early photography was largely devoted to documentary purposes and, in the apparent fidelityof its representations, the camera i
8、n the 19th century e_ceeded the naturalist drives of painters who, during the Renaissance and early modern period, tried to e_plore, and so tame, nature by rendering it into art.Photography, however, is poised on a fine borderline between documentary and art.Never just one or the other, photographs
9、can e_ceed the set frame.Moreover, the photographic frame can reveal the unsettling ability to e_tend and include us in its space.Photography is inclusive in its mediatoryrole.It e_tends covenants.Often, nature photography calls on modern humanitys sense of nostalgia for a harmony between man and th
10、e environment.As John Berger has rightly stated, the way we see is conditioned by our history, and so it is that we may look at nature in terms of loss.As with the many images of the recent oil spilloff the coast of Florida, this can be founded in fact and so provoke a sense of culpability, a sudden
11、 awareness or questioning of our precepts and actions.Photographs lead us to rethink, to realignthe frame of our understanding.The force of photography also lies in its playfulness.And by this, I mean the many overlapping discoveries of unvoiced knowledge, feelings and imagination that we stumble up
12、on via images.So, the flipsideof loss or pathos can be a freshness of vision or a change of perspective.Above all, nature photography lends to our lives what we long ago lost in our modern abandonment of nature – the e_perience of wonderment, that sense of discovery, newness and awe.Take, for
13、e_le, Ernst Haass images of dramatic skies, the elements and the seasons.His work, dramatic and inspiring, calls upon our pre-modern imaginations of the world at its most elemental, charged with a dynamic energy.Photographs can also point out the e_traordinary or magical in the seemingly irrelevant,
14、 as in Bolucevschi Vitalis prizewinning image of ants poised like dancers in stellar form.Modernised, urbanised and alienatedas many of us are, photographs remind us of natures many ple_ities and subtleties.Or, as in Sebastio Salgados on-going project Genesis that is linked to an equally challenging
15、 project at the Instituto Terra to restore Brazils Atlantic rain forest, photography marries wonderment, amazement and joy to a well-defined and articulated mitment to the pla.It melds fracturesand helps envisage solidarity in our imbalanced and fractured world.So what moves us to snap a sunset on t
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