(4.1)--4-1.AnintroductiontoJaneAusten.ppt

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1、JaneAusten 简奥斯丁1775-1817 Hampshire(汉普郡汉普郡)BEnglandRoyal Crescent（皇家新月楼）（皇家新月楼）Bath(巴斯巴斯)Austens House MuseumJane Austen was buried in Winchester CathedralJane Austens memorial gravestone in the nave of Winchester CathedralMASTER WORKSMASTER WORKSSenseandSensibility(1811)PrideandPrejudice(1813)Mansfi

2、eldPark(1814)Emma(1816)NorthangerAbbey(1818，posthumous)Persuasion(1818，posthumous)Mansfield Park NorthangerAbbeyandPersuasionSELECTED SENTENCES SELECTED SENTENCES WITH CHINESE TRANSLATIONWITH CHINESE TRANSLATION+A ladys imagination is very rapid;it jumps from admiration to love,from love to matrimon

3、y in a moment。+女人的思维很有跳跃性：从仰慕到爱慕，从爱慕到结女人的思维很有跳跃性：从仰慕到爱慕，从爱慕到结婚都是一眨眼间的事。婚都是一眨眼间的事。+A large income is the best recipe for happiness I ever heard of。+我所知道最有效的幸福秘方就是：赚大钱。我所知道最有效的幸福秘方就是：赚大钱。+A woman,especially,if she have the misfortune of knowing anything,should conceal it as well as she can。+一个女人要是不幸聪明

4、得什么都懂，那就必须同时懂一个女人要是不幸聪明得什么都懂，那就必须同时懂得怎么伪装成什么都不懂。得怎么伪装成什么都不懂。+An engaged woman is always more agreeable than a disengaged.She is satisfied with herself.Her cares are over,and she feels that she may exert all her powers of pleasing without suspicion。订了婚的女人最可爱了。她什么都满。订了婚的女人最可爱了。她什么都满足了，什么忧虑都消散了，她可以大大方方

5、去讨好自己未足了，什么忧虑都消散了，她可以大大方方去讨好自己未来老公，而无需担心人家以为她在玩暧昧。来老公，而无需担心人家以为她在玩暧昧。Friendship is certainly the finest balm for the pangs of disappointed love。治愈情伤最好的药就是友谊带来的安慰。治愈情伤最好的药就是友谊带来的安慰。Happiness in marriage is entirely a matter of chance。幸福的婚姻都是靠碰运气赚来的。幸福的婚姻都是靠碰运气赚来的。How quick come the reasons for approv

6、ing what we like!想给我们的喜好找个理由时，脑袋转的是最快的。想给我们的喜好找个理由时，脑袋转的是最快的。I do not want people to be very agreeable,as it saves me the trouble of liking them a great deal。我不希望遇到好相处的人，因为我会很喜欢很喜欢他我不希望遇到好相处的人，因为我会很喜欢很喜欢他们，喜欢别人可是件大麻烦。们，喜欢别人可是件大麻烦。Life seems but a quick succession of busy nothings。生活就是一连串的无事忙。生活就是一连串

7、的无事忙。We do not look in our great cities for our best morality。繁荣的大都市里，没有道德情操这一说。繁荣的大都市里，没有道德情操这一说。What is right to be done cannot be done too soon。越该做的事，就越急不得。越该做的事，就越急不得。傲慢与偏见傲慢与偏见 Pride and PrejudiceArtistic Features A recluse but outstanding writer in the history of British literature no heroic c

8、omplex but Cinderella complex which tells stories of poor girls marrying the prince.elegant and standard without slangs or jargons.SOCIAL BACKGROUND IN PRIDE AND PREJUDICELate Regency England shifting to Late Regency England shifting to Victorian AgeVictorian Age Class differences Class differences

9、Men-dominant force in the societyMen-dominant force in the societyWomen-passive and recluse in the Women-passive and recluse in the family.family.Why Jane hid her name when publishing Why Jane hid her name when publishing her novels.her novels.THE MAIN STORY OF PRIDE AND PREJUDICEMRS.BENNETJANE BENNET AND MR.BINGLEYDARCYELIZABETH BENNETLYDIA AND WICKHAM