如何提高托福阅读分数.docx
《如何提高托福阅读分数.docx》由会员分享,可在线阅读,更多相关《如何提高托福阅读分数.docx(17页珍藏版)》请在淘文阁 - 分享文档赚钱的网站上搜索。
1、如何提高托福阅读分数 信任大家还在找寻提高托福阅读的方法吧,为了帮助大家备考,下面我就给大家共享一下! 如何提高托福阅读分数 找寻托福阅读长难句练习材料,然后进行分析练习,建议练习方法:首先从宏观的角度动身,以意群为单位树立句子的整体结构感;然后.快速提取主句的主干,把握整句话的逻辑。 学习精读和泛读两种阅读方法应对托福阅读文章。托福阅读精读练习可以帮助考生快速把握文章中的重要信息和内容,精确提高对字词,句篇的分析实力和解读实力,理解文章中难点和要点并进行归纳推断推断等实力。在精读练习中以相识新单词、驾驭语法、相识完备句型,了解英语思维为主。泛读练习是为了了解托福阅读段落的结构,所以不是每句话
2、每个词都读到,要重点读的其实就是其中的观点;对于细微环节,比如举例,只要清晰该细微环节是支持哪个观点的即可,泛读时有一些技巧,比如可以利用细微环节来锁定关键信息,对文章进行预料略读;对阅读文章开头的一、二段要以找寻文章主题为主;要注意阅读段落的主题句和结论句;要留意文章中的转折词和序列词等等。 托福阅读练习要从长难句的分析起先。托福阅读中的句子大都是结构困难的长难句,而且一般题目针对的文章内容中会有长难句。考生在答题前往往须要对长难句进行分析。和上面所说的一样,考生在前期已经对语法学问进行了系统学习,但是这不足以帮助考生完全攻克长难句,考生须要在练习中对长难句进行专项练习。 通过真题(TPO)
3、练习来熟识托福阅读文章特点和答题思路。对于托福阅读真题肯定要好好利用,一般建议考生通过六个步骤来利用托福阅读TPO。 1.花1小时用模考软件做一遍题,做完之后不对答案。之后把模考软件的错题数量以及错题类型进行统计。 2.查阅读中的生词并记录。在练习中则以句子为单位,先把不相识的单词丢一边,驾驭大体句子结构和意思。然后查出不相识的单词,再看整个句子。 3.查完单词之后,再自己尝试全文翻译一遍。翻译完之后,比照翻译,修改完整自己的翻译,想下自己在理解句子的时候存在哪些问题。 4.自己对每一道题进行解题思路的整理。 5.通读全文,熟识不相识单词的发音。 6.整理全文的文章结构和每段的大意。 托福阅读
4、的做题依次 托福阅读做题依次:最基本的做题依次有两种:先读(全篇)文章再做题;先读题目再读文章(相应部分)然后做题。究竟哪种托福阅读做题依次比较好呢? 上文提到的托福阅读最基本的做题依次又能衍生改变出两种做题依次:读一段文章,做相应的题目,然后再读一段,再做相应的题目;读文章各段首句,然后看题目,再找文章内相应部分做题。 对于多数人来说,可能“读文章各段首句,然后看题目,再找文章内相应部分做题”的托福阅读做题依次会比较合适,读各段首句可以粗略驾驭文章大意和结构,做题再看内容再做能大大降低“工作量”,但是这种做法不利于对全文的消化汲取,从而不利于做总结题,也可能会遗漏文章内的一些细微环节而导致做
5、错细微环节题。而新托福目前反馈大都是依次出题的,所以建议练习时就尽量往“读一段做相应题目,再读一段再做相应题目”这一依次去靠拢,可以对文章有全面的把握,虽然总量上还是要读完全文,但是对大脑的短期记忆的负担要比通读全文再做题目小许多。 在IBT阅读中,甚至可以扩展到ETS全部考试的阅读题目中,假如要用一个词来概括的话,那就是paraphrase,意译。无论是题干还是正确选项,大都能在原文中找出一句话来与之相对应。即题目是原文的意译。这种意译是通过同义词来完成的。即题干中多用近义词来对原文中的句子进行替换,来达到提出问题或者提出正确答案的意思。精确把握意译,是多数题目中精确在原文中定位信息、或者在
6、迷惑选项中选出正确的那个,都有着重要的作用。 关于先看题目还是先看文章的问题。也就是做题时间支配的问题。由于对问题的回答建立在了熟识全文的基础上,每个问题又有足够的时间返回全文,每个选项都一一进行斟酌。 托福阅读文段一般都依照老美的思路来成文,首段、尾段、首句、尾句以及过渡段(句)很重要,只要是依据美国人的阅读思路来支配托福阅读做题依次,那托福阅读就不会像你想象的那样难以拿分。 托福阅读真题及答案1 The sculptural legacy that the new United States inherited from its colonial predecessors was far
7、from a rich one, and in fact, in 1776 sculpture as an art form was still in the hands of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled
8、 craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in
9、 the craft of carving and constituted a group distinct from what we normally think of as sculptors in today's use of the word. On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston,
10、South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or oth
11、er decorations were produced in England and brought to the colonies to be set in the walls of churches as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance-Baroque-Rococo predecessors and the various technical pro
12、cedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose either the local craftspeople or the imported talent of European sculptors. The eighteenth century w
13、as not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans originally trained as stonemasons, carpenters, or cabinetmakers attacked the medium from which they sculpture made in the United States in the late eighteenth century. 1. What i
14、s the main idea of the passage ? (A) There was great demand for the work of eighteenth-century artisans. (B) Skilled sculptors did not exist in the United States in the 1770's. (C) Many foreign sculptors worked in the United States after 1776. (D) American sculptors were hampered by a lack of to
15、ols and materials. 2. The word motifs in line 3 is closest in meaning to (A) tools (B) prints (C) signatures (D) designs 3. The work of which of the following could be seen in burial grounds? (A) European sculptors (B) Carpenters (C) Stone carves (D) Cabinetmakers 4. The word others in line 6 refers
16、 to (A) craftspeople (B) decorations (C) ornamentations (D) shop signs 5. The word distinct in line 9 is closest in meaning to (A) separate (B) assembled (C) notable (D) inferior 6. The word rare in line 11 is closest in meaning to (A) festive (B) infrequent (C) delightful (D) unexpected 7. Why does
17、 the author mention Joseph Wilton in line 13? (A) He was an English sculptor who did work in the United States. (B) He was well known for his wood carvings (C) He produced sculpture for churches. (D) He settled in the United States in 1776. 8. What can be inferred about the importation of marble mem
- 配套讲稿:
如PPT文件的首页显示word图标,表示该PPT已包含配套word讲稿。双击word图标可打开word文档。
- 特殊限制:
部分文档作品中含有的国旗、国徽等图片,仅作为作品整体效果示例展示,禁止商用。设计者仅对作品中独创性部分享有著作权。
- 关 键 词:
- 如何 提高 托福 阅读 分数
限制150内