中国人民大学考博英语第二阶段复习备考方案36323.pdf
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1、慧考博考博第一品牌 慧网 考博QQ咨:400 622 4468第 1 共 4 中国人民大学考博英语第二阶段复习备考方案及真题分析中国人民大学考博英第二段:理解复考方案中国人民大学考博考安排:(7月至10月,共3个月)中国人民大学考博重点和目:程,要求完成全部件的学,掌握解方法。中国人民大学考博英具体学指:a.:第一:持看原文章的,如果没有的,建可以两天看一篇;第二:每天一网件的内容,根据解,悟方法;第三:找六真,每天做一套里面的部分,大是5到6篇;抑或是用慧考博网所行的的慧考博英理解220篇来行;第四:于率高的文章需要精,并仔研究的原因,同,其中的未知以及常考做深刻和整理;第五:于感趣的文章可
2、以做翻。c.:学慧考博网行的慧考博英10000解,那么在此段的前期学完本复料之后,建学可以自行找到一些四或八的来,巩固已知,同拓展未知。(每天任量:300个左右)的具体复方法以公司的艾浩斯法指。d.法:在此段,首先要做的事情就要重要的法点学行,以考其掌握程度。其次,如果有哪一个点了解不清,容易混淆的,教需学解,揭开迷,并做相关的。中国人民大学考博英语阅读理解专项训练Roger Rosenblatts book Black Fiction,in attempting to apply literary rather than sociopolitical criteria to its subj
3、ect,successfully alters the approach taken by 慧考博考博第一品牌 慧网 考博QQ咨:400 622 4468第 2 共 4 most previous studies.As Rosenblatt notes,criticism of Black writing has often served as a pretext for expounding on Black history.Addison Gayles recent work,for example,judges the value of Black fiction by overtly
4、political standards,rating each work according to the notions of Black identity which it propounds.Although fiction assuredly springs from political circumstances,its authors react to those circumstances in ways other than ideological,and talking about novels and stories primarily as instruments of
5、ideology circumvents much of the fictional enterprise.Rosenblatts literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignoredWriting acceptable criticism of Black fiction,however,presupposes giving satisfactory answers
6、 to a number of questions.First of all,is there a sufficient reason,other than the facial identity of the authors,to group together works by Black authors?Second,how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous?Rosenblatt shows that Black
7、 fiction constitutes a distinct body of writing that has an identifiable,coherent literary tradition.Looking at novels written by Black over the last eighty years,he discovers recurring concerns and designs independent of chronology.These structures are thematic,and they spring,not surprisingly,from
8、 the central fact that the Black characters in these novels exist in a predominantly white culture,whether they try to conform to that culture or rebel against it.Black Fiction does leave some aesthetic questions open.Rosenblatts thematic analysis permits considerable objectivity;he even explicitly
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