简析爱伦坡的恐怖主义英语论文.docx

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1、本科生毕业论文（设计）册 学院 xxx学院 专业 XXXX 班级 XXXX级英语XX班 学生 XX 指导教师 XXX XXXX大学本科毕业论文（设计）任务书编 号： 论文（设计）题目： 简析爱伦坡的恐怖主义 学院： XXX学院 专业： XXXX 班级： XXXX级英语XX班学生姓名：XXX 学号： XXXXXX5 指导教师： XXX 职称：XX 1、 论文（设计）研究目标及主要任务本论文的研究目标是分析爱伦坡的恐怖主义的形成、发展以及在其作品中的表现。其主要任务是通过分析爱伦坡恐怖主义，加深读者对恐怖主义的理解。2、论文（设计）的主要内容 本论文分为三章，第一章介绍爱伦坡恐怖主义，并对同一时期

2、的恐怖主义进行对比，第二章介绍爱伦坡恐怖主义在其主要作品中的表现，最后一章讨论了爱伦坡恐怖主义的发展以及其美学价值。3、论文（设计）的基础条件及研究路线 本论文的基础条件是不同的美国文学研究者对爱伦坡恐怖主义的研究结果。研究路线是对爱伦坡的恐怖主义从不同的角度进行详细的阐述，分析 其产生、发展以及价值。4、主要参考文献Aristotle, Rhetoric Trans. Ingram Bywriter. New York: Modern Literary, 1954.Aristotle, Poetics.Trans. Seth Bernadette and Michael Davis, Sou

3、th Bend, Ind.:St. Augustines press, 2002爱伦.坡.爱伦.坡短篇小说集.陈良廷、徐汝春译。北京：外文文学出版，1982.曹明伦译，爱伦坡精品集.安徽文艺出版社，1999范明生.西方美学通史第1卷.上海：上海文艺出版社，1999.5、计划进度阶段起止日期1确定初步论文题目3月16日前2与导师见面，确定大致范围，填开题报告和任务书，导师签字3月16日-3月23日3提交论文提纲3月23日-3月30日4交初稿和文献综述3月30日-4月20日5交终稿和评议书5月8日前指 导 教师： 年 月 日教研室主任： 年 月 日注：一式三份，学院（系）、指导教师、学生各一份XX

4、XX大学本科生毕业论文（设计）开题报告书 XXX学院 XXXX 专业 XXXX 届学生姓名XX论文（设计）题目简析爱伦坡的恐怖主义指导教师XXX专业职称XX所属教研室商务英语教研室研究方向英语语言文学课题论证：简析爱伦坡的恐怖主义方案设计：第一章介绍爱伦坡所处的社会对其恐怖主义的影响以及与同时代恐怖主义之间的对比，第二章阐述爱伦坡恐怖主义在其主要作品中的体现， 第三章探讨爱伦坡恐怖主义的形成、发展与其美学价值。进度计划：3月16日前确定初步论文题目 3月23日前写开题报告、任务书3月30日前提交论文提纲4月20日前提交初稿和文献综述5月8日前交终稿和评议书指导教师意见： 指导教师签名： 年 月

5、 日教研室意见： 教研室主任签名： 年 月 日XXXX大学本科生毕业论文（设计）文献综述Literature ReviewEdgar Allan Poe is such a knowledgeable, learned and imaginative figure who was outstanding in American literary history. He could skillfully manipulate the words in his literary works to create everything people can think of by his sensit

6、iveness and sternness. His pursuit of beauty labels him the first man who keeps to the principle of “art for arts sake.”Among the beauties represented in Poes worksThe reader think the beauty of terrors as the most striking one The fact that Poe has exerted enormous influences on a variety of the la

7、ter authors and that there is always a touch of the mysterious in the mysterious in most of his short stories that grips the hearts of his reader may account for consistent interest in the study of his works abroad. A searching browse casually taken at the website of the Library of Harvard Universit

8、y brings up a list of 604 monographs on Poe, published between 1829 and 2004.The issues that have aroused interests in Euro-American Poe studies mainly include: 1.Poe as a literary critic;2.Poes female images;3Poe and Gothic tradition;4.Poe and sensationalism;5.Poe and psychoanalysis;6.Poe and popul

9、ar culture;7.Poe and popular literature;8,Poe and modernism;9,Comparative studies of Poe and other writers. The list reveals that the critical attention to Poes use of grotesquery in his composition might not have attracted much attention among western literary critics. As Lewis A Lawson asserts, wh

10、ile no name “seems more frequently linked with the grotesque than that of Edgar Allan Poe”, there has been little critical investigation of the subject, and what little there has been confusing. Translations and critical studies on Poes works started fairly early in China. The first period (1905-191

11、7) is characterized by the cropping up of occasional translations and introductions of Poes tales. During this time, a number of short stories were translated into Chinese. In the second period (1918-1948), translations of Poes short tales and poems were published in as much as sixteen different Chi

12、nese periodicals in a relatively chronological continuum, including sporadic introductions about the author, translations of his literary theory ad brief comments on his works. Critical studies of Poes works during this time were in general tentative and uninteresting although an essay entitled On t

13、he Tales of Edger Allan Poe by Chen Weimo was not without insights. The introduction of Poes works in the country slowed down in the decades after 1949.This was primarily due to the political ideological environment of the time .It was not until the 1980s that the thirty years abandonment of Poe cam

14、e to an end, when various translations of Poes short fictions started to reappear, enabling Chinese scholars to reevaluate and reinterpret Poe and his works.There has never been any doubt about Poes enormous literary significance, but, with regard to his ultimate artistic merit, there has been consi

15、derable disagreement. To some extent, he is little more than a successful charlatan, whose literary performances are only a virtuosos display of stunning, but finally shallow, effects. Others, however, are struck by Poes profound probing of the human psyche, his philosophical sophistication, and his

16、 revolutionary attitude toward literary language. No doubt both sides of this argument are in part true in their assessments. Poes work is very uneven, sometimes reaching great literary heights, at other times striking the honest reader as meaningless, pathetic, or simply wrong-headed. This is not s

17、urprising, considering the personal turmoil that characterized so much of Poes short life. Poe was extreme in his literary views and practices; balance and equilibrium were not literary values that he prized. Scorning the didactic element in poetry, Poe sought to separate beauty from morality. In hi

18、s best poems, such as The City in the Sea , he achieved an intensification of sound sufficient to threaten the common sense of the poetic line and release a buried, even a morbid, sense that would enchant the reader by the sonic pitch of the poem. Defining poetry as the rhythmic creation of beauty,

19、Poe not only sought the dream buried beneath the poetic vision-Coleridge had already done that-but also abandoned the moral rationale that gave the buried dream symbolic meaning. The dream, or nightmare, was itself the content of the verse. Some readers, however, such as T. S. Eliot, have found Poes

20、 poetry extremely limited, both in its content and in its technique. While it is true that Poe was one of the few American poets to achieve international fame during the nineteenth century, critics point out that his influence on such literary movements as French symbolism and literary modernism was

21、 largely through the superb translations and criticisms of his writings by Baudelaire, Mallarme, and Valery. Poes theory of the short story, as well as his own achievements in that genre, contributed substantially to the development of the modern short story, in Europe as well as in the United State

22、s. Poe himself regarded his talent for fiction writing as of less importance than his poetry and criticism. The public preferred his detective stories, and his analytic tales. His own preference, however, was for the works of the imagination, such as Ligeia , The Fall of the House of Usher , and The

23、 Masque of the Red Death , tales of horror beyond that of the plausible kind found in the analytic stories. Just as with his poetry, however, readers have been strongly divided in their appreciation of the deeper worth of Poes fiction. For many, they are at best merely an effective display in Gothic

24、ism, good horror stories, an enjoyable experience in vicarious terror, but nothing more. This was the view of Henry James, that other great nineteenth-century master of the ghost story, who claimed that an enthusiasm for Poe is the mark of a decidedly primitive stage of reflection. But others have f

25、ound in these carefully crafted pieces something far more profound, a way of seeing into our unconscious, that place where, for a while at least, terrifying conflicts coexist. As Poe so well put it himself in the preface to his Tales of the Grotesque and Arabesque, If in many of my productions terro

26、r has been the basis, I maintain that terror is not of Germany but of the soul.” 本科生毕业论文题目：简析爱伦.坡的恐怖主义 作者姓名 XX 指导老师 XXX 所在学院 XXX学院 班级（系） XXXX 年级（届） XXXX届 结稿日期 XXXX年 5月8 日 XXXX大学外语学院教务处制The analysis of Allan Poes TerrorismBYXXXProf. XXXX, TutorA Thesis Submitted to Department of EnglishLanguage and L

27、iterature in PartialFulfillment of the Requirement for the Degree of B.A in EnglishAt XXXX UniversityMay 8th, XXXX 摘要爱伦坡是是美国文学历史上颇具争议的一位人物，他创作了大量的文学作品，都对美国文学史的发展产生了长远的影响。一方面，他对当时的主流美国文学潮流感到很厌烦，并且想逃离当时的美国。另一方面，文学自身独特的魅力深深地吸引着爱伦坡。更为重要的是他必须以写作谋生。萧伯纳曾经说过：美国文学史上有两位文学巨匠，一个是马克吐温，另一个是爱伦坡。这句话证明了爱伦坡确实对美国文学的发展

28、发挥了巨大的作用。爱伦坡是美国著名的诗人、作者、文学编辑以及文学批评家。他被认为十九世纪的著名作家之一。他是美国哥特式小说和世界侦探小说的开山鼻祖。他的作品的神秘感和恐怖感空前绝后。在他短暂的一生中，他著有七十多部小说，其中很大一部分都是关于恐怖主义的。因此，论文现在研究的就是他的作品中恐怖主义的表现。 论文的第一部分主要讲述的是爱伦坡的恐怖主义。这一部分主要讲的是社会环境对爱伦坡的恐怖主义的影响以及爱伦坡恐怖主义和其他恐怖主义的对比。 论文第二部分主要讲述恐怖主义在爱伦坡作品中的具体表现。论文作者主要将精力集中在厄舍屋的倒塌乌鸦黑猫这三篇集中表现爱伦坡的恐怖主义的文章上。尽管这几篇文章都是描

29、写爱伦坡恐怖主义特别好的文章，但是它们是用不同的文体来表现的，其中两篇是小说，一首是诗歌。这几篇文章从完全不同的角度展示了爱伦坡的恐怖主义，这都在很大程度上帮助读者更加深刻地了解爱伦坡的内心世界。最后一部分论文作者会提到其他能够很好体现爱伦坡恐怖主义的文章。 论文第三部分主要讲述的是爱伦坡恐怖主义的发展。如果读者想更好的了解恐怖主义，他就必须要了解恐怖主义由何而来，如何形成的。当提及爱伦坡的文学作品的时候，人们不得不提及他悲惨的个人生活。坦率说来，悲惨的生活确实为爱伦坡的文学创作做出了巨大的贡献。第二部分讲的是英国哥特式小说对爱伦坡做品德影响。最后文章也讲述了爱伦坡的恐怖主义的美学价值。关键词

30、：爱伦.坡 恐怖主义 黑猫 乌鸦ivAbstract Allan Poe is a self-contradictory figure in the American literary history. He has created a large number of great works which have an everlasting influence on the development of American culture. On the one hand, he feels disgusted and awful about the general American lite

31、rary trend and he wants to escape from it. While, on the other hand, he is fascinated by the charming literary works, whats more, he has to make a living on it. He is considered as one of the most distinguished writers in the nineteenth century. He is the creator of American gothic fiction and detec

32、tive fiction. He developed mystery and terror to an unprecedented degree. In his whole life, he has written about seventy novels, most of which are concerned with terrorism. So, the thesis is here dealing with the terrorism in his woks. In the first chapter, this thesis mainly deals with Allan Poes

33、terrorism. This part presents the social influence on Poes terrorism and comparison between Allan Poes terrorism and other terrorism.In the second chapter, this thesis mainly deals with the terrorism reflected in Allan Poes works. The writer concentrates his attention on The Fall of the House of Ush

34、er, the Raven, Black Cat. Because these three works are the most successful works of Poe, and these three have a good description of Allan Poes terrorism. Although all of them are trying to achieve the goal where is full of horror, they are in different style. Two of them are short stories, and the

35、other one is a poem. The totally different genres present Allan Poes terrorism from different angles, which can help readers have a better understanding of Allan Poes interior world. In the last part, the writer will refer to some other works which help readers understand terrorism better.In the thi

36、rd chapter, the thesis mainly deals with the development of Allan Poes terrorism. If he wants to have a better understanding of terrorism, he must know where it came from, how it came into being. Meanwhile, the circumstances which Poe lived in had a deep influence on his terrorism. Whats more, when

37、it comes to Allan Poes works, it could not help mentioning his tragic personal life experience which makes a great contribution to this fruitful writer. In the second part, it discusses about the influence from British gothic fictions on Allan Poes work. At last, it deals with the aesthetic value of

38、 Poes terrorism.Key words: Allan Poe Terrorism Black Cat RavenivTable of Contents Introduction1Chapter One. Allan Poes terrorism3A. Social Influence on Allan Poes Terrorism3B. Comparison between Allan Poes Terrorism and Other Terrorism4Chapter Two. Allan Poes terrorism reflected in his works6A. Terr

39、orism in the Fall of the House of Usher6B Terrorism in Raven9C Terrorism in Black Cat11Chapter Three. The development of Allan Poes terrorism13 A. The Contribution of Allan Poes Living Environment and His Tragic Personal Experience13B. Influence of the British Gothic Fictions15C. Its Aesthetic Value

40、21Conclusion22Notes24Bibliography2536IntroductionThere has never been any doubt about Poes enormous literary significance Edgar Allan Poe, John Henry Ingram. The Works of Edgar Allan Poe. BiblioBazaar, 2010, but, with regard to his ultimate artistic merit, there has been considerable disagreement. T

41、o some extent, he is little more than a successful charlatan, whose literary performances are only a virtuosos display of stunning, but finally shallow, effects. Others, however, are struck by Poes profound probing of the human psyche, his philosophical sophistication, and his revolutionary attitude

42、 toward literary language. There is no doubt that both sides of this argument are partly true in their assessments. Poes work is very uneven, sometimes reaching great literary heights, at other times striking the honest reader as meaningless, pathetic, or simply wrong-headed. It is certain that the

43、personal turmoil characterized so much of Poes short life. Poe was extreme in his literary views and practices; and his literary values were not prized with balance and equilibrium. Poe scorned the didactic element in poetry. At the same time, he was trying his best to separate beauty from morality.

44、 In his best poems, such as The City in the Sea , he achieved an intensification of sound sufficient to threaten the common sense of the poetic line and release a buried, even a morbid, sense that would enchant the reader by the sonic pitch of the poem. Poe defined poetry as the rhythmic creation of

45、 beauty. He not only sought the dream buried beneath the poetic vision-Coleridge had already done that-but also abandoned the moral rationale that gave the buried dream a symbolic meaning. The content of the verse are the dream, or nightmare. However, some readers, such as T. S. Eliot, have found Po

46、es poetry extremely limited, both in its content and in its technique. While it is true that Poe was one of the few American poets to achieve international fame during the nineteenth century, critics point out that his influence on such literary movements as French symbolism and literary modernism was largely through the superb translations and criticisms of his writings by Baudelaire, Malla