新视野大学英语课文.pdf
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1、Charlie ChaplinHe was born in a poor area of south London.He wore his mothers old red stockings cut down forankle socks.His mother was temporarily declared mad.Dickens might have created CharlieChaplins childhood.But only Charle Chaplin could have created the great comic character of the Tramp”,the
2、little man in rags who gave his creator permanent fame.Other countries France,Italy,Spain,even Japan and Korea have provided more applause(and profit)where Chaplin is concerned than the land of his birth.Chaplin quit Britain for good in1913 when he journeyed to America with a group of performers to
3、do his comedy act on the stagewhere talent scouts recruited him to work for Mack Sennett,the king of Hollywood comedy films.Sad to say,many English people in the 1920s and 1930,s thought Chaplin*s Tramp a bit,well,*crude Certainly middle-class audiences did;the working-class audiences were more like
4、ly toclap for a character who revolted against authority,using his wicked little cane to trip it up,oraiming the heel of his boot for a well-placed kick at its broad rear.All the same,Chaplins comicbeggar didnt seem all that English or even working class.English tramps didnt sport tinymoustaches,hug
5、e pants or tail coats:European leaders and Italian waiters wore things like that.Then again,the Tramps quick eye for a pretty girl had a coarse way about it that was considered,well,not quite nice by English audiences that*s how foreigners behaved,wasnt it?But for overhalf of his screen career,Chapl
6、in had no screen voice to confirm his British nationality.Indeed,it was a headache for Chaplin when he could no longer resist the talking movies and hadto find the right voice for his Tramp.He postponed that day as long as possible:in ModernTimes in 1936,the first film in which he was heard as a sin
7、ging waiter,he made up a nonsenselanguage which sounded like no known nationality.He later said he imagined the Tramp to be acollege-educated gentleman whod come down in the world.But if hed been able to speak with aneducated accent in those early short comedy movies,its doubtful if he would have ac
8、hieved worldfame.And the English would have been sure to find it odd”.No one was certain whether Chaplindid it on purpose but this helped to bring about his huge success.He was an immensely talented man,determined to a degree unusual even in the ranks ofHollywood stars.His huge fame gave him the fre
9、edom and,more importantly,the money tobe his own master.He already had the urge to explore and extend a talent he discovered in himselfas he went along.It cant be me.Is that possible?How extraordinary,is how he greeted the firstsight of himself as the Tramp on the screen.But that shock roused his im
10、agination.Chaplin didnt have his jokes written into a script inadvance;he was the kind of comic who used his physical senses to invent his art as he went along.Lifeless objects especially helped Chaplin make contact with himself as an artist.He turnedthem into other kinds of objects.Thus,a broken al
11、arm clock in the movie The Pawnbroker becamea sick patient undergoing surgery;boots were boiled in his film The Gold Rush and their soleseaten with salt and pepper like prime cuts of fish(the nails being removed like fish bones).Thisphysical transformation,plus the skill with which he executed it ag
12、ain and again,are surely thesecrets of Chaplins great comedy.He also had a deep need to be loved-and a corresponding fear of being betrayed.The two werehard to combine and sometimes as in his early marriages the collision between themresulted in disaster.Yet even this painfully-bought self-knowledge
13、 found its way into his comiccreations.The Tramp never loses his faith in the flower girl wholl be waiting to walk into thesunset with him;while the other side of Chaplin makes Monsieur Verdoux,the French wife killer,into a symbol of hatred for women.Its a relief to know that life eventually gave Ch
14、arlie Chaplin the stable happiness it had earlierdenied him.In Oona ONeill Chaplin,he found a partner whose stability and affection spanned the37 years age difference between them that had seemed so threatening that when the official whowas marrying them in 1942,turned to the beautiful girl of 17 wh
15、od given notice of their weddingdate and said,And where is the young man?*Chaplin,then 54,had cautiously waited outside.As Oona herself was the child of a large family with its own problems,she was well-prepared forthe battle that Chaplins life became as unfounded rumors of Marxist sympathies surrou
16、nded themboth-and,later on,she was the center of rest in the quarrels that Chaplin sometimes sparked intheir own large family of talented children.Chaplin died on Christmas Day 1977.A few months later,a couple of almost comic body-thievesstole his body from the family burial chamber and held it for
17、money:the police recovered it withmore efficiency than Mack Sennetts clumsy Keystone Cops would have done.But one cant helpfeeling Chaplin would have regarded this strange incident as a fitting memorial his way ofhaving the last laugh on a world to which he had given so many.(Words:909)The Political
18、 Career of a Female PoliticianModest and soft-spoken,Agatha Muthoni Mbogo,24,is hardly the image of a revolutionary.Yet,six months ago,she did a most revolutionary thing:She ran for mayor of Embu,Kenya,and won.Ms.Mbogos victory was even more surprising because she was voted in by her colleagues on t
19、heDistrict Council,all men.For the thousands of women in this farming area two hours northeast ofNairobi,Ms.Mbogo suddenly became a symbol of the increasingly powerful political forcewomen have become in Kenya and across Africa.Ms.Mbogo launched her dream of a career in politics in 1992 by running f
20、or the Embu Council,facing the obstacles that often trouble African women running for political office.She had littlemoney.She had no political experience.She faced ridiculous questions about her personal life.“My opponent kept insisting that I was going to get married to somebody in another town an
21、dmove away,”Ms.Mbogo said.Ms.Mbogo also faced misunderstanding among the towns women,many of whom initially wereunwilling to vote for her.She became an ambassador for womens political rights,giving speechesbefore womens groups and going from door to door,handbag in hand,spending hours at a timegivin
22、g a combination of speech and government lesson.“I was delighted when she won the election,because men elected her,*said Lydiah Kimani,anEmbu farmer and political activist.MIt was the answer to my prayers because it seemed to be avictory over this idea that women cant lead.Education of African women
23、 has become a top priority for political activists.One organization hasheld dozens of workshops in rural Kenya to help women understand the nation*s constitution andthe procedures and theory behind a democratic political system.One veteran female politicalactivist said that many women had not been t
24、aught the basics of political participation.They aretaught to vote for the one who gives you a half-kilo sack of flour,200 grams of salt,or a loaf ofbread during the campaign,said the activist.Women politicians and activists say they are fighting deeply held cultural traditions.Thosetraditions teach
25、 that African women cook,clean,take care of children,sow and harvest crops andsupport their husbands.They typically do not inherit land,divorce their husbands,control theirfinances or hold political office.Yet,political activity among Kenyan women is not a new phenomenon.During the struggle forindep
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