2022年大学英语考试模拟卷201测.pdf
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1、2022年大学英语考试模拟卷(本卷共分为1 大题50小题,作答时间为180分钟,总 分 100分,60分及格。)单 位:姓 名:考 号:题号单选题多项选择判断题综合题总分分值得分一、单项选择题(共5 0题,每题2分。每题的备选项中,只有一个最符合题意)1.What did Yasukuni shrine claimA.It claimed that the 40 Class-A war criminals were no longer war criminalsin Japan.B.It claimed that the Far East Sentence was not just.C.The
2、 war criminals should be no longer regarded as criminals.D.The government should not grant pensions to criminals.2.I Questions 9 and 10 are based on the fol lowing news.At theend of the news item,you wi I I be given 10 seconds to answer each of thefol lowing questions.Now Iisten to the news./1Which
3、one is not true according to the content of the newsA.This was the first congressional visit to the prison.B.The lawmakers ate the same launch given to detainees.C.A Senata delegation was visiting next weekend.D.The prison was under criticism this spring.3.BUTEXT B/BWestern tattooi sts work with a s
4、pec i a I electrical instrument,someth i ng I ike a dentist s dr i I I.It holds a number of very fine needles,which,for the purpose of reproducing the approved drawing,are dipped,in black ink.When the current is switched on,and the instrument passedrapidly over the out I ine,the act i on of the need
5、les drives the ink intothe skin.The tattoo i st i s constant I y wiping away excess ink as he works.This is where sk ill i s so important,for the speed of the instrument meansthat he must work rapidly over I ines which:are a I most permanently coveredover.The basic drawing then has to be colored in,
6、using the same methodbut with non-poisonous paint now replacing the ink.The average tattoocontains four or five colors,each injected with a separate instrument.How many need I es are used each t i me w i I I depend on the area to be covered,but it is possible to use as many as ten or tweIve,giving u
7、p to 3r 000injections a minute.F illin g in is a lengthier process than outlining,and,since most people find half an hour under the need Ies quite enough,a major tattoo can take a number of v isits to complete.Every v isit wi I Ileave the skin sore and stinging,and to prevent infection the area isfi
8、n a lly treated with an antiseptic cream and covered with a dressing.After a few days it fin a lly heals over,leaving the new tattoo clearlyvisible under the skin.And there it stays,for,as those who get tattooed and then thindbetter of it soon discover,getting r id of the tattoo is a far mored iffic
9、u lt business than getting it.The tattooist is powerless to undowhat he has done and can only refer unhappy customers to thei r doctorswho,no matter how sympathetic,are able to offer I ittIe encouragement.Remov i ng a tattoo,if it can be done at a 11,has to be by one of two methods,neither of them p
10、leasant or even comp IeteIy satisfactory,The firs t i sby surgery and skin replacement,an operation which leaves permanentmarks.The other possibi I ity is to re-tat-too over the offending designwith a special acidbased substance which absorbs the colors as it goes.This is a painfuI and Iengthy proce
11、ss which,though less expensive thanprivate surgery,is sti I I quite costly.Tattooing is a thorn in the sideof the medicaI professionM,is the view of one Har ley Street skinspec i a Ii st.He receives a constant stream of enquiries about removal,but in most cases the expense and discomfort of having i
12、t done make peopIedecide to go on living with thei r unwanted designs.Patients have towant it very much go to through with it,“he says.Those who do areusually the ones who find that they are refused jobs,or cannot getadvancement because the ir hands are decorated.nThis is such a common event that re
13、sponsible tattooists refuse to workon areas which cannot normal ly be covered up.The trouble is that mostpeopIe don5 t think about it unti I i t5 s too late.M says one ta tto o istwho had his own hands tattooed some years ago,and freely admits toregretting it.HI realize now that it looks in bad tast
14、e.nThe fine needles are used.A.to make the first rough outlineB.to finish the rough outlineC.to make the approved drawingD.to ink in the rough outline4.Bl TEXT E/BStory te llin g is an ancient and honored art.Story tel lers entertaineddur ing the long dark hours before sleep arrived after the sun di
15、sappearedover the western horizon.But the story te l le r,s job is more than justentertainment.Before the printed page appeared,story te l lers providedcultural continuity,preserving the past to serve as guide through thefuture.Storytellers told tales of heroes to provide positive examples,theIegend
16、s that held the tribe together and provided its identity,and thestories of foolish or evi I beings to remind young and old the penaltiesfor not living correctly.Even behavior too horrible to speak of directly,such as cann i ba Ii sm,cowardice or death,could be examined through themed i at i on of a
17、story.Even today,books,magazines,radio,television and movies sti I I havenot rep I aced the storyte I I er.None of these permanent,reproduc ible med i aare able to deliver a personal,individualized message with the impactof a we I I-to Id story.Whether the purpose of a story is to set a moody to ent
18、ertain,to teacha lesson,to amuse or to scare,nothing works I ike a good story at theright moment.A story with an obvious message concerning the results ofanother person1 s misbehavior can del iver a warning and deterrent thata di rect confrontation can not produce and the story wiI I do so withouthu
19、rting egos.A positive relationship can be maintained and,sometimes,even strengthened while s t ill delivering an unweI come message.This isthe power of the storytelI er.Not every story wiI I f it every situation.The story tel I er needs toseIect a story which wi I I meet the needs of the situation a
20、nd then thestory tel I er must tai lor the story to f it the time avaiI able,the ageof the audience the Iocation and the mood desired.A good story choicewi I I capture the interest of the audience.Audience members wi I I relateto a Iocation,experience or emotion that they share in common with thesto
21、ry tel ler and wi I I suspend disbel ief long enough to be drawn into thestory as it unfolds.Good stories build to a c I i max with a beginning,a middle and an end.The eIements of the story revealed in each sectionwiI I lead to the next.Predicaments and solutions wiI I depend on thedetaiIs of the st
22、ory revealed in an ear Iier section.However,betterstories may add a twist to make the ending unexpected and,therefore,more interesting.Scary stories shouId be matched to the age of the audience.A I ittIefee I ing of fr i ght as the story i s told may be benef icial in I earn i ng howto deal with sca
23、ry things,but the use of I inger ing fear that is carr iedaway from the story is simply terrorizing a susceptible person and helpsno one.it i s the responsibi I ity of the story teller to determine whatis appropriate and not to abuse the audience1 s good faith.Stories can come from nearly anywhere.F
24、olk tales,myths,legends,history(espec i a I I y local history),Indian stories,adventure yarns andother story tellers are al I sources of inspi ration.A short Iistin g ofco I I ected stor ies is appended a I ong w i th severa I examp I es of good stor i es.However,the best sources of stories for good
25、 story tellers are theirown experiences.When inspi ration and opportunity unite,a story is ready to be born.No matter what the source,the best stories are those of which the storyteller has some personal experience or knowledge.This can be combinedwith other sources and a I ittIe practice to produce
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