历年考研英语真题.pdf
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1、2011年全国硕士研究生入学考试英语(一)试题Se c t i o n I Us e o f En g l i s hDi r e c t i o n s:Re ad t h e f o l l o w i n g t e x t.Ch o o s e t h e b e s t w o r d(s)f o r e ac h n u m b e r e d b l an k an dm ar k A,B,C o r D o n ANSWER SHEET 1.(10 p o i n t s)An c i e n t Gr e e k p h i l o s o p h e r Ar i s t
2、o t l e v i e w e d l au g h t e r as “a b o d i l y e x e r c i s ep r e c i o u s t o h e al t h.Bu t?s o m e c l ai m s t o t h e c o n t r ar y,l au g h i n g p r o b ab l yh as l i t t l e i n f l u e n c e o n p h y s i c al f i l n e s s Lau g h t e r d o e s s h o r t-t e r m c h an g e s i
3、nt h e f u n c t i o n o f t h e h e ar t an d i t s b l o o d v e s s e l s,_ _ _ h e ar t r at e an d o x y g e nc o n s u m p t i o n Bu t b e c au s e h ar d l au g h t e r i s d i f f i c u l t t o,a g o o d l au g h i s u n l i k e l yt o h av e b e n e f i t s t h e w ay,s ay,w al k i n g o r
4、 j o g g i n g d o e s._ _ _ _,i n s t e ad o f s t r ai n i n g m u s c l e s t o b u i l d t h e m,as e x e r c i s e d o e s,l au g h t e rap p ar e n t l y ac c o m p l i s h e s t h e ,s t u d i e s d at i n g b ac k t o t h e 1930 s i n d i c at e t h atl au g h t e r,m u s c l e s,Su c h b o
5、d i l y r e ac t i o n m i g h t c o n c e i v ab l y h e l p _ _ _ _ t h e e f f e c t s o f p s y c h o l o g i c als t r e s s.An y w ay,t h e ac t o f l au g h i n g p r o b ab l y d o e s p r o d u c e o t h e r t y p e s o ff e e d b ac k,t h at i m p r o v e an i n d i v i d u al s e m o t i
6、o n al s t at e.o n e c l as s i c alt h e o r y o f e m o t i o n,o u r f e e l i n g s ar e p ar t i al l y r o o t e d p h y s i c al r e ac t i o n s.Itw as ar g u e d at t h e e n d o f t h e 19t h c e n t u r y t h at h u m an s d o n o t c r y t h e y ar e s adb u t t h e y b e c o m e s ad w
7、 h e n t e t e ar s b e g i n t o f l o w.Al t h o u g h s ad n e s s al s o t e ar s,e v i d e n c e s u g g e s t s t h at e m o t i o n s c an f l o wm u s c u l ar r e s p o n s e s.In an e x p e r i m e n t p u b l i s h e d i n 1988,s o c i al p s y c h o l o g i s tFr i t z.1.A am o n g B e x
8、 c e p t C d e s p i t e D l i k e2.A r e f l e c t B d e m an d C i n d i c at e D p r o d u c e3.A s t ab i l i z i n g B b o o s t i n g C i m p ai r i n g D d e t e r m i n i n g4.A t r an s m i t B s u s t ai n d e v al u at e D o b s e r v e5.A m e as u r ab l e B m an ag e ab l e C af f o r d
9、 ab l e D r e n e w ab l e6.AIn turn BIn fact CIn addition DIn brief7.Aopposite Bimpossible Caverage Dexpected8.Ahardens Bweakens Ctightens Drelaxes9.Aaggravate Bgenerate Cmoderate Denhance10.Aphysical Bmental Csubconscious Dinternal11.AExcept for BAccording to CDue to DAs for12.Awith Bon Cin Dat13.
10、Aunless Buntil Cif Dbecause14.Aexhausts Bfollows Cprecedes Dsuppresses15.Ainto Bfrom Ctowards Dbeyond16.Afetch Bbite Cpick Dhold17.Adisappointed Bexcited Cjoyful Dindifferent18.Aadapted Bcatered Cturned Dreacted19.Asuggesting Brequiring Cmentioning Dsupposing20.AEventually BConsequently CSimilarly D
11、ConverselySection II Reading ComprehensionPart ADirections:Read the following four texts.Answer the questions below each text by choosingA,B,C or D.Mark your answers on ANSffER SHEET 1.(40 points)Text 1The decision of the New York Philharmonic to hire Alan Gilbert as its next musicdirector has been
12、the talk of the classical-m usic world ever since the suddenannouncement of his appointment in 2009.For the most part,the response has beenfavorable,to say the least.Hooray!At last!”wrote Anthony Tommasini,asober-sided classical-music critic.One of the reasons why the appointment came as such a surp
13、rise,however,isthat Gilbert is comparatively little known.Even Tommasini,who had advocatedGilbert,s appointment in the Times,calls him“an unpretentious musician with noair of the formidable conductor about him.As a description of the next musicdirector of an orchestra that has hitherto been led by m
14、usicians like Gustav Mahlerand Pierre Boulez,that seems likely to have struck at least some Times readers asfaint praise.For m y part,I have no idea whether Gilbert is a great conductor or even a goodone.To be sure,he performs an impressive variety of interesting compositions,butit is not necessary
15、for me to visit Avery Fisher Hall,or anywhere else,to hearinteresting orchestral music.All I have to do is to go to m y C D shelf,or boot upm y computer and download still more recorded music from iTunes.Devoted concertgoers who reply that recordings are no substitute for liveperformance are missing
16、 the point.For the time,attention,and money of theart-loving public,classical instrumentalists must compete not only with operahouses,dance troupes,theater companies,and museums,but also with the recordedperformances of the great classical musicians of the 20th century.There recordingsare cheap,avai
17、lable everywhere,and very often much higher in artistic quality thantoday s live performances;moreover,they can be“consumed“at a time and placeof the listenery s choosing.The widespread availability of such recordings has thusbrought about a crisis in the institution of the traditional classical con
18、cert.One possible response is for classical performers to program attractive newmusic that is not yet available on record.Gilbert,s own interest in new music hasbeen widely noted:Alex Ross,a classical-music critic,has described him as a manwho is capable of turning the Philharmonic into a markedly d
19、ifferent,more vibrantorganization.But what will be the nature of that difference?Merely expandingthe orchestra,s repertoire will not be enough.If Gilbert and the Philharmonic areto succeed,they must first change the relationship between America,s oldestorchestra and the new audience it hops to attra
20、ct.21.W e learn from Para.1 that Gilbert s appointment hasAincurred criticism.Braised suspicion.Creceived acclaim.Daroused curiosity.22.Tommasini regards Gilbert as an artist who isAinfluential.Bmodest.Crespectable.Dtalented.23.The author believes that the devoted concertgoersAignore the expenses of
21、 live performances.Breject most kinds of recorded performances.Cexaggerate the variety of live performances.Doverestimate the value of live performances.24.According to the text,which of the following is true of recordings?AThey are often inferior to live concerts in quality.BThey are easily accessi
22、ble to the general public.CThey help improve the quality of music.DThey have only covered masterpieces.25.Regarding GilbertJ s role in revitalizing the Philharmonic,the authorfeelsAdoubtful.Benthusiastic.C c o n f i d e n t.D p u z z l e d.Te x t 2Wh e n Li am Mc Ge e d e p ar t e d as p r e s i d e
23、 n t o f Ban k o f Am e r i c a i n Au g u s t,h i se x p l an at i o n w as s u r p r i s i n g l y s t r ai g h t u p.Rat h e r t h an c l o ak i n g h i s e x i t i n t h e u s u alv ag u e e x c u s e s,h e c am e r i g h t o u t an d s ai d h e w as l e av i n g “t o p u r s u e m y g o al o f
24、r u n n i n ga c o m p an y.Br o ad c as t i n g h i s am b i t i o n w as “v e r y m u c h m y d e c i s i o n,“Mc Ge e s ay s.Wi t h i n t w o w e e k s,h e w as t al k i n g f o r t h e f i r s t t i m e w i t h t h e b o ar d o f Har t f o r dFi n an c i al Se r v i c e s Gr o u p,w h i c h n am
25、 e d h i m CEO an d c h ai r m an o n Se p t e m b e r 29.Mc Ge e s ay s l e av i n g w i t h o u t a p o s i t i o n l i n e d u p g av e h i m t i m e t o r e f l e c t o n w h atk i n d o f c o m p an y h e w an t e d t o r u n.It al s o s e n t a c l e ar m e s s ag e t o t h e o u t s i d e w o
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