高考英语外刊阅读模拟强化训练阅读理解专题二十四.docx
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1、高考英语外刊阅读模拟强化训练 阅读理解专题二十四Lockdown was brutal. But nature is healing. As frazzled urbanites emerge from their pandemic hibernaculum into a grim economy, some want to venture to the great outdoors. Small cities and rural areas are obliging by putting on funky new music festivals where the youth can dan
2、ce and hug and relax once again.A perfect example took place in mid-April at a remote wetland park in the southwestern province of Sichuan. Some 5,000 revellers gathered outside the city of Meishan for the Chunyou Festival (chunyou means “spring outing”). Sparkling lakes dot the landscape between gr
3、een hills and idyllic forests not far from Sichuans famous panda sanctuaries. A fifth of those attending came from outside Sichuan, many from Shanghai and Beijing. Many discounted tickets also went to locals, some of whom just came to watch the city folks boogie. Many urban hipsters have been to suc
4、h festivals this spring. Others have friends who have just returned from a forest near at own no one had ever heard of before, where they talked about love and peace and forgot about parental pressure to find a spouse and the ”996” grind (9am till 9pm, six days a week).Seeing their popularity, anoth
5、er struggling tribe has looked to cash in. Local officials also had a tough lockdown, exhausting their budgets chasing down every single case of covid, while watching their income slip away. Now, realising that anxious urban youths will pay good money to loiter near a yoga tent drinking craft beer o
6、r mingle at a Tibetan tea area, officials are scrambling to compete for tourists, and looking to build their smalltown brand by getting the cool kids posting online. Type #musicfestivals into Xiaohongshu, a social media app, and you get 2m hits. During the May Day holiday this year, more than 40 mus
7、ic festivals were held across 19 provinces and regions, with many of those in lower-tier cities. Zhuji, a small city two hours from Shanghai, reported that tourists spent 450m yuan ($64m) the weekend it launched its first-ever music festival, including an increase of 365% on hotels and restaurants f
8、rom the previous weekend. Yantai, a coastal city in Shandong province where this years Midi festival was held, said 340,000 tourists visited and spent 200m yuan. In the midst of a national economic slowdown, Zhuji and Yantai have both been struggling with debts.“Music festivals have brought fire to
9、us,” claimed the Zhuji government on WeChat, a social media platform, using the Chinese phrase for “going viral”.Chunyou “is a much-needed trip for me after living in Shanghai for a while,” says Wency Chen, who works in communications. Several of her friends had flown to Sichuan too. A woman in her
10、30s, who calls herself Peach, drove two hours with her brother to get there. The whole scene made her feel “happy and liberated”, she said.The music is not bad, either. Chinas live music scene has evolved a lot, and Chunyou featured a lot of ethnic minority tunes, played by artists such as Kawa, a r
11、eggae group from Yunnan province, and Ts.Bayandalai, an ethnic Mongolian musician. And, in spite of a crackdown on many areas of urban cultural life, there is still a sense of freedom in the music world. It may not equal the hedonism of some Western gigs, but the festivals are among the few places w
12、here rainbow flags can be waved. The organisers are keen to keep a smalltown vibe. “We dont want to become a giant festival,” says one. “We just want people to have fun.”【The Economist(May 27, 2023)】1. What did the urbanites do at the Chunyou Festival?A. They enjoyed a range of musical tastes B. the
13、y camped outside the city of Meishan and at the famous panda base C. they came and watched the locals boogie D. they came to find a spouse and worked the “996” grind 2. What measures did local officials take to compete for tourists?A. they chased down every single case of covid B. they are eager to
14、build their smalltown brand C. they cooperate with various social media apps D. they copy the pattern in Meishan and exhaust their budget 3. Why does the author mention Zhuji and Yantai in paragraph 4?A. to illustrate the positive effect music festivals bring about to small cities B. to display how
15、struggling the lower-tier cities are C. to emphasize hoe fashionable of urbanites to attend music festivals D. to raise a question about the environmental problems caused by tourism 4. What will the music festivals become in the future?A. they will become a giant festival renowned all round the worl
16、d B. they will become a model for urban cultural life C. they will become a place for people pursuing fun and freedom D. they will become an occasion only locals can feel happy and liberated In Nathaniel Hawthornes short story“The BirthMark”, a chemist called Aylmer marries a young woman, Georgiana,
17、 whose sole imperfection is a red blemish on her left cheek. He considers it a “fatal flaw”; she pleads with him to use his skills to remove it. Stumbling on his journal, however, Georgiana is astonished to find it is a catalogue of scientific mishaps. Might his loathing of her birthmark stem from h
18、is professional disappointment? At length Aylmer concocts a potion that has the desired effectand promptly kills her.Hawthornes 180-yea-rold tale illustrates the perils of perfectionism. It is Thomas Currans starting point for a study of what he calls a “hidden epidemic”. He thinks the obsessive pur
19、suit of ever higher standards, rather than propelling achievement, is mainly a scourge. A social psychologist at the London School of Economics, he describes himself as “a recovering perfectionist”. Drawing on both academic research and his own experiences of “deficit thinking”, he makes a vigorous
20、case, albeit one occasionally marked by clich.Mr Curran distinguishes between three sorts of perfectionism. The first, which looks inward, is the relentless self-scolding of the workaholic or punctilious student. A second version, directed towards others, is commonly found in bosses who have unreali
21、stic expectations of their staff and decry their supposed failings. The third and most troublesome kind is the form imputed to society: “an all-encompassing belief that everybody, at all times, expects us to be perfect”. Its victims tend to feel lonely; often they harm themselves and harbour thought
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