《了不起的盖茨比》中盖茨比的梦想及其悲剧成因 (1).docx
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1、 四川师范大学学位论文独创性声明 本人声明:所早、 y 学位论文 。沐兑二苯择冰 ” 盔 rn 二暫 丨今嘀 是本人在导师 &旨导下,独立进行研究工作所取得的成果。除文中已经注 明引用的内容外,本论文不含任何其他个人或集体已经发表或撰写过的作品或 成果。对本文的研究做出重要贡献的个人和集体,均已在文中以明确方式标明。 本声明的法律结果由本人承担。 本人承诺:己提交的学位论文电子版与论文纸本的内容一致。如因不符而 引起的学术声誉上的损失由本人自负。 学 位 论 文 作 者 签 字 曰 期 : /丨年 , Her eyes flashed around her in a. defiant way,
2、 rather like Toms, and she laughed with thrilling scorn. SophisticatedGod, Im sophisticated!” (Fitzgerald 17) Apparently, Toms mannerism has already become hers. But Gatsbys conception of goodness and beauty is fixed, and he eternally yearns for that beauty. When he kisses her, 4she blossomed for hi
3、m like a flower and the incarnation was complete”( 110). But Gatsbys disillusionment of love lies in the fact that Daisy fails to play the role assigned to her. Daisy is a young, beautifiil charming girl who attracts young men and becomes the social butterfly. Just as the white flower suggests, she
4、is perishable as well as otherworldly. When Gatsby points to her the scene of an actress and her director in one of his parties, Daisy is fond of the moving-picture actress because she has no substance in herself as well. The actress is such a gesture that is committed to her own image on the silver
5、 screen and is divorced from the awfulness of human reality. Daisys offering in such a human relationship shows her confession of faith. It is her announcement of her understanding of human emotion and conduct. Readers can easily see her emptiness curdle into the viciousness of moral indifference as
6、 the story unfolds. Although Daisys marriage assures her a lavish life, this kind of life is also vacant and aimless. She never knows how to make the best of her time. When she is in her house she says to Nick: “Whatll we plan?” she turned to me helplessly: Svhat do people plan?”( 18) When they are
7、in Plaza Hotel, she says: “Whatll we do with ourselves this afternoon,” cried Daisy, “and the day after that, and the next 30 years?”( 119) Once coming into Daisys drawing room, Nick humorously expresses his slight awareness of their difference: “you make me feel uncivilized, Daisy.” Her 36 Causes o
8、f Gatsbys Tragedy words about the rise of the colored races are as silly as that of Toms. After Daisy talks to Nick that she was unhappy with Tom, Nick feels more strongly the insincerity of her words. t4She is, to be sure, victimized by Tom, but she also embodies the world of which he is a part5 (L
9、ehan 76). Gatsby imagination and his will are arrested by an idealized concept of beauty and love. The loss of his beloved girl creates an eternal striving and expectation keeps the world beautifully alive. When discussing Daisys role in Gatsbys life, Marius Bewley argues, The true question is not w
10、hat Gatsby sees in Daisy, but the direction he takes from her, what he sees beyond her; and that has, despite the immaturity intrinsic in Gatsby5s vision, an element of grandeur in it. For Gatsby, Daisy does not exist in herself. She is the green light that signals him into the heart of his ultimate
11、 vision. (Bewley 39-40) There is a dialogue between Gatsby and Nick which shows Gatsbys suggestive awareness of Daisys dimmed lustre after five years interval when they are not with each other: “And she doesnt understand/ he Gatsby said. “She used to be able to understand. Wed sit for hours” He brok
12、e off and began to walk up and down a desolate path of fruit rinds and discarded favors and crushed flowers. “I wouldnt ask too much of her, I ventured. “You cant repeat the past.” “Cant repeat the past?” he cried incredulously. “Why of course you can!” He looked around him wildly, as if the past we
13、re lurking here in the shadow of his house just out of reach of his hand. “I am going to fix everything just the way it was before, ” he said, nodding determinately. “Shell see.”( Fitzgerald 133) Daisy lives on a less idealized plane and is more humanly adult than Gatsby. 37 Gatsby fails to see what
14、 she is in reality. Wholly involved in the material-orientated world, she demands unquestionable practicality.” By contrast, Daisy becomes Gatsby5s legend, a part of his private past which he will bring to the future. As a product of romantic vision, Gatsby lacks proper realistic values. His own val
15、ues has been left in the backwash of time and are arrived at nostalgically. More importantly, Gatsby has not realized that Daisy fails to constitute the objective correlative of his vision. Fitzgerald maintains it with sureness on a symbolic level where it is identified with and reflects the failure
16、 of Gatsbys decadent American world. (Bewley 40) 4.1.2 Illegal Means to Get Rich Material possession becomes one of the most respected standards to judge one success and social status. Gatsby learns the important role money plays in creating and supporting a way of life from his experience of workin
17、g with Dan Cody and that of losing his beloved girl. When Gatsby meets Daisy in Louisville for the first time, he knows clearly that he has “no real right to touch her hand”( Fitzgerald 156) because they are in quite different social positions: Daisy is rich while he is poor. He cannot even conceal
18、his poverty and court Daisy without his military uniform. This kind of situation makes him regard money as a requisite to love without the slightest consideration of the means to earn money or the ways to throw off his money. lGatsby struggles to overcome his poverty and then to be extremely rich in
19、 order to marry the girl of his dreams (Lathbury 57). The most urgent thing for him is to amass enough money. Then Gatsby meets Meyer Wolfsheim, who introduces him to the criminal career. It brings him a big fortune from the sale of fraudulent bonds as well as in the management of bootlegging operat
20、ions. Like many critics, Roger Lathbury is also fascinated much by the symbol of money. Commenting on Gatsby5s understanding of money, he says, 4If money is necessary of the life Gatsby envisions, understanding money is equally important, and this understanding Gatsby, in spite of his apparent abili
21、ty to make a fortune, does 38 Causes of Gatsbys Tragedy not have5 (65). For Gatsby, he cannot choose money or love. They are so closely related to each other that he may get both or neither. Their inseparability becomes the defining characteristic of the romantic figure. tlHis struggle to overcome h
22、is impoverished circumstances and to fulfill himself gives him force and attractiveness to Daisy and Nick, and to the reader as well, and all are drawn into consideration love and money as interdependent”( 59). Considering this linkage, Gatsby is both right and naive at the same time. People marry t
23、hose who makes them feel happy and in the same social position. It is not possible for such a poor boy like Gatsby to marry his beloved rich girl. Gatsby is right in thinking that Daisy will most probably marry into money. Thoroughly social, Daisy has been raised up in a surrounding where a large am
24、ount of money is taken for granted. When Gatsby becomes rich, he uses his money to hold parties in the hope that Daisy will join in them. His rival, Tom asks his friend to investigate Gatsbys business in detail. Gatsby is so naive as to think that all money is the same. Money and love are linked, bu
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