原版英语RAZ 教案(Z2) Roots of Rap.pdf

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1、Roots of RapA Reading AZ Level Z2 Leveled BookWord Count:1,761Visit www.readinga- for thousands of books and materials.WritingResearch an original hip-hop DJ.Write a biography describing the DJs life,influences,and what the artist is doing today.Be sure to cite your references.Social StudiesCreate a

2、 timeline showing the evolution of rap music.Include key dates and people.Research additional information,if needed.Include at least five events on your timeline.Connectionswww.readinga-Written by Randolph HeardXZ1Z2LEVELED BOOK Z2www.readinga-How has rap influenced the music that came after it?Focu

3、s QuestionWritten by Randolph HeardCorrelationLEVEL Z2YZN/A70+Fountas&PinnellReading RecoveryDRARoots of Rap Level Z2 Leveled Book Learning AZWritten by Randolph HeardAll rights reserved.www.readinga-amplifiercommentaryculturesdefacinginfluentialinfrastructureinnovationinspiredmainstreampovertyturnt

4、ablesvinylWords to KnowFront and back cover:Grandmaster Flash and his group the Furious Five were the first hip-hop act to be inducted into the Rock and Roll Hall of Fame.Page 3:Run-DMC and the Beastie Boys pose for their tour promotion photo,1987.Photo Credits:Front cover,back cover:MediaPunch Inc/

5、REX USA;title page,page 13:Sean Pavone/123RF;page 3:Marty Lederhandler/AP Images;page 4:Owen Franken/Corbis;pages 5,8(center):WENN Ltd/Alamy;page 6:Ted Spiegel/Corbis;page 7:S.I.N./Alamy;page 8(top):Anderson Ross/Blend Images/Corbis;pages 8(bottom),12:PYMCA/Alamy;page 9:Thinkstock/Stockbyte/Thinksto

6、ck;page 10(left):Keystone Pictures USA/Alamy;page 10(right):Pictorial Press Ltd/Alamy;page 11:Heide Benser/Corbis;page 15:Andre Csillag/REX USA;pages 16(both),17(top):Granamour Weems Collection/Alamy;page 17(bottom):Jazz Archiv Hamburg-ullstein bild/Granger,NYC;page 18(top):courtesy of Upper Hutt Po

7、sse;page 18(bottom):courtesy of Third3ye;page 19(top):Keizo Mori/AFLO/Nippon News/Corbis;page 19(center):Carlos Cazalis/Corbis;page 19(bottom):Agencja Fotograficzna Caro/Alamy3 Roots of Rap .4Born at the Block Party .6 The Four Pillars of Hip-Hop .8 The DJ .9 Breaking .11Graffiti Art .13Rap .15Rap E

8、volves .16The Party Doesnt Stop .19Glossary .20ContentsRoots of Rap Level Z2Run-DMC and the Beastie Boys4 New York City in the 1970s was a dismal scene of twentieth-century urban decay.The citys growing financial and social problems resulted in high crime rates,soaring poverty and homelessness,and a

9、 crumbling infrastructure.The future was dim for many New Yorkers,particularly those in poor neighborhoods with few resources to begin with.Out of this poverty and decay,however,a new style of music would arise.One hot summer afternoon in 1973,teenager Cindy Campbell asked her sixteen-year-old broth

10、er Clive to DJ(disc jockey)a back-to-school jam.The party would take place on August 11 at 1520 Sedgwick Avenue in their South Bronx neighborhood,which was made up mostly of African American and Puerto Rican immigrants.The Campbell family had emigrated from Jamaica five years earlier.In Jamaica,Cliv

11、e had grown up going to local parties,known as dancehalls,that featured local DJs talking,or toasting,over music played on portable sound systems.Roots of RapIn the 1970s,abandoned buildings were a common part of the South Bronx landscape.5Clive didnt have access to much fancy equipment.He picked ou

12、t some records from his large collection and hooked up two turntables to a guitar amplifier.Clive,nicknamed“Hercules”because of his large frame,performed under the name DJ Kool Herc.The party was an incredible success.Little did he know that this party would give rise to the birth of a global musica

13、l movement known as hip-hop.The next day Clive was famous throughout the Bronx,and he went on to become known as the Father of Hip-Hop.Like Clive,other kids from different backgrounds and cultures were inspired to take what little they hadbeat-up turntables,vinyl records,a microphoneand use their cr

14、eativity to invent an entirely new musical culture.Hip-hop featured a distinct kind of performance called rapping that showcased clever rhymes and catchy beats.This winning combination of creativity caught fire all over the world.Roots of Rap Level Z2DJ Kool Herc and Cindy Campbell6 During a block p

15、arty,a neighborhood closes its streets to traffic so people can come together outdoors to have fun.In the 1970s,block parties were especially common in poor communities like the South Bronx,where people had to find creative ways to make their own entertainment.At the same time,the technology needed

16、to create ones own entertainment had become widely available and affordable enough that more people could access it.Block parties proved to be essential to the growth of hip-hop.Unlike mainstream music lovers who went to live performances in concert venues,audiences at block parties participated by

17、giving performers instant,live feedbackboth positive and negative.These were people from Born at the Biock PartyNeighborhood block parties helped develop a sense of community in cities across the country.7the surrounding communitypeers,friends,neighbors,and even rivals.Hip-hop thrived and constantly

18、 transformed because of this immediate feedback from live audiences.The original hip-hop artists knew they could become legendary among their peers.But they did not realize that what they were creating would become world famous.Looking back at those days,DJ Kool Herc noted that no one knew they were

19、 actually making history by creating a new culture.Grandmaster Flash,one of hip-hops pioneer DJs,turned down his first offer to make a record.He was charging a dollar or two for local shows and couldnt imagine anyone would want to pay full price for a hip-hop record.Grandmaster Flash was one of seve

20、ral pioneer DJs who created and popularized the breakbeat.Roots of Rap Level Z28Early hip-hop was more than just music;it was an entire culture.It had a lifestyle all its own that was expressed in different ways.Since the hip-hop community had no access to performing in clubs,dancing on stages,or ex

21、hibiting their art in galleries,artists took their creativity to the streets and made them their stageand the city,their audience.Early hip-hop DJs,such as Afrika Bambaataa,and MCs(rappers),such as KRS-ONE,referred to the“four pillars,”or key elements,of hip-hop culture:the DJ,the MC,breaking,and gr

22、affiti art.Each was considered equally important.The Four Piiiars of Hip-HopKRS-ONEAfrika BambaataaA keen ear and precision focus are some of the elements that make a successful DJ.9The DJThe duty of a DJ has always been to keep the music flowing.Typically,as a song was ending on one turntable,the D

23、J used the second turntable to fade in a new song.To play music,the DJ placed the turntable needle on a groove in the record,ideally as smooth as possible.Hip-hop,however,turned this tradition on its head by taking the tools designed to play music and transforming them into tools to make music.One o

24、f the most distinctive sounds to come out of early hip-hop,called scratching,was developed by early hip-hop DJs from New York City,such as Grand Wizard Theodore.DJs started to experiment and created a scratchy sound by moving the vinyl record back and forth with their hand while it was playing on th

25、e turntable.Original hip-hop DJs used turntables to scratch and mix music.Roots of Rap Level Z210Some of the most widely used breakbeats of early hip-hop were originally found in The Winstons“Amen Brother”(1969);James Browns“Funky Drummer”(1970);Lyn Collinss“Think(About It)”(1972);and the Incredible

26、 Bongo Bands cover of“Apache”(1973).Despite their forming the foundation of countless other songs,these breakbeats werent very long.The breakbeat from“Amen Brother”is a drum loop that lasts only six seconds.BreakbeatsIn 1974,DJ Kool Herc became popular enough to get shows in Bronx clubs.Herc noticed

27、 that the crowd often loved a part of the record called the breakbeata catchy rhythmic phrase.He used his two turntables to repeat the break over and over,creating a brand-new sound from just the breakbeat.From this musical innovation also came the idea of sampling,or taking a part(sample)of a sound

28、 recording and reusing it in a different song.These musical innovations of early hip-hop influenced music-makers for years to come.Hip-hop DJs created this new music from records that already existed,whether they were making breakbeats,sampling catchy vocal bits,or adding scratching.This new idea pr

29、oved to be profoundly influential far outside the world of hip-hop.James BrownLyn Collins11Breaking Although the media called it breakdancing,the original street dancers preferred to call what they did breaking and referred to themselves as b-boys,b-girls,or breakers.Breakers danced to hip-hop,funk

30、music,and,of course,breakbeats.They danced alone or as part of a dance crew.Breakers would demonstrate their improvisational skills while the breakbeat played,typically using four types of movement:Toprock is a dance done standing up to initiate breaking.A unique style is key.Downrock is a move usua

31、lly performed with hands and feet on the floor.The emphasis is on foot speed and footwork combinations.A b-boy performs one of many types of freezes.Roots of Rap Level Z212 Power moves are closer to gymnastics than to dancing.This centerpiece of a routine relies on speed,momentum,and acrobatics.Free

32、zes are just what they sound likethe breaker stops,or freezes,all bodily motion,typically in an unusual or difficult position.Dance battles,where two breakers or two dance crews would take turns showcasing best moves,were common.They were judged on their creativity,skill,and musicality by audiences

33、that encircled the breakers.Breaking became world famous because of its uniquely appealing style.It was featured in movies,parodied on TV shows,and adopted and adored by hip-hop fans all over the world.Competition was an important part of every creative aspect of hip-hopeverybody wanted to be the be

34、st,the newest,and the freshest.A conflict that might once have been settled with physical confrontation could instead be addressed through the creative victory of a rap battle or a breakdance showdown.Two rappers would throw down their best verses,or two dancers would show off their most impressive

35、movesand let the live audience decide who had won.Surviving Your Rivai13The streets of urban New York had graffiti well before hip-hop.But in the early 1970s,graffiti artists expressed hip-hop culture by spray-painting personalized signatures on,or tagging,the sides of buildings,subway cars,buses,an

36、d even places that seemed impossible to reach.Like many DJs,MCs,and breakers,graffiti artists were extremely competitive,each desiring the fame that came from the communitys seeing their enormous,aerosol-painted street tag on the side of a building or bridge.This sense of competition bred artistic i

37、nnovation.Bubble lettering was popular first.But the elaborate,almost unreadable“wildstyle”that came out of Brooklyn proved to be the defining look.Graffiti ArtSome consider tagging vandalism,while others see it as a form of artistic expression.Roots of Rap Level Z214Graffiti artists were committing

38、 a criminal act in defacing public property.Those outside the culture saw it as environmental pollution.However,for those entrenched in hip-hop culture,graffiti was considered high art.Eventually,many of the artists work was sought after and welcomed in art galleries around the world.Classic hip-hop

39、 graffiti has been preserved in museums and art books,and on the Internet.Political and social topics have often been an integral part of popular American music.Blues,jazz,and rock n roll have all created their share of controversy.Rap,however,brought the idea of controversial music to an entirely n

40、ew level.Like many genres of music that preceded it,rap evolved as its popularity grew.With the growth of gangsta rap in the 1990s,the focus of some rap lyrics shifted to more controversial issues such as violence,sexism,gangs,and drugs.With this shift,anti-rap sentiment began to grow.Gangsta rap be

41、came synonymous with the Parental Advisory labels that had begun appearing on records in the mid 1980s.These labels warned consumers that the content of the lyrics could be considered offensive.Throughout the history of hip-hop,rappers have reported on the reality of their experiences.Some rap artis

42、ts believe their music has been unjustly targeted,when music of other genres might be seen as equally offensive.Rap will undoubtedly keep creating controversy and provoking conversation as artists continue to relay the reality of life as they see it through their lyrics.Rapped in Controversy15In the

43、 beginning,the rapper was called the MC(which traditionally stands for Master of Ceremonies).As the DJ mixed dance records to keep the party moving,the MC grabbed the microphone and did call-and-response to excite and involve the crowd(MC:“Everybody say ho!”Audience:“HO!”).Rapping progressed rapidly

44、 from shouting out friends names and audience call-and-response to simple rhymes that worked well with the beat.A rapper was always judged by the content,flow,and delivery of his or her rap.The content covered a wide range of subjects,from clever,egotistical rhymes to social and political commentary

45、 everything was fair game.RapRun-DMC is considered one of the most influential hip-hop groups of all time.From left:DMC,Jam Master Jay,and DJ Run Roots of Rap Level Z216Having good flow meant staying true to the beat while delivering the lyrics.To maintain the same rhythmic pulse as the music,rapper

46、s stress a particular syllable of their lyric to match the beat.Good delivery indicated the mastery of the voice.This involved vocal presence(a unique,recognizable rapping voice),enunciation(clarity or stylized slurring of words),and breath control(breathing without interrupting delivery).Although b

47、reaking,graffiti art,and DJing are still present and vibrant,rap as a musical art form clearly broke away from the pack.In the beginning,the rapper was just a part of the hip-hop party,adding flavor to the DJs mix of songs and getting the crowd more excited and involved.But once hip-hop records star

48、ted becoming hugely popular,the rappers themselves became the stars.From the release of“Rappers Delight”by the Sugarhill Gang in 1979,raps first worldwide hit,through the present day,rap music has evolved and transformed in many different ways.Although it has always Rap Evoives17functioned as party

49、music,even the earliest rappers used their skills to address serious social and political issues.“The Message,”released in 1982 by Grandmaster Flash and the Furious Five,described a blistering portrait of urban poverty and misery in the streets of New York.Now,rap music has grown to the point where

50、it can encompass any style,and rapping has been featured in songs of almost every genre,from hard rock to country pop.In 1979,Kurtis Blow became the first commercially successful solo rapper.He was the first to be signed by a major record label,the first to tour both nationally and internationally,a