JoshuaPrinceRamus_2006[雷默斯谈][西雅图的图书馆].pdf
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1、www.XiYuS锡育软件Im going to present three projects in rapid fire.我将快速地展示三件作品00:17I dont have much time to do it.我时间不多00:19And I want to reinforce three ideas with that rapid-firepresentation.并且我想通过快速的展示来强化这三件作品的概念00:21The first is what I like to call a hyper-rational process.第一件作品我将它的设计称之为高度理性主义00:24It
2、s a process that takes rationality almost to an absurd level,and it transcends all the baggage that normally comes withwhat people would call,sort of,a rational conclusion tosomething.它几乎 已经理性到了荒唐的境界 它已经超过了 人们通常可以接受的 理性的程度00:27And it concludes in something that you see here,that youactually wouldnt
3、expect as being the result of rationality.它包含了一些你看得见 但却想不到是理性主义的一些元素00:38The second-unclear oh-the second is that this processdoes not have a signature.第二件 这第二件作品 并没有署名00:45There is no authorship.Architects are obsessed withauthorship.我们不知作者是谁,而通常建筑师很乐于署名00:53This is something that has editing and i
4、t has teams.通常以团队形式00:56In fact,we no longer see,within this process,the traditionalmaster architect creating a sketch that his minions carry out.事实上我们在这件作品中看不到 传统建筑大师的创造 而只是他的助手画出的草图00:58reinforce:vt.加强,加固;强化;补充/vi.求援;得到增援;给予更多的支持/n.加强;加固物;加固材料 rapid-fire:adj.速射的;急速的rationality:n.合理性;合理的行动 transcen
5、ds:vt.胜过,超越 authorship:n.(书等的)原创作者,来源;作者的身份;著述业minions:n.奴才;宠臣(minion的复数)carry out:vt.执行,实行;贯彻;实现;完成And the third is that it challenges-and this is,in the lengthof this,very hard to support why,connect all these things-but it challenges the high modernist notion of flexibility.第三个,有点难度 以它的长度,很难把所有这些
6、连接在一起 但它挑战了最现代意义上的灵活性01:06High modernists said,we will create,sort of,singular spacesthat are generic.现代主义认为,我们创造 一种共有的单一空间01:16Almost anything can happen within them.几乎所有的事都能在那里发生01:20I call it sort of shotgun flexibility.我把它称为射击的灵活性01:22Turn your head this way,shoot,and youre bound to killsomethin
7、g.把你的头转向这边,射击,你一定会打中目标01:24So,this is the promise of high modernism:within a singlespace,actually,any kind of activity can happen.这就是现代主义的预示 在单一空间里,所有的事都可能发生01:27But as were seeing,operational costs are starting to dwarfcapital costs in terms of design parameters.但正如我们看见的 对于设计而言 运转费用超过了资本成本01:32And
8、so,with this sort of idea,what happens is,whateveractually is in the building on opening day,or whatever seemsto be the most immediate need,starts to dwarf thepossibility and sort of subsume it,of anything else couldever happen.一旦有了这种想法 所有正在建造中的 或者所有看似最急迫的需求 都会阻止想法的落实 以及最后设计成果的诞生01:40modernist:n.现代主
9、义者;现代主义艺术家/adj.现代主义的 flexibility:n.灵活性;弹性;适应性 modernists:n.现代主义者;现代主义艺术家/adj.现代主义的 singular:adj.单数的;单一的;非凡的;异常的/n.单数 generic:adj.类的;一般的;属的;非商标的 shotgun:n.霰弹猎枪/adj.猎枪的;被迫的/vt.用猎枪射击;强迫/vi.用猎枪射击 bound to:一定会;束缚于 modernism:n.现代主义;现代思想;现代作风 dwarf:vi.变矮小/n.侏儒,矮子/vt.使矮小/adj.矮小的 in terms of:依据;按照;在方面;以措词 su
10、bsume:vt.把归入;把包括在内And so were proposing a different kind of flexibility,something that we call compartmentalized flexibility.所以我们提出一种不一样的灵活性 我们称之为“分类的灵活性”01:52And the idea is that you,within that continuum,identify aseries of points,and you design specifically to them.大致的概念就像 你连续地确认一系列点,并对它们进行设计01:5
11、9They can be pushed off-center a little bit,but in the end youactually still get as much of that original spectrum as youoriginally had hoped.它们会有点偏离中心 但最后你还是会得到 和你最初想要的类似的效果02:04TED演讲者:Joshua Prince-Ramus|雷默斯谈演讲标题:Designing the Seattle Central Library|西雅图的图书馆内容概要:Joshua Prince-Ramus is best known a
12、s architect of the Seattle Central Library,alreadybeing hailed as a masterpiece of contemporary culture.Prince-Ramus was the founding partnerof OMA New Yorkthe American affiliate of the Office for Metropolitan Architecture(OMA)inthe Netherlandsand served as its Principal until he renamed the firm RE
13、X in 2006.建筑师约书亚?普林斯?雷默斯带观众体验眼花缭乱的视觉之旅,它展示了近期的三件作品:西雅图中央图书馆、路易斯维尔(肯塔基州)的博物馆广场、以及达拉斯的查尔斯?威利剧院With high modernist flexibility,that doesnt really work.而现代主义的灵活性,这点却不能成立02:12Now Im going to talk about-Im going to build up theSeattle Central Library in this way before your eyes in aboutfive or six diagra
14、ms,and I truly mean this is the designprocess that youll see.现在我来谈一下,我打算建造西雅图中央图书馆你们可以看到五六个图表 这就是你们将看到的设计过程02:15With the library staff and the library board,we settled on twocore positions.我们同图书馆委员会及工作人员一起 确定了两个核心设置02:24This is the first one,and this is showing,over the last 900years,the evolution o
15、f the book and other technologies.这是第一个,它显示了,在过去900年里,书和其他技术的进化过程02:29proposing:v.提议(propose的现在分词);求婚 compartmentalized:v.区划,区分(compartmentalize的过去分词形式);把分成各自独立的几部分 continuum:n.数连续统;经连续统一体;闭联集 off-center:adj.偏离中央的;不平衡的/adv.歪斜不正地,不平衡地 in the end:终于,最后 spectrum:n.光谱;频谱;范围;余象 build up:增进,加强This diagram
16、 was our sort of position piece about the book,and our position was,books are technology-thatssomething people forget-but its a form of technology thatwill have to share its dominance with any other form of trulypotent technology or media.这图代表了我们对书的定位 书本就是技术 许多人忘了这点 但是我们需要借助其他技术或媒介 才能分享书的影响力02:36The
17、 second premise-and this was something that was verydifficult for us to convince the librarians of at first-is thatlibraries since the inception of Carnegie Library tradition inAmerica had a second responsibility,and that was for socialroles.第二个预设,这个很难,我们花了很大力气去说服图书管理员 它们自从 美国卡耐基图书馆的传统开始 就承担了一种第二性的社
18、会责任02:50OK,now,this Ill come back to later,but something,actually,the librarians at first said,No,this isnt our mandate.好了,现在,我们稍候再说这个,但是 那些图书管理员一开始会说:“不,这不是我们要管的”03:02Our mandate is media,and particularly the book.我们管的是媒介,尤其是书03:07So what youre seeing now is actually the design of thebuilding.所以你现在
19、看到的其实是建筑的设计03:12The upper diagram is what we had seen in a whole host ofcontemporary libraries that used high modernist flexibility.上面的图表 是我们在整个当代图书馆里看到的 它们运用到了现代主义的灵活性03:14dominance:n.优势;统治;支配 potent:adj.有效的;强有力的,有权势的;有说服力的 premise:vt.引出,预先提出;作为的前提/n.前提;上述各项;房屋连地基/vi.作出前提 inception:n.起初;获得学位/n.盗梦空间
20、(电影名)mandate:n.授权;命令,指令;委托管理;受命进行的工作/vt.授权;托管 contemporary:n.同时代的人;同时期的东西/adj.当代的;同时代的;属于同一时期的Sort of,any activity could happen anywhere.就是那种,任何事在任何地方都可能发生的03:22We dont know the future of the library,we dont know thefuture of the book,and so well use this approach.我们不知道图书馆的未来,也不知道书的未来 所以我们用这个方法03:26
21、And what we saw were buildings that were very generic.我们看到的建筑千人一面03:30And,worse,not only did we see buildings that were verygeneric-so,not only does the reading room look like thecopy room look like the magazine area-but it meant thatwhatever issue was更糟的是并不只是看上去非常相似 不只是阅览室和文印室 或者和杂志区长得差不多 更重要的是它意味着
22、03:32troubling the library at that moment was starting to engulfevery other activity that was happening in it.所有图书馆里发生的事 都会相互干扰相互影响03:42And in this case,what was getting engulfed were these socialresponsibilities by the expansion of the book.在这种情况下 书的社会责任之延伸将得不到发挥03:47And so we proposed whats at the
23、 lower diagram.所以我们提出了下面的这个图03:52Very dumb approach:simply compartmentalize.Put thosethings whose evolution we could predict-and I dont meanthat we could say whatever would actually happen in thefuture,but we have some certainty of the spectrum ofwhatever would happen in the future-put those in boxe
24、sdesigned specifically for it,and put the things that we cantpredict on the rooftops.很土的办法 简化分类,将这些我们可以预料的事我并不是说我们可以预测未来发生什么 但是我们很确信有这种 未来发生的可能性 把这些东西放在一个专门设计的盒子里 而把那些无法预测的放在屋顶03:55troubling:n.浊度;浑浊度 engulf:vt.吞没;吞食,狼吞虎咽 every other:所有其他的;每隔一个的 engulfed:vt.吞没;吞食,狼吞虎咽 responsibilities:n.责任;职责(respons
25、ibility的复数)proposed:adj.被提议的;所推荐的/v.提议;计划(propose的过去式和过去分词)compartmentalize:vt.划分,区分 rooftops:n.屋顶/adj.屋顶上的So that was the core idea.这就是核心思想04:12Now,we had to convince the library that social roles wasequally important to media in order to get them to acceptthis.现在,为了让图书管理员认识到这一点 我们必须说服他们 社会责任和媒介的作用
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